This study aims to investigate the issue of the female identity crisis that appeared as a result of the intersection of two distinct cultures during the postcolonial era. To accomplish this objective, the renowned novel Abeng, authored by the American-Jamaican writer Michelle Cliff, has been chosen for analysis. The sample undergoes postcolonial analysis with a focus on biculturalism as a postcolonial phenomenon. The study is a descriptive one, which aims to qualitatively follow the behavior of the main protagonist in the novel "Abeng", Clare Savage. It attempts to determine to what extent her character can be considered an example of a woman who loses her identity as a result of the colonial legacy of bicultural identity. According to the analysis, Clare has become a victim of biculturalism. This means that she is constantly searching for her identity without being able to identify with any specific culture. Throughout the texts, Clare is portrayed as being lost, which leads her to embrace two different cultures and go with the flow.
Bu çalışma, postkolonyal dönemde iki farklı kültürün kesişmesi sonucu ortaya çıkan kadın kimliği krizini incelemeyi amaçlamaktadır. Bu amaca ulaşmak amacıyla Amerikalı-Jamaikalı yazar Michelle Cliff'in yazdığı ünlü roman Abeng analiz için seçilmiştir. Örneklem, postkolonyal bir olgu olarak iki kültürlülüğe odaklanan postkolonyal analize tabi tutuluyor. Çalışma, "Abeng" romanının baş kahramanı Clare Savage'ın davranışlarını niteliksel olarak takip etmeyi amaçlayan tanımlayıcı bir çalışmadır. Onun karakterinin, iki kültürlü kimliğin sömürge mirasının bir sonucu olarak kimliğini kaybeden bir kadına ne ölçüde örnek olarak görülebileceğini belirlemeye çalışıyor. Analize göre Clare iki kültürlülüğün kurbanı oldu. Bu onun herhangi bir kültürle özdeşleşemeden sürekli olarak kimliğini aradığı anlamına gelir. Metinler boyunca Clare'in kaybolmuş bir kişi olarak tasvir edilmesi onun iki farklı kültürü kucaklamasına ve akışına bırakmasına neden olur
Thank you so much for your great efforts in advance.
Kaynakça
Al-Sakkaf, Ghazal Mansoor (2022). “Female Quest for Identity in D.H. Lawrence’s Sons and Lovers and Doris Lessing’s The Golden NoteBook”, Epiphany Journal of Transdisciplinary Studies, 15(2), 36-51.
http://dx.doi.org/10.21533/epiphany.v15i2.407.
Al-Sakkaf, Ghazal Mansoor (2023). “Female Self-determination in Charlotte Bronte’s Jane Eyre and Laila Aboulea’s the Translator”, Epiphany Journal of Transdisciplinary Studies, 16(1), 114-31.
http://dx.doi.org/10.21533/epiphany.v16i1.419.g291.
Bhabha, Homi K. (1994). The location of Culture. London, New York: Routledge.
Cliff, Michelle (1996). No telephone to heaven. Penguin.
Cliff, Michelle (1984). Abeng. New York: Plume.
Dube, Musa W. (2021). “Boleo: A postcolonial feminist reading”, HTS Teologiese Studies/TheologicalStudies, 76(3).1-8. https://doi.org/10.4102/hts.v76i3.6174.
Kara Erdemir, Gökçen and Ege Demirtaş (2020). “A Postcolonial Feminist Approach to Toni Morrison’s The Bluest Eye”. Haliç Üniversitesi Sosyal Bilimler Dergisi, 3(2), 199-212.
Gilbert, Sandra M. and Susan Gubar (2020). The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. Yale University Press.
Grayman-Simpson, Nyasha (2017). “Cultural Identity”, The SAGE Encyclopedia of Abnormal and Clinical Psychology, p. 934-935. DOI: http://dx.doi.org/10.4135/9781483365817.n360.
Hooks, Bell (2015). Ain't I a Woman: Black Women and Feminism. New York: Routledge, Taylor & Francis Group.
Meca, Alan et al. (2019). “Biculturalism and Bicultural Identity: A Relational Model of Bicultural Systems”, In Youth in superdiverse societies, pp. 41-57, Routledge.
Morrison, Toni (2007). Beloved. Vintage Classics.
Neimneh, Shadi (2014). “Postcolonial Feminism: Silence and Storytelling in J. M. Coetzee’s Foe”, Journal of Language and Literature, 5(2), p. 49-55. http://dx.doi.org/10.7813/jll.2014/5-2/.
