TY - JOUR T1 - TURKS IN SLOVENIA AND THEIR INFLUENCES ON SLOVENIAN MUSIC TT - TURKS IN SLOVENIA AND THEIR INFLUENCES ON SLOVENIAN MUSIC AU - Krıžnar Phd Maribor/slovenia, Franc, PY - 2014 DA - March JF - Ege Üniversitesi Devlet Türk Musikisi Konservatuvarı Dergisi JO - EKOD PB - Ege Üniversitesi WT - DergiPark SN - 2146-7765 SP - 87 EP - 101 IS - 3 LA - en AB - The Turkish invasions i.e. irruptions by the Turkish armed troops into the Slovenecountries lasted from the beginning of the 15th to the end of the 17th century. TheTurkish expansion to the Balkan Peninsula and then towards the middle of Europewas slowed down on the Bosnian and Herzegovinian border. It stopped completelyat the end of the 16th century with the battle at Sisak in Croatia (1593). In Hungary,in the direction of the region of Prekmurje, the expansion stopped in the secondhalf of the 17th century. Thus Turkish invasions lasted from 1408 to 1684 not only onthe (contemporary European) Slovene state, but also outside its territory, on thethen Slovene ethnic space: in Friuli and towards Trieste (Italy), in Carinthia (Austria)and in Istria (Croatia). All of this had a negative influence on the relations with theTurks and increased the opposition towards them. At the same time it strengthenedpeople’s awareness about their affiliation towards Western Christianity. In anarrower sense it invigorated the awareness about the same threatened psychophysicalenvironment. In the perception of the Slovene people, that time wasformed by a variety of different artistic types. They dealt with Turkish themes, also inmusic. The development of Slovene music i.e. the music in Slovenia was at that timevery rich (from the 15th to the 17th century). Here and there it was more or less nearand equal to West European music of that time. It was completely normal that it wastouched by Turkish influences, too. These were reflected in folk and in artificialmusic, as well as in its church and in secular repertoires. There is a rich repertory ofwar and battle songs. These have kept the Turkish themes in Slovenian music alivetill nowadays; although the Slovene space and time were marked by Jacobus Gallus.With his own madrigals, masses and motets he developed into a musical person ofEurope-wide importance. KW - invasions i.e. irruptions KW - influences KW - themes in music KW - folk and artificial music KW - church and secular repertoires CR - BELOKRANJSKA dediščina 4. 2008. Metlika: Katalog razstave. CR - BELON, Pierre du mans. 1553. L’Observations de Plusieurs Singularitez. Paris: Guillaume Cavalet & Gilles Corozet. CR - BENEDIK, Metod. 1992. Cerkvene razmere na Slovenskem ob prihodu jezuitov; Jezuiti na Slovenskem. CR - Ljubljana: Inštitut za zgodovino Cerkve, Provincialat slovenske province Družbe Jezusove. CR - ČERIN, Josip. 1927. 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