TY - JOUR T1 - The Concept of Mimesis: History, Meaning, and Epistemic Context TT - Mimesis Kavramı: Tarih, Anlam ve Epistemik Bağlam AU - Früchtl, Josef AU - Früchtl, Josef PY - 2025 DA - October Y2 - 2025 DO - 10.64957/nesir.1803098 JF - Nesir: Edebiyat Araştırmaları Dergisi JO - Nesir PB - Düşünce ve Edebiyat Araştırmaları Derneği WT - DergiPark SN - 2757-9999 SP - 297 EP - 309 IS - 9 LA - en AB - From Ancient Greece the concept of mimesis largely defines our understanding of art right up until the end of the eighteenth century, when it is drastically suppressed, until it re-emerges in the mid-twentieth century with a new focus, characterized not through philosophical aesthetics this time, but through the social and cultural sciences. Viewed historically and systematically, mimesis or imitation can be reconstructed as a concept which revolves around two poles, namely a world-reproducing and a world-creating pole, that fundamental aspect of art as a realistic mirror of nature, and art as its own, autonomous world. As imitation of action mimesis finally proves to be a primarily practical and social capacity. KW - Imitation of nature KW - creation KW - realism KW - action KW - philosophical aesthetics KW - social and cultural sciences N2 - Antik Yunan’dan başlayarak on sekizinci yüzyılın sonuna dek sanat anlayışımızı büyük ölçüde belirleyen mimesis kavramı, bu dönemde radikal biçimde baskılanmış, ancak yirminci yüzyılın ortalarında bu kez felsefi estetiğin çerçevesinde değil, sosyal ve kültürel bilimler bağlamında farklı bir odakla yeniden ortaya çıkmıştır. Tarihsel ve sistematik açıdan bakıldığında, mimesis ya da taklit, sanatın hem doğanın gerçekçi bir aynası olma hem de kendi özerk dünyasını kurma yönündeki temel boyutlarını ifade eden, dünyayı yeniden üreten ve dünyayı yaratan iki kutup etrafında yeniden inşa edilebilecek bir kavram olarak belirir. Eylemin taklidi olarak mimesis, nihayetinde esasen pratik ve toplumsal bir yeti olduğunu kanıtlamaktadır. CR - Aristoteles. Poetik. Edited and translated by Manfred Fuhrmann. Reclam, 1982. CR - Blumenberg, Hans. “‘Nachahmung der Natur.’ Zur Vorgeschichte der Idee des schöpferischen Menschen” (1957). In Wirklichkeiten in denen wir leben. Aufsätze und eine Rede, 55–103. Reclam, 1981. CR - Danto, Arthur C. “The End of Art.” In The Philosophical Disenfranchisement of Art, 81–115. Columbia University Press, 1986. CR - Derrida, Jacques. “Economimesis.” Diacritics 11, no. 2 (1981): 2–25. 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UR - https://doi.org/10.64957/nesir.1803098 L1 - https://dergipark.org.tr/tr/download/article-file/5327736 ER -