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The Farewell Dance to the Dead: The Dancers on the Portal of Trysa’s Heroon and the Xanthos “Dancers Sarcophagus”

Yıl 2021, Sayı: 24, 61 - 77, 01.11.2021
https://doi.org/10.47589/adalya.1036648

Öz

This article presents new perspectives concerning the dancers featured on the interior of the portal of Trysa’s Heroon and on Xanthos’s “Dancers Sarcophagus,” which became famous at the end of the 19th century. It also focuses on interpreting the visuals that are today widely accepted as having been wrongly identified
as “Kalathiskos Dancers” in the literature, in contradiction to Isabella Benda’s collective analyses concerning a variety of dance compositions reflected on tomb reliefs. The visuals of dancers discussed in this article are approached with the view that they are replications of a dance template portraying cultic practices related to the god Apollo and portrayed on vases, coins, sculptures, etc. throughout the Aegean world. The attempt is also made to cast some light upon the meaning of
this dance template in Lycian necropolises, as this dance template is seemingly unrelated to any necropolis or death cult outside of Lycia. The death cult and the cult of Apollo, together with contemporary and past archaeological, epigraphic and philological data have been brought together to interpret these Lycian artifacts.
And in this context, the cultural elites of Trysa and Xanthos are interpreted as heroes, themselves predisposed to the trans-Aegean worship of Apollo.

Kaynakça

  • Abdi, K. 1999. “Bes in the Achaemenid Empire.” Ars Orientalis 29:111-40.
  • Babelon, E. 1932. Traité des monnaies grecques et romaines. Vol. 2, Description historique. Part 4, comprenant les monnaies de la Grèce septentrionale aux Ve et IVe siècles avant J.-C. Paris: Ernest Leroux.
  • Benda, I. 1996. “Musik und Tanz in Lykien.” In Fremde Zeiten. Festschrift Jürgen Borchhardt, zum sechzigsten Geburstag am 25 Februar 1996, dargebracht von Kollegen, Schülern und Freunden. Vol. 1, Lykien, edited by F. Blakolmer, K.R. Krierer, F. Krizinger, A. Landskron-Dinstl, H.D. Szemethy, and K. Zhuber-Okrog, 95-109. Vienna: Phoibos Verlag.
Yıl 2021, Sayı: 24, 61 - 77, 01.11.2021
https://doi.org/10.47589/adalya.1036648

Öz

Kaynakça

  • Abdi, K. 1999. “Bes in the Achaemenid Empire.” Ars Orientalis 29:111-40.
  • Babelon, E. 1932. Traité des monnaies grecques et romaines. Vol. 2, Description historique. Part 4, comprenant les monnaies de la Grèce septentrionale aux Ve et IVe siècles avant J.-C. Paris: Ernest Leroux.
  • Benda, I. 1996. “Musik und Tanz in Lykien.” In Fremde Zeiten. Festschrift Jürgen Borchhardt, zum sechzigsten Geburstag am 25 Februar 1996, dargebracht von Kollegen, Schülern und Freunden. Vol. 1, Lykien, edited by F. Blakolmer, K.R. Krierer, F. Krizinger, A. Landskron-Dinstl, H.D. Szemethy, and K. Zhuber-Okrog, 95-109. Vienna: Phoibos Verlag.
Toplam 3 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Arkeoloji
Bölüm Research Articles
Yazarlar

Gül Işın 0000-0002-2836-6341

Yayımlanma Tarihi 1 Kasım 2021
Yayımlandığı Sayı Yıl 2021 Sayı: 24

Kaynak Göster

Chicago Işın, Gül. “The Farewell Dance to the Dead: The Dancers on the Portal of Trysa’s Heroon and the Xanthos ‘Dancers Sarcophagus’”. Adalya, sy. 24 (Kasım 2021): 61-77. https://doi.org/10.47589/adalya.1036648.

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