@article{article_194574, title={ANLATIDAN TİYATROYA GEÇİŞ SORUNSALI}, journal={Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi}, pages={68–80}, year={2011}, author={Gören, Esin}, abstract={<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"> <strong style="mso-bidi-font-weight: normal;"> <span style="font-size: 12pt; mso-bidi-font-size: 10.0pt;"> <span style="font-family: Times New Roman;">Summary: </span> </span> </strong> </p> <p class="MsoNormal" style="margin: 0cm 0cm 0pt;"> <span style="font-family: Times New Roman; font-size: x-small;">  </span> </p> <p class="MsoNormal" style="text-align: justify; line-height: 150%; margin: 6pt 0cm 0pt;"> <em style="mso-bidi-font-style: normal;"> <span style="line-height: 150%; font-size: 12pt; mso-bidi-font-size: 10.0pt;"> <span style="font-family: Times New Roman;">The narration and the work of theatre contain different communication forms as two different texts of literature. The differences betwen two literature types could be found by reading paralelly the texts of narration and theatre. </span> </span> </em> </p> <p class="MsoNormal" style="line-height: 150%; margin: 6pt 0cm 0pt;"> <em style="mso-bidi-font-style: normal;"> <span style="line-height: 150%; font-size: 12pt; mso-bidi-font-size: 10.0pt;"> <span style="font-family: Times New Roman;">The text in napolitan dialect named “L’abito nuovo” (The new cloth) of Luigi Pirandello who is one of the most important circles in the progress chain within XX. siecle’s theatre, dramatized with the head representative <span style="mso-spacerun: yes;">  </span>of theatre Eduardo De Filippo by starting out a narration; is demonstrating the transition process of the literatural text to a theatral text and the changes exposed while being transmitted to theatral text. </span> </span> </em> </p>}, number={1}, publisher={İstanbul Üniversitesi}