TY  - JOUR
T1  - THE PINTERESQUE ELEMENTS IN KAZUO ISHIGURO'S “A FAMILY SUPPER”
AU  - Coşar Çelik, Seda
PY  - 2021
DA  - June
DO  - 10.33171/dtcfjournal.2021.61.1.20
JF  - Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi
JO  - DTCF Journal
PB  - Ankara Üniversitesi
WT  - DergiPark
SN  - 2459-0150
SP  - 487
EP  - 502
VL  - 61
IS  - 1
LA  - en
AB  - The purpose of this article is to examine the Pinteresque elements in Kazuo Ishiguro's shortstory titled “A Family Supper” (1982). The emphasis will be on the implications of thePinteresque as a mood, because today the word is not only a theatrical term but also anadjective in the Online Oxford English Dictionary. As a theatrical term, the Pinteresque canplainly be explained as a set of features which recur in Harold Pinter's plays. Namely,ambiguity of the human condition, uncertainty of the past, use of evasive language, andhalting dialogues that are lled with silences and pauses constitute what came to beknown as the Pinteresque. The overall feeling in a Pinteresque atmosphere is very tense,strained, and precarious. Additionally, as an adjective, the Pinteresque can perfectlyportray such precarious moments in the everyday life of human beings. That is, just as aplay or a movie can be Pinteresque, so can a moment in human life. In short, this articletreats the term the Pinteresque as an adjective and argues that implicit feeling of menace,ambiguity of the past, present and future, unspoken conflicts and wounds, triviality of theconversation, use of evasive language and frequent silences in Kazuo Ishiguro's “A FamilySupper” create a Pinteresque atmosphere.
KW  - Pinteresque;
KW  - Harold Pinter
KW  - Kazuo
Ishiguro
KW  - “A Family Supper”
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UR  - https://doi.org/10.33171/dtcfjournal.2021.61.1.20
L1  - http://dergipark.org.tr/tr/download/article-file/1816302
ER  -