@article{article_934460, title={On the Epistemological Potential of Film: An Inquiry into Apparatus Theory}, journal={Kastamonu İletişim Araştırmaları Dergisi}, pages={124–141}, year={2021}, author={Gürbüzdal, Ufuk}, keywords={Aygıt kuramı, Epistemolojik, Gerçekçilik, İdeoloji, Materyalist, Sinema}, abstract={<div style="text-align:justify;"> <span style="font-size:12px;">This study questions the cinematic pathways for materialist social inquiry through a theoretical  </span> <span style="font-size:12px;">discussion that scrutinizes interconnections among the seventh art, cinematic realism, and ideology.  </span> <span style="font-size:12px;">One of the early systematic approaches which comprehensively deals with the discussion of ideology  </span> <span style="font-size:12px;">in cinematic practice is the apparatus theory. Broadly speaking, scholars of apparatus theory discuss  </span> <span style="font-size:12px;">the structure of cinema in the context of the social reproduction of prevailing ideologies. Although they  </span> <span style="font-size:12px;">are mostly pessimistic about the possibility of creating a critical, materialist cinematic approach, they  </span> <span style="font-size:12px;">nevertheless offer brilliant cinematic strategies to sabotage prevailing ideological reproduction. This  </span> <span style="font-size:12px;">article revisits the most crucial discussions of the apparatus theory with a contemporary look. By doing  </span> <span style="font-size:12px;">so, the possibilities of an alternative cinematic practice that may function as a cognitive tool to develop  </span> <span style="font-size:12px;">a critical/materialist social inquiry within the neo-liberal capitalist social structure are discussed. </span> </div>}, number={6}, publisher={Kastamonu Üniversitesi}