Formation of Spatial Identity on the Axis of Avant-garde Movement

Yıl 2022, Cilt: 8 Sayı: 2, 115 - 127, 31.03.2023

Gencay Çubuk

Öz

The article is shaped around the questions of how the conceptual relationships between the avant-garde essences that contribute to the formation process of spatial identity diversify and what spatial potentials they have. In this context, prominent avant-garde themes are discussed through the way they relate to each other and potentials are discussed. Examining the avant-garde movement in a spatial context requires evaluating the palette of hybrid concept sets that can mediate the development of architectural productions. In the study, the avant-garde movement is examined in two basic steps. The first set of fig- ures includes Baudelaire, Lautreamont, Cheval, Gaudi, Rousseau, Chirico, Duchamp, Picasso, Schwitters, Freud, Breton, Apollinaire, Magritte, Aragon, Tzara, Ernst, Kiesler, Dali, Lefebvre, Bataille, Benjamin, La- can, Deleuze, and Guattari. It is related with how Tanguy, Matta, Brassai, Delvaux, Maddox, Cornell and Agar’s productions, mainly painting, sculpture and interior architecture, bring the avant-garde approach to the art environment and, accordingly, contribute to the transformation of spatial identity construction in the artistic context. In the second part, it is discussed how the potentials and possibilities provided by the figures discussed in the first step are used directly or indirectly by the leading actors in the contemporary architectural scene. In this context, leading actors such as Le Corbusier, Invernizzi, Niemeyer, Tschumi, Hadid, Hejduk, Eisenman, Koolhaas, Libeskind, Coop Himmelblau and Diller Scofidio + Renfro are dis- cussed according to the frequency and variety of which avant-garde orientations they use in the construc- tion of spatial identity. This whole evaluation process is developed by discussing the ties between the figures and the way they affect each other. As a result, it is seen that the conceptual richness of the palette and newly produced relational schemes, which avant-garde orientations can offer in the construction of spatial identity in the near future, provides a basis for reference to work areas such as “liquid architecture”, “bio- morphic architecture”, “cybernetics”.

