TY  - JOUR
T1  - POLİTİK TİYATRONUN SOLO SESİ: ANNA DEAVERE SMITH
TT  - Political Solo Performances by Anna Deavere Smith
AU  - Baş, Elif
PY  - 2018
DA  - July
DO  - 10.21550/sosbilder.396138
JF  - Uludağ Üniversitesi Fen-Edebiyat Fakültesi Sosyal Bilimler Dergisi
PB  - Bursa Uludağ Üniversitesi
WT  - DergiPark
SN  - 2564-6834
SP  - 829
EP  - 848
VL  - 19
IS  - 35
LA  - tr
AB  - Bu çalışma, Afro-Amerikalı oyun yazarı, oyuncuve akademisyen Anna Deavere Smith’in 1980’lerde oyun yazmak içinşekillendirmeye başladığı röportaj tekniğini konu alır. Smith, belli bir konu hakkında yaptığıröportajları bir araya getirerek, o konuyu tüm boyutlarıyla sahnelemeyeçalışır. Özellikle kimlik, toplumsal cinsiyet ve ırk gibi politik meselelerhakkında farklı görüşler ortaya koyarken, insanların kendi çelişkilerini degözler önüne serer. Bunu nasıl başardığı kısaca “Fires in the Mirror” oyunuylaörneklendirilir. Bu konulara bakış açısı, Smith’in oluşturduğu oyunculuk metoduylada bağlantılı olduğundan, son olarak oyunculukta benimsediği yönteme değinilir.Tüm bu bilgiler ışığında Smith’in hangi açıdan “geleneksel” politik tiyatronundışında kaldığı ve kendine özgü ne tür politik performanslar sergilediği ortayakonur.
KW  - Anna Deavere Smith
KW  - Amerikan tiyatrosu
KW  - politik tiyatro
KW  - solo performans
KW  - röportaj tekniği
N2  - Anna Deavere Smith isan African American playwright, performer and an academician who has created aunique technique in creating her plays. This article examines her journalistictechnique of interviewing people and building a performance text out ofinterviews. Smith uses soloperformance as a medium to explore issues of race, identity and gender. Herplays, as in “Fires in the Mirror”, reveal contradictory notions of individualson such matters in order to show that identity is not singular but ismulti-layered and more complex than we think. This article also discusses hermethod of acting as it is closely related to her ideas on identity and race.Overall, the article demonstrates the ways Anna Deavere Smith challenges theprinciples of traditional political theatre and how she creates a more fluid,intricate and dynamic way of understanding identity and political performance.
CR  - Ards, Angela (2006). “Life as Art: Character Study: Anna Deavere Smith as Herself”. Black Issues Book Review, C. 8, S. 3, s. 12-15.
CR  - Butler, Judith (1988). “Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory”. Theatre Journal, C. 40, S. 4, s. 519-531.
CR  - Case, Sue‐Ellen (1989). “Introduction to Chlorophyll Postmodernism and the Mother Goddess/a Conversation”. Women & Performance: a Journal of Feminist Theory, C. 4, S. 2, s. 20-25.
CR  - Gray, Madison. “The L.A. Riots: 15 Years After Rodney King”. TIME,
http://content.time.com/time/specials/2007/la_riot/article/0,28804,1614117_1614084_1614831,00.html (Erişim: 15.12.2017)
CR  - Kalb, Jonathan (2001). “Documentary Solo Performance: The Politics of the Mirrored Self”. Theater, C. 31, S. 3, s. 13-29.
CR  - Lyons, Charles R., and James C. Lyons (1994). “Anna Deveare Smith: Perspectives on her Performance within the Context of Critical Theory”. Journal of Dramatic Theory and Criticism, C. 9, S. 1, s. 43-66.
CR  - Nagel, Erica (2007). “An Aesthetic of Neighborliness: Possibilities for Integrating Community-Based Practices into Documentary Theatre”. Theatre Topics, C. 17, S. 2, s. 153-168.
CR  - NEH, National Endowment for Humanities (2015). “The Many Faces Of Anna Deavere Smith”. Humanities, C. 36, S. 2.
https://www.neh.gov/humanities/2015/marchapril/feature/the-many-faces-anna-deavere-smith (Erişim: 04.01.2018).
CR  - Martin, Carol, and Anna Deavere Smith (1993). “Anna Deavere Smith: the Word Becomes You. An interview”. TDR, C. 37, S. 4, s. 45-62.
CR  - Martin, Carol (1996). “Bearing Witness: Anna Deavere Smith from Community to Theatre to Mass Media”. A Sourcebook of Feminist Theatre and Performance: On and Beyond the Stage, London; New York: Routledge, s. 81-93.
CR  - O’Connor, Jacqueline (1992). “A One-Woman Riot: Brooklyn 1991 & Los Angeles”. Studies in the Literary Imagination, C. 40, S. 2, s. 153-171.
CR  - Paget, Derek (1987). “Verbatim Theatre: Oral History and Documentary Techniques”. New Theatre Quarterly, C. 3, S. 12, s. 317-336.
CR  - Richards, Sandra L. (1993). “Caught in the Act of Social Definition: On the Road with Anna Deavere Smith”. Acting Out: Feminist Performances, Ed: Lynda Hart, Peggy Phelan, Ann Arbor: University of Michagan Press, s. 35-53.
CR  - Rose, Heidi (2011). “A Conversation with Anna Deavere Smith”. Text and Performance Quarterly, C. 31, S. 4, s. 440-448.
CR  - Smith, Anna Deavere (1993). Fires in the Mirror: Crown Heights, Brooklyn, and Other Identities. New York: Anchor Books/Doubleday.
CR  - Smith, Anna Deavere (1994). Twilight: Los Angeles 1992. New York: Anchor Books.
CR  - Smith, Cherise (2011). “Other Oriented Performance: Anna Deavere Smith and Twilight: Los Angeles”. Enacting Others: Politics of Identity in Eleanor Antin, Nikki S. Lee, Adrian Piper, and Anna Deavere Smith, North Carolina:Duke University Press, s. 135-188.
CR  - Thompson, Debby (2003). “Is Race a Trope?": Anna Deavere Smith and the Question of Racial Performativity”. African American Review, C. 37, S. 1, s. 127-138.
CR  - Weber, Bruce (1994). “On Stage, and Off: Rebutting Pulitzer Perception”. The New York Times
http://www.nytimes.com/1994/04/22/theater/on-stage-and-off.html (Erişim: 20.11.2017).
UR  - https://doi.org/10.21550/sosbilder.396138
L1  - https://dergipark.org.tr/tr/download/article-file/504103
ER  -