Said, Edward W. (1979). Orientalism. New York: Vintage Books.
Samovar, Larry et al. (1982). Intercultural communication: A reader. Belmont, CA: Wadsworth Publishing Company.
Schwartz, Seth J. et al. (2008). “Broadening the study of the self: Integrating the study of personal identity and cultural identity”, Social and Personality Psychology Compass, 2(2), p. 635-651.
Showalter, Elaine (1999). A Literature of Their Own: British Women Novelists from Brontë to Lessing. Princeton University Press.
Spivak, Gayatri Chakravorty (2023). “Can the Subaltern Speak?”, in Imperialism, pp. 171-219, Routledge.
Usborne, Esther (2014). “Understanding My Culture Means Understanding Myself: The Function of Cultural Identity Clarity for Personal Identity Clarity and Personal Psychological Well-Being”, Journal for the Theory of Social Behaviour, 44 (4), p. 436-458. https://doi.org/10.1111/jtsb.12061.
Female Bi-cultural Identity in Michelle Cliff ‘s Novel Abeng: A Post-colonial Study
Bu çalışma, postkolonyal dönemde iki farklı kültürün kesişmesi sonucu ortaya çıkan kadın kimliği krizini incelemeyi amaçlamaktadır. Bu amaca ulaşmak amacıyla Amerikalı-Jamaikalı yazar Michelle Cliff'in yazdığı ünlü roman Abeng analiz için seçilmiştir. Örneklem, postkolonyal bir olgu olarak iki kültürlülüğe odaklanan postkolonyal analize tabi tutuluyor. Çalışma, "Abeng" romanının baş kahramanı Clare Savage'ın davranışlarını niteliksel olarak takip etmeyi amaçlayan tanımlayıcı bir çalışmadır. Onun karakterinin, iki kültürlü kimliğin sömürge mirasının bir sonucu olarak kimliğini kaybeden bir kadına ne ölçüde örnek olarak görülebileceğini belirlemeye çalışıyor. Analize göre Clare iki kültürlülüğün kurbanı oldu. Bu onun herhangi bir kültürle özdeşleşemeden sürekli olarak kimliğini aradığı anlamına gelir. Metinler boyunca Clare'in kaybolmuş bir kişi olarak tasvir edilmesi onun iki farklı kültürü kucaklamasına ve akışına bırakmasına neden olur.
This study aims to investigate the issue of the female identity crisis that appeared as a result of the intersection of two distinct cultures during the postcolonial era. To accomplish this objective, the renowned novel Abeng, authored by the American-Jamaican writer Michelle Cliff, has been chosen for analysis. The sample undergoes postcolonial analysis with a focus on biculturalism as a postcolonial phenomenon. The study is a descriptive one, which aims to qualitatively follow the behavior of the main protagonist in the novel "Abeng", Clare Savage. It attempts to determine to what extent her character can be considered an example of a woman who loses her identity as a result of the colonial legacy of bicultural identity. According to the analysis, Clare has become a victim of biculturalism. This means that she is constantly searching for her identity without being able to identify with any specific culture. Throughout the texts, Clare is portrayed as being lost, which leads her to embrace two different cultures and go with the flow.
Al-Sakkaf, Ghazal Mansoor (2022). “Female Quest for Identity in D.H. Lawrence’s Sons and Lovers and Doris Lessing’s The Golden NoteBook”, Epiphany Journal of Transdisciplinary Studies, 15(2), 36-51.
http://dx.doi.org/10.21533/epiphany.v15i2.407.
Al-Sakkaf, Ghazal Mansoor (2023). “Female Self-determination in Charlotte Bronte’s Jane Eyre and Laila Aboulea’s the Translator”, Epiphany Journal of Transdisciplinary Studies, 16(1), 114-31.
http://dx.doi.org/10.21533/epiphany.v16i1.419.g291.
Bhabha, Homi K. (1994). The location of Culture. London, New York: Routledge.
Cliff, Michelle (1996). No telephone to heaven. Penguin.
Cliff, Michelle (1984). Abeng. New York: Plume.
Dube, Musa W. (2021). “Boleo: A postcolonial feminist reading”, HTS Teologiese Studies/TheologicalStudies, 76(3).1-8. https://doi.org/10.4102/hts.v76i3.6174.
Kara Erdemir, Gökçen and Ege Demirtaş (2020). “A Postcolonial Feminist Approach to Toni Morrison’s The Bluest Eye”. Haliç Üniversitesi Sosyal Bilimler Dergisi, 3(2), 199-212.
