@article{article_421663, title={Reinterpreting History and Restructuring Female Identities in Caryl Churchill’s Top Girls and Timberlake Wertenbaker’s Our Country’s Good.}, journal={Kastamonu Education Journal}, volume={26}, pages={721–728}, year={2018}, DOI={10.24106/kefdergi.421663}, author={Ülker Erkan, Ayça}, keywords={kadın tiyatrosu ve tarihi,kadın kimlikleri,sosyalist feminizm,kişisel olan politiktir.}, abstract={The purpose of this study is to examine representation
of marginal female identities and how history is reinterpreted to demonstrate
the constant position of women in Carly Churchill’s play <i>Top Girls </i> and Timberlake Wertenbaker’s play <i>Our Country’s Good </i>. It discusses the representation of women
identities with an exploration of female subjectivity, “personal is political”
feminism and the establishment of a new female self in a patriarchal society.
Both Churchill and Wertenbaker draw attention to historical subjects and past
time, which make the history play an important role in writing their dramas.  <span style="font-size:10pt;font-family:’Times New Roman’, serif;"> </span> <p> </p> <p> </p>}, number={3}, publisher={Kastamonu Üniversitesi}