TY  - JOUR
T1  - Siborg-Oluş'a Dair Sinematografik Fanteziler
AU  - Smelik, Anneke
PY  - 2018
DA  - December
JF  - SineFilozofi
PB  - Serdar ÖZTÜRK
WT  - DergiPark
SN  - 2547-9458
SP  - 142
EP  - 155
VL  - 3
IS  - 6
LA  - tr
AB  - Bu makale, Anneke Smelik'e ait "Cinematic Fantasies of Becoming-Cyborg" adlı makalenin çevirisidir. Makale, The Scientific Imaginary in Visual Culture (2010) adlı kitapta yer almaktadır.
KW  - siborg
KW  - cinema
KW  - temsil
KW  - insan
KW  - makine
CR  - Balsamo, A. 1996. Technologies of the Gendered Body. Reading Cyborg Women. Durham and London: Duke University Press.
CR  - Bell D., and B. Kennedy, eds. 2000. The Cybercultures Reader. London: Routledge.
CR  - Bordwell, D., and K. Thompson. 2008. Film Art. An Introduction. New York: McGraw Hill.
CR  - Braidotti, R. 2010. The Posthuman Predicament. In The Scientific Imaginary in Visual Culture, ed. Anneke Smelik, 69-89. Gottingen: V&R unipress.
CR  - Bukatman, S. 1993. Terminal Identity: The Virtual Subject in Postmodern Science Fiction. Durham: Duke University Press.
CR  - Cavallaro, D. 2000. Cyberpunk and Cyberculture. Science Fiction and the Work of William Gibson. London: Athlone Press.
CR  - Dery, M. 1996. Escape Velocity. Cyberculture at the End of the Century. New York: Grove Press.
CR  - Dijck, J van. 2007. Mediated Memories in the Digital Age. Stanford: Stanford University Press.
CR  - Gray, C.H., ed. 1995. The Cyborg Handbook. London: Routledge.
CR  - Hall, S. 1997. Representation. London: Sage.
CR  - Haraway, D. 1991 [1985]. A Manifesto for Cyborgs: Science, Technology, and Socialist Feminism in the 1980s. Reprinted in Simians, Cyborgs, and Women: The Reinvention of Nature, D. Haraway, 149-81. London: Free Association Books.
CR  - Hayles, K. 1999. How We Became Posthuman. Virtual Bodies in Cybernetics, Literature, and Informatics. Chicago and London: The University of Chicago Press.
CR  - Holland, S. 1995. Descartes Goes to Hollywood: Mind, Body and Gender in Contemporary Cyborg Cinema. Body and Society 1(3-4): 157-74.
CR  - Jeffords, S. 1994. Hard Bodies. Hollywood Masculinity in the Reagan Era. New Brunswick. Rutgers University Press.
CR  - Kennedy, H. W. 2002. Lara Croft: Feminist Icon or Cyberbimbo? On the Limits of Textual Analysis. The International Journal of Computer Game Research II(2).
CR  - Kuhn, A., ed. 1990. Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema. London: Verso.
CR  - Kuhn, A., ed. 1999. Alien Zone II: The Spaces of Science Fiction Cinema. London: Verso.
CR  - Landsberg, A. 2004. Prosthetic Memory: The Transformation of American Remembrance in the Age of Mass Culture. New York: Columbia University Press.
CR  - Merzagora, M. 2010. Reflecting Imaginaries: Science and Society in the Movies. In The Scientific Imaginary in Visual Culture, ed. Anneke Smelik, 39-53. Gottingen: V&R unipress.
CR  - Metz, C. 1977. Le signifiant imaginaire: psychanalyse et cinéma. Paris: Union générale d'éditions.
CR  - Mikula, M. 2004. Lara Croft: Between a Feminist Icon and Male Fantasy. In Femme Fatalities. Representations of Strong Women in the Media, eds. R. Schubart and A. Gjelsik, 57-70. Göteborg: Nordicom.
CR  - Mulvey, L. 1989 [1975]. Visual Pleasure and Narrative Cinema. In Visual And Other Pleasures. L. Mulvey. 14-26. London: Macmillan.
CR  - Penley, C., E. Lyon, L. Spiegel, and J. Bergstrom. 1991. Close Encounters. Film, Feminism, and Science Fiction. Minneapolis: Minnesota University Press.
CR  - Perkowitz, S. 2007. Hollywood Science. Movies, Science, and the End of the World. New York: Columbia University Press.
CR  - Radstone, S., ed. 2000. Memory and Methodology. Oxford: Berg.
CR  - Roberts, A. 2000. Science Fiction. London and New York: Routledge.
CR  - Silverman, K. 1991. Back to the Future. Camera Obscura 27(September): 109-32.
CR  - Simpson, M. 1993. Male Impersonators. Men Performing Masculinity. London: Cassell.
CR  - Smelik, A. 2008. A Tunnel Vision. Inner, Outer and Virtual Space in Science Fiction Film and Medical Documentaries. In Bits of Life: Feminism at the Intersections of Media, Bioscience, and Technology, eds. A. Smelik and N. Lykke, 129-46. Seattle: University of Washington Press.
CR  - Smelik, A. 2009. The Virtuality of Time: Memory in Science Fiction Films. In Technologies of Memory in the Arts, eds. L. Plate and A. Smelik, 52-68. Basingstoke: Palgrave/Macmillan.
CR  - Sobchack, V. 1997. Screening Space. The American Science Fiction Film. New Brunswick, Rutgers University Press.
CR  - Sobchack, V. 2004. Carnal Thoughts: Embodiment and Moving Image Culture. Berkeley: University of California Press.
CR  - Springer, C. 1996. Electronic Eros. Bodies and Desire in the Postindustrial Age. Austin: University of Texas Press.
CR  - Tasker, Y. 1993. Spectacular Bodies. Gender, Genre and the Action Cinema, London: Routledge.
CR  - Walden, K. 2004. Run, Lara, Run! The Impact of Computer Games on Cinema's Action Heroine. In Femme Fatalities. Representations of Strong Women in the Media, eds. R. Schubart and A. Gjelsik, 71-90. Göteborg: Nordicom.
CR  - Zylinska, J., ed. 2002. The Cyborg Experiments: The Extensions of the Body in the Media Age. London: Continuum.
UR  - https://dergipark.org.tr/tr/pub/sinefilozofi/issue//464146
L1  - https://dergipark.org.tr/tr/download/article-file/606015
ER  -