@article{article_255072, title={Muallim İsmail Hakkı Bey’in Bestecilik Yönü ve Ferahfeza Peşrevinin İncelenmesi}, journal={Cumhuriyet Üniversitesi İlahiyat Fakültesi Dergisi}, volume={14}, pages={345–354}, year={2010}, author={Karaduman, İrfan}, keywords={Ferahfeza makamı,Muallim İsmail Hakkı Bey,Türk Mûsıkîsi}, abstract={<p>One of the fundamentals of Turkish music is maquam. Mastering of composers to the subject of maquam and usul, directly affects the quality of their works. Muallim İsmail Hakkı Bey has succeeded to place himself among the unforgettable. He has well conceived the style called “classical style”, however he has given original works out of it. İf Muallim İsmail Hakkı Bey hadn’t done so, maybe he would be forgotten. The maquam called ferahfeza is confused with other maquams because of it’s some properties. This confusion of maquam and usul which is sometimes seen on some composers is the same for this maquam too. Maquam ferahfeza which is used in a mixed way with maquam sultanîyegâh and afterwards couldn’t be separated from each other is perfectly understood by Muallim İsmail Hakkı Bey and used by him expertly. In this study, Muallim İsmail Hakkı Bey’s ferahfeza peşrev will be analyzed and him character of compose will be tried to state expressly <br /> </p>}, number={1}, publisher={Sivas Cumhuriyet Üniversitesi}