Anahtar Kelimeler

Avant-garde architecture, Spatial identity, Contemporary architecture

Kaynakça

• Breton, A. 1896-1966. (1972). Manifestoes of surrealism. Ann Arbor :University of Michigan Press.
• La Marche, J. (2004). Unexplored Possibilities in Archtecture. Surrealism and Architecture, Oxford: Routledge
• Vidler, A. (2015). Sürrealist Mimarlık Kuramları , Fantezi ve Tekinsiz, s.1–14.
• Artun, N. (2011). Sürrealizm ve Mimarlık Yeniden, http://www.e-skop.com/skopbulten/surrealizm-yasiyorsurrealizm-ve-mimarlik-yeniden/420
• Apollinaire, G. (1973). Calligrams. Santa Barbara, CA: Unicorn Press.
• Sorkin, M. (1994). Exquisite corpse: writing on buildings. London: Verso.
• Grant, K. (2011). Surrealism and the Visual Arts: Theory and Reception. Cambridge: Cambridge University Press.
• Zakrevskaya, A. (2013). Magic Realism of André Delvaux. Journal of Flm Arts and Film Studies. 5. 134-143.10.17816/VGIK52134-143.
• Bell, D. (2020). J. G. Ballard’s Avant-garde Liberalism. Political Theory. 49. 009059172098189. 10.1177/0090591720981890.
• Rifkind, D. (2011). Misprision of precedent: Design as creative misreading. Journal of Architectural Education, 64(2), 66–75.
• Bielsa, E. (2022). Benjamin’s Baudelaire: Translation and modern experience. Journal of Classical Sociology. 1468795X2210970. 10.1177/1468795X221097001.
• Holland, M. (2022). Illegibility: Blanchot and Hegel. By William S. Allen. French Studies. 10.1093/fs/knac225.
• Strauss, W. (1996). The Fictions of Surrealism. Studies in 20th & 21st Century Literature. 20. 10.4148/2334-4415.1399.
• Chapman, M. (2012). (re)Findings: Discovery in the Architecture and Legacy of Surrealism, Sydney: The University of Newcastle.
• Esman, A. (2011). Psychoanalysis and Surrealism: Andre Breton and Sigmund Freud. Journal of the American Psychoanalytic Association. 59. 173-81. 10.1177/0003065111403146.
• Kadiu, S. (2014). Surrealism in André Breton’s Nadja. Opticon 1826. 10.5334/opt.cg.
• Nalbantian, S. (2003). Apollinaire, Breton and the Avant-gardes: Automatism and Aleatory Memory. 10.1057/9780230287129_7.
• Forceville, C. (1988). The case for pictorial metaphor: René Magritte and other Avant-gardes. Vestnik (IMS, Ljubljana). IX. 150-160.
• Eburne, J. (2000). That Obscure Object of Revolt: Heraclitus, Surrealism's Lightning-Conductor. symploke. 8. 180-204. 10.1353/sym.2000.0009.
• Susik, A. (2011). "The Man of these Infinite Possibilities": Max Ernst’s Cinematic Collages. Contemporaneity: Historical Presence in Visual Culture. 1. 10.5195/contemp.2011.27.
• Rosenbaum, S. (2022). Visionary Architects: Barbara Guest, Frederick Kiesler, and the Avant-garde Poetics of the Galaxy. Humanities. 11. 113. 10.3390/h11050113.
• Baler, P. (2014). Tiny Surrealism: Salvador Dalí and the Aesthetics of the Small by Roger Rothman (review). Hispania. 97. 332-333. 10.1353/hpn.2014.0036.
• Greenberg, C. (1972). Art and culture: critical essays. Boston: Beacon Press.
• Blagojević, L. (2012). Henri Lefebvre on Space: Architecture, Urban Research, and the Production of Theory. The Journal of Architecture, 17(5), 807–812.
• Tepper, R. (2013). Schizogenesis, by Georges Bataille. E.R.O.S. 2. 122.
• Cowan, B. (1982). Walter Benjamin's Theory of Allegory. New German Critique. 109. 10.2307/487866.
• Arnaud, G., Vanheule, S. (2013). Lacanian psychoanalysis and management research: On the possibilities and limits of convergence. Management Decision. 51. 10.1108/MD-10-2012-0726.
• Wiley, S., Wise, J. (2018). Guattari, Deleuze, and Cultural Studies. Cultural Studies. 33. 1-23. 10.1080/09502386.2018.1515967.
• Parkinson, G. (2015). Avant-garde Painting as Science Fiction: Considering J. G. Ballard’s ‘Innate Releasing Mechanism’1. 10.5949/liverpool/9781781381434.003.0009.
• Malt, J. (2010). Surrealism, Art and Modern Science: Relativity, Quantum Mechanics, Epistemology (review). French Studies. 502-503. 10.1093/fs/knq113.
• Purcar, C. (2016). "A Fabulous Painting in which I Would Live." Paul Delvaux's Pictorial Poetic of the Railway Periphery between Art and Urban History.
• McHaney, P. (2012). Forays into the Surreal: Eudora Welty’s “The Winds” and “A Sketching Trip” and Joseph Cornell. Miranda. 7. 10.4000/miranda.4501.
• Campbell, L., & Campbell, L. (2016). Eileen Agar at Home: Domesticity, Surrealism, and Subversion, 9112.
• Birksted, J. (2008). Review of “Le Corbusier: Art and Architecture - a Life of Creativity.” The Journal of Architecture, 13(6), 753–757.
• Hadid, Z., & Betsky, A. (2017). The complete Zaha Hadid. London: Thames & Hudson Ltd.
• Rafeiro, J. (2021). Trapping, Dismembering and Crucifying Angels: Tracing the Social Sacred in Hejduk's Bovisa.
• Hidayat, R., Piera, J. (2022). Avant-garde Aesthetics in Sensory Actuated Spatial Systems: A theoretical evaluation on Surrealism and Living Architecture under Krauss’s Avant-garde Principles. 10.2991/assehr.k.211228.072.
• Koolhaas, R. (1994). Delirious New York: a retroactive manifesto for Manhattan. Rotterdam.
• Dewidar, K. Elkholy, G. (2008). THE FIFTH SENSE OF ARCHITECTURE DIGITAL ARCHITECTURE: A NEW AESTHETICS OF TOTAL SURREALISM. The International Conference on Civil and Architecture Engineering. 7. 594-604. 10.21608/iccae.2008.45415.
• Chapman, M. & Ostwald M.J. (2015). Psychic Automatism And Nonlinear Dynamics: Surrealism And Science in the Architecture Of Coop Himmelblau, Lisbon: IADE-U Institute of Art, Design and Enterprise - University
• Betsky, A. (2003). Scanning: the aberrant architectures of Diller Scofidio. New York: Whitney Museum of American Art.
• Rabiger, M. (2016). Developing Story Ideas: The Power and Purpose of Storytelling (3rd ed.). Routledge. https://doi.org/10.4324/9781315665221
• Spiller, N. (2007). Visionary architecture: Blueprints of the modern imagination. Thames & Hudson.
• Novak, M. “Liquid Architectures of Cyberspace.” Cyberspace: First Steps, Cambridge, MA: The MIT Press, 1992.
• Bürger, P. (2010). Avangard kuramı. İstanbul: İletişim Yayınları.
• URL-l. https://www.sothebys.com/en/articles/three-of-a-kind-giorgio-de-chirico
• URL-2. https://www.bbc.com/travel/article/20100719-barcelonas-surreal-world-of-art
• URL-3. https://www.archdaily.com/894658/how-surrealism-has-shaped-contemporary-architecture
• URL-4. http://mondo-blogo.blogspot.com/2010/10/who-knew-le-corbusier-was-avant-garde.html
• URL-5. https://www.re-thinkingthefuture.com/rtf-design-inspiration/a1910-8-examples-of-avant-garde-modernarchitectu re-around-the-world/
• URL-6. https://www.e-skop.com/skopbulten/surreel-kent-oscar-niemeyerin-brasilia-vakasi/1001