Research Note

The Power of Dress: Donning 1930s Hollywood Replication Gowns

Volume: 18 Number: 1 June 30, 2024
TR EN

The Power of Dress: Donning 1930s Hollywood Replication Gowns

Abstract

During the 1930s, Hollywood enticed women to purchase film costume replicas and product tie-ins in their local department stores via a cooperative marketing campaign. Hollywood replication gowns were inexpensive, available to consumers of modest means, and offered a way to explore the glamour of stardom through dress. They were available in a variety of styles, but the Letty Lynton dress was the most famous of its genre, and its success solidified the wide-shouldered look of the 1930s. The prevalence of similarly designed gowns establishes it as a cultural sub-meme of Hollywood replications. One example, housed in the Alameda Historical Museum (AHM), was analyzed using the material culture methodology of E. M. Fleming. The study presents a case in which women of this era experimented with the percolating sense of self-determination through Hollywood dress replications, unique to how women express that today.

Keywords

References

  1. “All the World Wears Dots,” (1934, June 1), Women’s Wear Daily, p. 10.
  2. Arnold, R. (2008). Movement and Modernity: New York Sportswear, Dance, and Exercise in the 1930s and 1940s. Fashion Theory, 12(3), 341-57.
  3. Berry, S. (2000). Screen Style. University of Minnesota Press.
  4. Berger, A., & Berger, A. A. (2016). What Objects Mean. Routledge.
  5. Boumaroun, L. (2017). Becoming Annie: When Film Costume and Fashion Converge. Fashion Theory, 21(6), 647-66.
  6. “Color Contrast is Well Played Up in ‘While Parents Sleep’” (1934, June 5). Women’s Wear Daily, p. 12.
  7. DeLong, M. R. (1998). The Way We Look: Dress and Aesthetics (2nd). Fairchild Publications.
  8. Eckert, C. (1978). “The Carole Lombard in Macy's Window.” Quarterly Review of Film & Video 3(1).

Details

Primary Language

English

Subjects

Translation Studies, World Languages, Literature and Culture (Other)

Journal Section

Research Note

Publication Date

June 30, 2024

Submission Date

January 30, 2024

Acceptance Date

April 4, 2024

Published in Issue

Year 2024 Volume: 18 Number: 1

APA
Martin, N. (2024). The Power of Dress: Donning 1930s Hollywood Replication Gowns. Cankaya University Journal of Humanities and Social Sciences, 18(1), 182-192. https://doi.org/10.47777/cankujhss.1428150
AMA
1.Martin N. The Power of Dress: Donning 1930s Hollywood Replication Gowns. CUJHSS. 2024;18(1):182-192. doi:10.47777/cankujhss.1428150
Chicago
Martin, Nancy. 2024. “The Power of Dress: Donning 1930s Hollywood Replication Gowns”. Cankaya University Journal of Humanities and Social Sciences 18 (1): 182-92. https://doi.org/10.47777/cankujhss.1428150.
EndNote
Martin N (June 1, 2024) The Power of Dress: Donning 1930s Hollywood Replication Gowns. Cankaya University Journal of Humanities and Social Sciences 18 1 182–192.
IEEE
[1]N. Martin, “The Power of Dress: Donning 1930s Hollywood Replication Gowns”, CUJHSS, vol. 18, no. 1, pp. 182–192, June 2024, doi: 10.47777/cankujhss.1428150.
ISNAD
Martin, Nancy. “The Power of Dress: Donning 1930s Hollywood Replication Gowns”. Cankaya University Journal of Humanities and Social Sciences 18/1 (June 1, 2024): 182-192. https://doi.org/10.47777/cankujhss.1428150.
JAMA
1.Martin N. The Power of Dress: Donning 1930s Hollywood Replication Gowns. CUJHSS. 2024;18:182–192.
MLA
Martin, Nancy. “The Power of Dress: Donning 1930s Hollywood Replication Gowns”. Cankaya University Journal of Humanities and Social Sciences, vol. 18, no. 1, June 2024, pp. 182-9, doi:10.47777/cankujhss.1428150.
Vancouver
1.Nancy Martin. The Power of Dress: Donning 1930s Hollywood Replication Gowns. CUJHSS. 2024 Jun. 1;18(1):182-9. doi:10.47777/cankujhss.1428150

Çankaya University Journal of Humanities and Social Sciences
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