TY - JOUR T1 - Self-Reflexive Metafictional Games in The Life and Opinions of Tristram Shandy TT - Self-Reflexive Metafictional Games in The Life and Opinions of Tristram Shandy AU - Özün, Şule Okuroğlu AU - , Editörden PY - 2012 DA - February JF - Cankaya University Journal of Humanities and Social Sciences JO - CUJHSS PB - Çankaya Üniversitesi WT - DergiPark SN - 1309-6761 SP - 75 EP - 88 VL - 9 IS - 1 LA - tr AB - Tristram Shandy İngiliz Edebiyatı”nın sıradışı eserlerinden biridir. Roman, günümüz teorilerinden iki yüzyıl kadar önce yazılmasına rağmen birçok üst-kurgusal tekniği incelemek için iyi bir örnektir. Ro- man Fielding’in Tom Jones ve Richardson’nın Pamela adlı eserlerinin çağdaşı olsa da bu yapısal bütünlük içeren eserlerle hemen hemen hiç benzerlik göstermez. Romanda Tristram anlamı belirleyen geleneksel an- latıcı rolünden uzaktır ve biçimsel özellikleri tam ve sıralı bir hikaye anlatmak uğruna feda etmez. Bunla- rın yerine Tristram, bilinçli ve kendini yansıtan bir şekilde kurgusal dünyasını okuyucularının gözü önün- de oluşturur. Bir üstkurgusal eser gibi Tristram Shandy kendi yazım aşamasını anlatır. Olanları yansıtmak yerine yazım aşamasının farkında olan roman, kendi kurgusallığını absurd bir şekilde açığa vurur ve üst- kurmaca türüne örnek teşkil eder KW - ANAHTAR KELİMELERüst-kurgu KW - kendini yansıtma KW - Tristram Shandy KW - geleneksel roman KW - realizm CR - Alter, Robert. (1975). Partial Magic: The Novel as a Self-Conscious Genre, (Berkeley: University of California Press). CR - Barthes, Roland. (1977). “The Death of the Author” [translated by S. Health] in Image--Music—Text, (New York: Hill and Wang). CR - Patricia Waugh, Metafiction: The Theory and Practice of Self- Conscious Fiction (New York: Methuen, 1984), p.3. CR - Robert Siegle, The Politics of Reflexivity (London: Hopkins UP, 1986), p.3. CR - Booth, Wayne. (1992). “The Self Conscious Narrator Comic Fiction before Tristram Shandy” in M. New (ed.), Tristram Shandy, (London: Macmillan). CR - Federman, Raymond. (1993). Critifiction: Postmodern Essays, (New York: New York Press). CR - Gass, William. (1970). Fiction and Figures of Life, (New York: Knopf). CR - Holtz, William. (1970). Image and Immortality: A Study of Tristram Shandy, (USA: Brown University Press). CR - Hutcheon, Linda. (1985). Narcissistic Narrative: The Metafictional Paradox, (London: Methuen Ltd.). CR - Jefferson, D.W. (1992). “Tristram Shandy and the Tradition of Learned Wit” in Melvyn New (ed.), Tristram Shandy (London: Macmillan). CR - McCaffery, Larry. (1982). The Metafictional Muse, (London: Pittsburgh Press). CR - Rizzo, Betty. (1989). ““How could you Madam, be so Inattentive?” Tristram”s Relationship with the Reader,” in Melvyn New (ed.), Approaches to Teaching Sterne”s Tristram Shandy, (New York: MLA). CR - Scholes, Robert. (1980). Fabulation and Metafiction, (Chicago: University of Illinois). CR - Shklovsky, Victor. (1965). “Art as Technique” in Lee T. Lemon and Marion J. Reiss (eds.), Russian Formalist Criticism: Four Essays, (Lincoln: Lemon and Resis). CR - Siegle, Robert. (1986). The Politics of Reflexivity, (London: Hopkins UP). CR - Sterne, Laurence. (1996). The Life and Opinions of Tristram Shandy, (London: Wordsworth). CR - Sukenick, Ronald. (1969). The Deathn of the Novel and Other Stories, (New York: Dial Press). CR - Williams, Jeffry. Theory and the Novel: Narrative Reflexivity in the British Tradition, (UK: Cambridge UP). CR - Whittaker, Ruth. (1988). Tristram Shandy, (Philadelphia: Open University Press). CR - Waugh, Patricia. (1984). Metafiction: The Theory and Practice of Self- Conscious Fiction, (New York: Methuen). UR - https://dergipark.org.tr/tr/pub/cankujhss/issue//53120 L1 - https://dergipark.org.tr/tr/download/article-file/45387 ER -