@article{article_876645, title={An Aesthetic Analysis of the Link Between Music and Theme in the Albanıan Persian-Speaking Poet Naim Frashëri Poetry}, journal={Rumeli İslam Araştırmaları Dergisi}, pages={37–50}, year={2021}, author={Seraj, Seyyed Ali and Yeşil, Ahmet}, keywords={Şiir Ahengi, Temalar, Duygulanım, Tahayyülat, Naim Frashëri’nin şiirleri}, abstract={Aesthetically, the greater the proportion between the music and the content of a poem, the more poetic it is. Prominent poets and stylists have taken this into consideration to improve their poetry. Naim Frashëri (1846-1900 A.D. / 1263-11318 A.H.) is the last and greatest Persian-speaking poet of the nineteenth century due to the use of passionate mystical themes influenced by mystical Persian poets such as Rumi and Attar. There is a distinct poetic language between the theme and the music system (metre, radīf, rhymes, sounds, syllables, and stylistic device). Employing a descriptive-analytical research method, this study attempts to examine the aesthetic function of music and thematic linkage in Naeem Mashhari’s poems. The most important results from the application of this type of study are that the various areas of the music system of Naim Frashëri’s poetry are closely related to the content of the poet’s poems. Also, the poet’s great attention to illustration with natural elements has made the poet’s poetry stand out from the point of view of the inner music.}, number={7}, publisher={Trakya Üniversitesi}