TY  - JOUR
T1  - التَّصويرُ البَيَانِيُّ في آياتِ القتالِ دِرَاسَةٌ فَنِّيَّةٌ
TT  - Imagery in the War Verses:  A Literary Analysis
AU  - Amın Mohamed Solıman, Abdelkarim
PY  - 2020
DA  - June
Y2  - 2020
DO  - 10.35415/sirnakifd.700114
JF  - Şırnak Üniversitesi İlahiyat Fakültesi Dergisi
JO  - Şırnak İlahiyat Dergisi
PB  - Şırnak Üniversitesi
WT  - DergiPark
SN  - 2146-4901
SP  - 5
EP  - 41
VL  - 11
IS  - 24
LA  - ar
AB  - إنَّ التَّصوِيرَ هُو أهَمُّالأَدَوَاتِ الفَنِيَّةِ في تَشكِيلِ النُّصُوصِ الأدَبِيَّةِ- قَدِيمًاوحَدِيثًا- فلا يُمكِنُ أن نَتَصَوَّرَ نَصًّا أَدَبِيًّا من غَيرِ صُورَةٍ، أونَستَسِيغَ قَصِيدَةً من دُونِ أن تَتَمَاهى في الصُّورَةِ، أو تَأخُذَ منآلِيَاتِ التَّصوِيرِ بِطَرَفٍ، حَتَّى صَارتِ القَصِيدَةُ عِندَ البعضِ صُورَةً، وصارَالشِّعرُ جِنسًا مِنَ التَّصوِيرِ. فالصُّورةُ هي الشَّيءُ الثَّابِتُ في النُّصُوصِالأدبيَّةِ عبرَ العُصُورِ، ولِجَمَالِيَّاتِ التَّصوِيرِ الفنِّيِّ التي أَثَرٌفي العقلِ والقلبِ معا، وقُدْرَةٌ على نَقلِ المعنى معَ التَّأثِيرِ فيالمتَلَقِّينَ، اعتَمَدَ عليه القرآنُ في جُلِّ مَوضُوعَاتِهِ حَتَّى صَارَالملمَحَ الأسلُوبِيَّ الأسَاسِيَّ في النَّصِّ القرآنِيِّ الذي بَلَغَ حَدَّالإعجَازِ.إنَّ لآياتِ القتالِ في القرآنِأَهمِّيَّةً تَنبُعُ من طبيعةِ الموضوعِ، وتأثيرِهِ على أرواحِ النَّاسِوممتلكاتِهم، وتنظيمِ العلاقةِ والمعاملةِ بين المسلمينَ وغيرِهِم، وبين المسلمينبعضِهم ببعض؛ لذلكَ شغلت هذه الآياتُ مِساحةً كبيرةً من النَّصِّ القرآنيِّ، وكانلِعلومِ البلاغةِ وعلى رأسها علم البيان دورٌ كبيرٌ في تشكيلِها وصِياغِتِها. تَهدُفُ هَذِهِ الدِّرَاسَةُ إلىبَيَانِ وتَحلِيلِ الصُّورةِ البَيَانِيَّةِ في آيَاتِ القِتَالِ، والكَشفِ عنجَمَالِيَّاتِها، وطُرُقِ تَشكِيلِها، وتَأكِيدِ أَهَمِّيَّةِ التَّصويرِ فيالقرآنِ؛ فجَاءتِ هذه الدِّرَاسَةُ في مُقَدِّمَةٍ و خمسة مَبَاحِثَ، هي: ١- مفهومالصورة وأهميتها وتشكيلها. 2- التَّشبِيه 3- الاستِعَارَةُ. 4- الكِنَايَةُ. 5-الطِّبَاقُ والمقَابَلَةُ.
KW  - اللغة العربية وآدابها
KW  - القرآن
KW  - آيات القتال
KW  - التَّصويرُ البيانيُّ
KW  - دِراسةٌ فنيَّةٌ
N2  - Without a doubt, imagery is considered one ofthe most important technical tools in shaping literary texts in both the oldand modern times. We cannot possibly imagine a literary text without images orenjoy a poem without its exaggerated images or even resorting to the techniquesof figurative language and imagery. For some poets, a poem becomes a mere imageand poetry is considered as a branch of visualization. Thus, Image is thestable thing in literary texts throughout ages. For the aesthetics offigurative representation which capture the mind and heart of readers, and forits ability to transfer the meaning while touching the feelings of therecipients, Quran has used the figurative language in its core subjects to theextent that it became a distinctive feature of its style- one that can beconsidered a miracle.War verses are specifically important in the Quran due to their importantmeanings. The great of value of their subject directly affect people’s lives,souls and properties, as well as organizes the relations between Muslims andeach other as well as between Muslims and non-Muslims. For these reasons, theyoccupied a large area in the Quranic text. Rhetoric and figurative speechesespecially played a significant role in shaping and structuring them.This study aims at demonstratingand analyzing the war verses and their aesthetic qualities, their shapingfactors, and asserting their value in the Quran. The study is structured in anintroduction and five chapters as follows: 1. The concept of the image, itsvalue and shapes. 2. Similes 3. Metaphor 4. Metonymy 5. Antithesis andopposites.
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UR  - https://doi.org/10.35415/sirnakifd.700114
L1  - https://dergipark.org.tr/tr/download/article-file/1148688
ER  -