BibTex RIS Kaynak Göster

Dünyazatname: John Barth'ın Anlatı Irmaklarında Bir Gezinti

Yıl 2009, Cilt: 1 Sayı: 11, 49 - 60, 01.08.2009

Öz

Kaynakça

  • Barth, John (1984a). “How to Make a Universe”, The Friday Book: Essays and Other Nonfiction, New York: G. P. Putnam’s Sons, s. 13-25.
  • Barth, John (1984b). “More on the Same Subject”, The Friday Book: Essays and Other Nonfiction, New York: G. P. Putnam’s Sons, s. 26-29.
  • Barth, John (1984c). “Future of Literature, Literature of Future”, The Friday Book: Essays and Other Nonfiction, New York: G. P. Putnam’s Sons, s. 161-165.
  • Barth, John (1984d). “Tales within Tales within Tales”, The Friday Book: Essays and Other Nonfiction, New York: G. P. Putnam’s Sons, s. 218-238.
  • Barth, John (1984e). “Literature of Exhaustion”, The Friday Book: Essays and Other Nonfiction, New York: G. P. Putnam’s Sons, s. 62-76.
  • Barth, John (1984f). “Literature of Replenishment”, The Friday Book: Essays and Other Nonfiction, New York: G. P. Putnam’s Sons, s. 193-206.
  • Barth, John (1984g). “The Ocean of Story”, The Friday Book: Essays and Other Nonfiction, New York: G. P. Putnam’s Sons, s. 84-90.
  • Barth, John (1995a). “The Limits of Imagination”, Further Fridays, Essays, Lectures, and Other Nonfiction, 1984-1994, Little, Brown and Company, Boston, New York, Toronto, London: Little, Brown and Company, s. 49-63.
  • Barth, John (1995b), Masal Masal İçinde: Khimaira, çev. Aslı Biçen, İstanbul: Ayrıntı.
  • Barthes, Roland (1975). The Pleasure of the Text, trans. Richard Miller, New York: Noonday.
  • Benson, Stephen (2003). Cycles of Influence: Fiction, Folktale, Theory, Wayne State University Press, Detroit.
  • Bertens, Hans, Fokkema, Douwe (1998). “Introductory Notes”, ed. Hans Bertens, Douwe Fokkema, International Postmodernism: Theory and Literary Practice, Amsterdam, Philadelphia: John Benjamins Publishing Company, s. 297-306.
  • Bradbury, Malcolm (1992). The Modern American Novel. Oxford: Oxford University Press.
  • Harris, Charles B. (1983). Passionate Virtuosity, The Fiction of John Barth, Champaign, IL: University of Illinois Press.
  • Hoffmann, Gerhard (2005). From Modernism to Postmodernism: Concepts and Strategies of Postmodern American Fiction, , Amsterdam, New York: Rodopi B. V.
  • Hutcheon, Linda (1980). Narcissistic Narrative: The metafictional paradox, Waterloo: Wilfrid Laurier Univ. Press
  • Hutcheon, Linda (1988). A Poetics of Postmodernism: History, Theory, Fiction London: Routledge
  • McHale, Brian (1987). Postmodernist Fiction, Routledge, London, New York
  • Musarra, Ulla (1990) “Narrative Discourse in Postmodernist Texts: The Conventions of the Novel and the Multiplication of Narrative Instances”, Exploring Postmodernism: Selected Papers Presented at a Workshop on Postmodernism at the XIth International Comparative Literature Congress, Paris, 20-24 August 1985, ed. Matei Calinescu, Douwe Fokkema, Amsterdam: John Benjamins Publishing Company, s. 215-234.
  • Ortega, Julio (1998). “Postmodernism in Spanish-American Writing, Hans Bertens, Douwe Fokkema (ed.), International Postmodernism: Theory and Literary Practice, Amsterdam, Philadelphia: John Benjamins, 315-326.
  • Payne, Michael (1997) Reading Knowledge: An Introduction to Barthes, Foucault, and Althusser, Malden: Wiley-Blackwell.
  • Phillip, Melanie, Huntley, Chris (2004) Dramatica: A New Theory of Story, Burbank, CA: Write Brothers, Inc.
  • Reilly, Charlie and Barth, John (2000), “An Interview with John Barth”, Contemporary Literature, vol. 41, no. 4 (Winter), s. 589-617
  • Sim, Stuart (2006), Postmodern Düşüncenin Eleştirel Sözlüğü, çev. M. Erkan, A. Utku, Ankara: Ebabil.
  • Worthington, Marjorie (2001). “Done with Mirrors: Restoring the Authority Lost in John Barth’s Funhouse”, Twentieth Century Literature, volume: 47. Issue: 1.

