TY - JOUR T1 - SALÓ: POLİTİK BİR AYGIT OLARAK İŞKENCE TT - Saló: Political Apparatus of Torture AU - Taşkale, Ali Rıza PY - 2016 DA - May JF - FLSF Felsefe ve Sosyal Bilimler Dergisi JO - FLSF PB - Hamdi BRAVO WT - DergiPark SN - 2618-5784 SP - 17 EP - 30 IS - 21 LA - tr AB - Bu makale Pier Paolo Pasolini’nin son filmi Saló’ya odaklanarak, işkenceyi egemenliğin bir tahakküm aygıtı, devlet terörünün en ‘ayrıcalıklı’ politik biçimlerinden biri olarak kuramlaştırmayı amaçlamaktadır. Agambenci bir şemayı kullanan makale, egemenliğin bir taraftan istisna hâlini kurala dönüştürürken, diğer taraftan işkence gibi baskı ve kontrol tekniklerini de meşrulaştırmaya çalıştığını iddia etmektedir. Dolayısıyla, egemenlik sadece istisna hâliyle sınırlı değildir. Makale, bu bakımdan, işkence ve istisna hâlini ‘liberal savaş biçimi’nin ayrılmaz parçaları olarak tartışacaktır. İşkence hem egemenliğin doğasını hem de rasyonel bilincini tüm çıplaklığıyla açığa vurur. Burada söz konusu olan politik bir işkencedir, çünkü işkence bedenin oluş ve direniş potansiyelini azaltan kurucu bir devlet terörü edimidir KW - Egemenlik KW - işkence KW - istisna hâli KW - Saló KW - liberal savaş biçimi N2 - Focusing on Pier Paolo Pasolini’s final film, Saló, this article discusses torture as an apparatus of domination, as the most privileged actualisation of state terror. Based on Agamben’s conceptualisation of the state of exception, it argues that, on the one hand sovereign political power turns the state of exception into the rule; on the other it aims to justify repressive apparatuses such as torture. In this sense sovereignty is not only about states of exception. The article therefore discusses torture and the state of exception as inseparable elements of the ‘liberal way of war’. Torture reveals the nature of sovereignty and its rational consciousness. 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