Gilbert, Sandra M. and Susan Gubar (2020). The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. Yale University Press.
Grayman-Simpson, Nyasha (2017). “Cultural Identity”, The SAGE Encyclopedia of Abnormal and Clinical Psychology, p. 934-935. DOI: http://dx.doi.org/10.4135/9781483365817.n360.
Hooks, Bell (2015). Ain't I a Woman: Black Women and Feminism. New York: Routledge, Taylor & Francis Group.
Meca, Alan et al. (2019). “Biculturalism and Bicultural Identity: A Relational Model of Bicultural Systems”, In Youth in superdiverse societies, pp. 41-57, Routledge.
Morrison, Toni (2007). Beloved. Vintage Classics.
Neimneh, Shadi (2014). “Postcolonial Feminism: Silence and Storytelling in J. M. Coetzee’s Foe”, Journal of Language and Literature, 5(2), p. 49-55. http://dx.doi.org/10.7813/jll.2014/5-2/.
Said, Edward W. (1979). Orientalism. New York: Vintage Books.
Samovar, Larry et al. (1982). Intercultural communication: A reader. Belmont, CA: Wadsworth Publishing Company.
Schwartz, Seth J. et al. (2008). “Broadening the study of the self: Integrating the study of personal identity and cultural identity”, Social and Personality Psychology Compass, 2(2), p. 635-651.
Showalter, Elaine (1999). A Literature of Their Own: British Women Novelists from Brontë to Lessing. Princeton University Press.
Spivak, Gayatri Chakravorty (2023). “Can the Subaltern Speak?”, in Imperialism, pp. 171-219, Routledge.
Usborne, Esther (2014). “Understanding My Culture Means Understanding Myself: The Function of Cultural Identity Clarity for Personal Identity Clarity and Personal Psychological Well-Being”, Journal for the Theory of Social Behaviour, 44 (4), p. 436-458. https://doi.org/10.1111/jtsb.12061.
Alsakkaf, G. M., & Mohammed, S. (2024). Female Bicultural Identity in Michelle Cliff’s Novel Abeng: A Postcolonial Study. Bitig Edebiyat Fakültesi Dergisi, 4(8), 209-219. https://doi.org/10.69787/bitigefd.1491352
AMA
Alsakkaf GM, Mohammed S. Female Bicultural Identity in Michelle Cliff’s Novel Abeng: A Postcolonial Study. bitig. Aralık 2024;4(8):209-219. doi:10.69787/bitigefd.1491352
Chicago
Alsakkaf, Ghazal Mansoor, ve Sameer Mohammed. “Female Bicultural Identity in Michelle Cliff’s Novel Abeng: A Postcolonial Study”. Bitig Edebiyat Fakültesi Dergisi 4, sy. 8 (Aralık 2024): 209-19. https://doi.org/10.69787/bitigefd.1491352.
EndNote
Alsakkaf GM, Mohammed S (01 Aralık 2024) Female Bicultural Identity in Michelle Cliff’s Novel Abeng: A Postcolonial Study. Bitig Edebiyat Fakültesi Dergisi 4 8 209–219.
IEEE
G. M. Alsakkaf ve S. Mohammed, “Female Bicultural Identity in Michelle Cliff’s Novel Abeng: A Postcolonial Study”, bitig, c. 4, sy. 8, ss. 209–219, 2024, doi: 10.69787/bitigefd.1491352.
ISNAD
Alsakkaf, Ghazal Mansoor - Mohammed, Sameer. “Female Bicultural Identity in Michelle Cliff’s Novel Abeng: A Postcolonial Study”. Bitig Edebiyat Fakültesi Dergisi 4/8 (Aralık 2024), 209-219. https://doi.org/10.69787/bitigefd.1491352.
JAMA
Alsakkaf GM, Mohammed S. Female Bicultural Identity in Michelle Cliff’s Novel Abeng: A Postcolonial Study. bitig. 2024;4:209–219.
MLA
Alsakkaf, Ghazal Mansoor ve Sameer Mohammed. “Female Bicultural Identity in Michelle Cliff’s Novel Abeng: A Postcolonial Study”. Bitig Edebiyat Fakültesi Dergisi, c. 4, sy. 8, 2024, ss. 209-1, doi:10.69787/bitigefd.1491352.
Vancouver
Alsakkaf GM, Mohammed S. Female Bicultural Identity in Michelle Cliff’s Novel Abeng: A Postcolonial Study. bitig. 2024;4(8):209-1.