Dünyazatname: John Barth'ın Anlatı Irmaklarında Bir Gezinti

Yıl 2009, Cilt: 1 Sayı: 11, 49 - 60, 01.08.2009

Öz

John Barth’ın anlatılarında sözlü geleneğe dayanan öyküleme geleneği belirleyici bir rol oynar. Bu yüzden Barth’ın kurgusu postmodernizmin geleneği kullanıp suistimal etmesi ve istikrarsızlaştırmasıyla örtüşür. Öykü döngüsüne ve çerçeve hikâyeye dayalı çokkatlı anlatılar sunan Barth, kendi kurgusunda hem metinsel bir uzam hem biçimsel bir araç olarak Somadeva’nın Kathasaritsagara’sının (Öykü Irmaklarının Okyanusu) ve özellikle Binbir Gece öykülerinin döngüsel çerçevesini kullanır. Bu çalışma, Masal Masal İçinde: Khimaira’da yer alan üç mitolojik öyküden biri olan “Dünyazatname”de, Barth’ın mit-gerçeklik- çağdaş dünya arasında kurduğu girift ilişkiye odaklanır

Kaynakça

  • Barth, John (1984a). “How to Make a Universe”, The Friday Book: Essays and Other Nonfiction, New York: G. P. Putnam’s Sons, s. 13-25.
  • Barth, John (1984b). “More on the Same Subject”, The Friday Book: Essays and Other Nonfiction, New York: G. P. Putnam’s Sons, s. 26-29.
  • Barth, John (1984c). “Future of Literature, Literature of Future”, The Friday Book: Essays and Other Nonfiction, New York: G. P. Putnam’s Sons, s. 161-165.
  • Barth, John (1984d). “Tales within Tales within Tales”, The Friday Book: Essays and Other Nonfiction, New York: G. P. Putnam’s Sons, s. 218-238.
  • Barth, John (1984e). “Literature of Exhaustion”, The Friday Book: Essays and Other Nonfiction, New York: G. P. Putnam’s Sons, s. 62-76.
  • Barth, John (1984f). “Literature of Replenishment”, The Friday Book: Essays and Other Nonfiction, New York: G. P. Putnam’s Sons, s. 193-206.
  • Barth, John (1984g). “The Ocean of Story”, The Friday Book: Essays and Other Nonfiction, New York: G. P. Putnam’s Sons, s. 84-90.
  • Barth, John (1995a). “The Limits of Imagination”, Further Fridays, Essays, Lectures, and Other Nonfiction, 1984-1994, Little, Brown and Company, Boston, New York, Toronto, London: Little, Brown and Company, s. 49-63.
  • Barth, John (1995b), Masal Masal İçinde: Khimaira, çev. Aslı Biçen, İstanbul: Ayrıntı.
  • Barthes, Roland (1975). The Pleasure of the Text, trans. Richard Miller, New York: Noonday.
  • Benson, Stephen (2003). Cycles of Influence: Fiction, Folktale, Theory, Wayne State University Press, Detroit.
  • Bertens, Hans, Fokkema, Douwe (1998). “Introductory Notes”, ed. Hans Bertens, Douwe Fokkema, International Postmodernism: Theory and Literary Practice, Amsterdam, Philadelphia: John Benjamins Publishing Company, s. 297-306.
  • Bradbury, Malcolm (1992). The Modern American Novel. Oxford: Oxford University Press.
  • Harris, Charles B. (1983). Passionate Virtuosity, The Fiction of John Barth, Champaign, IL: University of Illinois Press.
  • Hoffmann, Gerhard (2005). From Modernism to Postmodernism: Concepts and Strategies of Postmodern American Fiction, , Amsterdam, New York: Rodopi B. V.
  • Hutcheon, Linda (1980). Narcissistic Narrative: The metafictional paradox, Waterloo: Wilfrid Laurier Univ. Press
  • Hutcheon, Linda (1988). A Poetics of Postmodernism: History, Theory, Fiction London: Routledge
  • McHale, Brian (1987). Postmodernist Fiction, Routledge, London, New York
  • Musarra, Ulla (1990) “Narrative Discourse in Postmodernist Texts: The Conventions of the Novel and the Multiplication of Narrative Instances”, Exploring Postmodernism: Selected Papers Presented at a Workshop on Postmodernism at the XIth International Comparative Literature Congress, Paris, 20-24 August 1985, ed. Matei Calinescu, Douwe Fokkema, Amsterdam: John Benjamins Publishing Company, s. 215-234.
  • Ortega, Julio (1998). “Postmodernism in Spanish-American Writing, Hans Bertens, Douwe Fokkema (ed.), International Postmodernism: Theory and Literary Practice, Amsterdam, Philadelphia: John Benjamins, 315-326.
  • Payne, Michael (1997) Reading Knowledge: An Introduction to Barthes, Foucault, and Althusser, Malden: Wiley-Blackwell.
  • Phillip, Melanie, Huntley, Chris (2004) Dramatica: A New Theory of Story, Burbank, CA: Write Brothers, Inc.
  • Reilly, Charlie and Barth, John (2000), “An Interview with John Barth”, Contemporary Literature, vol. 41, no. 4 (Winter), s. 589-617
  • Sim, Stuart (2006), Postmodern Düşüncenin Eleştirel Sözlüğü, çev. M. Erkan, A. Utku, Ankara: Ebabil.
  • Worthington, Marjorie (2001). “Done with Mirrors: Restoring the Authority Lost in John Barth’s Funhouse”, Twentieth Century Literature, volume: 47. Issue: 1.
Toplam 25 adet kaynakça vardır.

