TY  - JOUR
T1  - An Introduction to Dhrupad Performance Platforms of India
TT  - An Introduction to Dhrupad Performance Platforms of India
AU  - Chatterjee (mukherjee), Samarpita
AU  - Sarkhel, Sabyasachi
PY  - 2020
DA  - October
JF  - Etnomüzikoloji Dergisi
JO  - ethnomus
PB  - Etnomüzikoloji Derneği
WT  - DergiPark
SN  - 2619-9572
SP  - 262
EP  - 274
VL  - 3
IS  - 2
LA  - en
AB  - Dhrupad an ancient form of music was initially performed in the Hindutemples. Later on, Dhrupad musicians were patronized in the royal courtsby the Rajputs and Mughals. With time, Dhrupad started disappearing insociety during the early part of the 20th century due to the increased popularityof other forms of music and loss of royal patronage. Dhrupad becameabsent in music concerts, and Kheyal music started dominating music concerts.Collective efforts of many people, musicians, organizations, and patronsinitiated the Dhrupad concerts in Jaipur and Varanasi, as a step for therevival of Dhrupad in the 1970s. Before this time the All India Radio alsotook initiatives towards the promotion of Dhrupad. Slowly other Dhrupadsammelans were arranged across India. There were few Dhrupad artists ofDagar Tradition with a high level of artistry, who were not intimidated byadversities and, with their persistence and dedication, continued to serveauthentic Dhrupad music to audiences through music concerts, as a concertartist and music concert organizer. Afterward, artists from other Dhrupadtraditions played similar roles; as a result, in the last few decades, there hadbeen an explosion of Dhrupad festivals/concerts across India. These festivalsare organized by societies/organizations/academies (government/private)under the leadership of eminent Dhrupad masters. This study delineatesan account of the significant Dhrupad concerts across India and, basedupon the present concert scenario, concludes that Dhrupad seems to havebeen able to get back to the Hindustani Classical music audience.
KW  - Dhrupade
KW  - concert
KW  - music
KW  - festivals
KW  - sammelan
N2  - Dhrupad an ancient form of music was initially performed in the Hindutemples. Later on, Dhrupad musicians were patronized in the royal courtsby the Rajputs and Mughals. With time, Dhrupad started disappearing insociety during the early part of the 20th century due to the increased popularityof other forms of music and loss of royal patronage. Dhrupad becameabsent in music concerts, and Kheyal music started dominating music concerts.Collective efforts of many people, musicians, organizations, and patronsinitiated the Dhrupad concerts in Jaipur and Varanasi, as a step for therevival of Dhrupad in the 1970s. Before this time the All India Radio alsotook initiatives towards the promotion of Dhrupad. Slowly other Dhrupadsammelans were arranged across India. There were few Dhrupad artists ofDagar Tradition with a high level of artistry, who were not intimidated byadversities and, with their persistence and dedication, continued to serveauthentic Dhrupad music to audiences through music concerts, as a concertartist and music concert organizer. Afterward, artists from other Dhrupadtraditions played similar roles; as a result, in the last few decades, there hadbeen an explosion of Dhrupad festivals/concerts across India. These festivalsare organized by societies/organizations/academies (government/private)under the leadership of eminent Dhrupad masters. This study delineatesan account of the significant Dhrupad concerts across India and, basedupon the present concert scenario, concludes that Dhrupad seems to havebeen able to get back to the Hindustani Classical music audience.
CR  - Referans 1
Barua, J. (2001). Social Mobilization and Modern Society. New Delhi: Mittal Publications.
CR  - Referans 2
Beohar, A.B. (1986). The Darbhanga Tradition of Dhrupad. Dhrupad Annual, 1, 41-42.
UR  - https://dergipark.org.tr/tr/pub/etnomuzikoloji/issue//817841
L1  - https://dergipark.org.tr/tr/download/article-file/1369021
ER  -