Ayrıntılar

Birincil Dil Türkçe
Bölüm Makaleler
Yazarlar

İsmail Öğretir Bu kişi benim

Yayımlanma Tarihi 1 Ağustos 2009
Yayımlandığı Sayı Yıl 2009 Cilt: 1 Sayı: 11

Kaynak Göster

APA Öğretir, İ. . (2009). Dünyazatname: John Barth’ın Anlatı Irmaklarında Bir Gezinti. Cankaya University Journal of Arts and Sciences, 1(11), 49-60.
AMA Öğretir İ. Dünyazatname: John Barth’ın Anlatı Irmaklarında Bir Gezinti. Cankaya University Journal of Arts and Sciences. Ağustos 2009;1(11):49-60.
Chicago Öğretir, İsmail. “Dünyazatname: John Barth’ın Anlatı Irmaklarında Bir Gezinti”. Cankaya University Journal of Arts and Sciences 1, sy. 11 (Ağustos 2009): 49-60.
EndNote Öğretir İ (01 Ağustos 2009) Dünyazatname: John Barth’ın Anlatı Irmaklarında Bir Gezinti. Cankaya University Journal of Arts and Sciences 1 11 49–60.
IEEE İ. . Öğretir, “Dünyazatname: John Barth’ın Anlatı Irmaklarında Bir Gezinti”, Cankaya University Journal of Arts and Sciences, c. 1, sy. 11, ss. 49–60, 2009.
ISNAD Öğretir, İsmail. “Dünyazatname: John Barth’ın Anlatı Irmaklarında Bir Gezinti”. Cankaya University Journal of Arts and Sciences 1/11 (Ağustos 2009), 49-60.
JAMA Öğretir İ. Dünyazatname: John Barth’ın Anlatı Irmaklarında Bir Gezinti. Cankaya University Journal of Arts and Sciences. 2009;1:49–60.
MLA Öğretir, İsmail. “Dünyazatname: John Barth’ın Anlatı Irmaklarında Bir Gezinti”. Cankaya University Journal of Arts and Sciences, c. 1, sy. 11, 2009, ss. 49-60.
Vancouver Öğretir İ. Dünyazatname: John Barth’ın Anlatı Irmaklarında Bir Gezinti. Cankaya University Journal of Arts and Sciences. 2009;1(11):49-60.