Abstract
Sahilde Kafka’da Haruki Murakami, benlik kavramını insan ve insan dışı etkileşimlerle şekillenen dinamik, birbirine bağlı bir olgu olarak yeniden tanımlar. Çift anlatı yapısı aracılığıyla, Kafka Tamura’nın birinci tekil şahıs bakış açısı, onun alter egosu Karga ile iç içe geçerken; gölgesi olmayan Satoru Nakata üçüncü tekil şahıs ile kendinden söz ederek uzaklık ve parçalanmışlık hissini vurgular. Bu hikâyeler, geçmiş ve şimdinin birbirine karıştığı metafizik mekânlarda birleşerek kimlikler arasında rizomatik bağlantılar yaratır. Konuşan kediler, Karga, yağan balıklar ve “giriş taşı” gibi nesneler de dahil olmak üzere animistik unsurlar, insan dışı varlıkların bilinci şekillendirmedeki etkisini ortaya koyar. Johnnie Walker ve Colonel Sanders gibi figürler Batı tüketim kültürünü eleştirirken, Nakata’nın çocukluk travması Japonya’nın tarihsel hafıza kaybı ve Batı etkisiyle mücadelesini yansıtır. Murakami, benliği akışkan ve sürekli dönüşüme açık olarak sunar; kimliğin, sabit bir bireysellikten ziyade, ilişkisel ve kültürel etkileşimlerle ortaya çıktığını öne sürer. Bu makale, anlatı stratejilerini, animizmi ve kültürel eleştiriyi inceleyerek romanın benliği kolektif, evrilen ve birbirine bağlı bir olgu olarak nasıl konumlandırdığını göstermeyi amaçlamaktadır.
References
- Alaimo, S. (2008). Trans-Corporeal feminisms and the ethical space of nature. In S. Alaimo & S. Hekman (Eds.), Material Feminisms (pp. 237-264). Indiana University Press.
- Baik, J. (2010). Murakami Haruki and the historical memory of East Asia. Inter-Asia Cultural Studies, 11(1), 64-72. https://doi.org/10.1080/14649370903403603
- Bennett, J. (2010). Vibrant matter: A political ecology of things. Duke University Press.
- Bird Rose, D. (2017). Connectivity thinking, animism, and the pursuit of liveliness. Educational Theory, 67(4), 457-474. https://doi.org/10.1111/edth.12203
- DeLanda, M. (2016). Assemblage theory. Edinburgh University Press.
- Deleuze, G., & Guattari, F. (1987). A thousand plateaus: Capitalism and schizophrenia (B. Massumi, Trans.). University of Minnesota Press. (Original work published 1980).
- Ellis, J., Hirabayashi, M., & Murakami, H. (2005). “In dreams begins responsibility”: An interview with Haruki Murakami. The Georgia Review, 59(3), 548-567. http://www.jstor.org/stable/41402632
- Freud, S. (1900). The interpretation of dreams (J. Strachey, Trans.). In J. Strachey (Ed.), The Standard Edition of the Complete Psychological Works of Sigmund Freud (Vols. 4-5). Hogarth Press.
- Freud, S. (1905). Three essays on the theory of sexuality (J. Strachey, Trans.). In J. Strachey (Ed.), The Standard Edition of the Complete Psychological Works of Sigmund Freud (Vol. 7, pp. 123-246). Hogarth Press.
- Freud, S. (1923). The ego and the id (J. Strachey, Trans.). In J. Strachey (Ed.), The Standard Edition of the Complete Psychological Works of Sigmund Freud (Vol. 19, pp. 12-66). Hogarth Press.
- Pticina, L. (2025). Haruki Murakami: An existential perspective on personality and individuality in selected novels. In J. T. Milburn (Ed.), Haruki Murakami and philosophical concepts (pp. 165-180). Palgrave Macmillan. https://doi.org/10.1007/978-3-031-89646-0-18
- Kim, J. P. S. (2022). Rethinking Haruki Murakami: An alternative history of traumas and aftermaths in Kafka on the Shore. Critique: Studies in Contemporary Fiction, 64(3), 416-429. https://doi.org/10.1080/00111619.2022.2041539
- Krahn, D. (2021). Ontology on the shore: Murakami, Heidegger, and narrative confusion in Kafka on the Shore. Mosaic: An Interdisciplinary Critical Journal, 54(4), 99-114. https://www.jstor.org/stable/27240997
- Lai, A. T. (2007). Memory, hybridity, and creative alliance in Haruki Murakami’s fiction. Mosaic: An Interdisciplinary Critical Journal, 40(1), 163-179. http://www.jstor.org/stable/44030164
- Lyotard, J.-F. (1997). Postmodern fables (G. Van Den Abbeele, Trans.). University of Minnesota Press. (Original work published 1993).
- Massumi, B. (2002). Parables for the virtual: Movement, affect, sensation. Duke University Press.
- Merleau-Ponty, M. (2002). Phenomenology of perception (C. Smith, Trans.). Routledge. (Original work published 1945).
- Milburn, J. T. (2025). Haruki Murakami and conceptual personae: Fuzzy authorship and The Sheep Man. In J. T. Milburn (Ed.), Haruki Murakami and philosophical concepts (pp. 199-237). Palgrave Macmillan. https://doi.org/10.1007/978-3-031-89646-0-20
- Murakami, H. (2005). Kafka on the Shore (P. Gabriel, Trans.). Vintage. (Original work published 2002).
- Nihei, C. (2019). Haruki Murakami: Storytelling and productive distance (1st ed.). Routledge. https://doi.org/10.4324/9780367266653
- Nihei, C. (2016). The productivity of a space in-between: Murakami Haruki as a translator. Japanese Studies, 36(3), 383-397. https://doi.org/10.1080/10371397.2016.1248378
- Rorty, R. (1995). Rorty and pragmatism: The philosopher responds to his critics (H. J. Saatkamp Jr., Ed.). Vanderbilt University Press.
- Spinoza, B. (1919). Ethics (R. H. M. Elwes, Trans.). J. M. Dent & Sons. (Original work published 1677).
- Spinoza, B. (1674). Letter 58 to Schuller. In J. Bennett (Ed.), Correspondence. https://www.earlymoderntexts.com/authors/spinoza
- Strecher, M. C. (1999). Magical realism and the search for identity in the fiction of Murakami Haruki. The Journal of Japanese Studies, 25(2), 263-298. https://doi.org/10.2307/133313
- Strecher, M. C. (2020). Out of the (b)earth canal: the mythic journey in Murakami Haruki. Japan Forum, 32(3), 338-360. https://doi.org/10.1080/09555803.2019.1691628
- Strecher, M. C. (2014). The Forbidden Worlds of Haruki Murakami. University of Minnesota Press. http://www.jstor.org/stable/10.5749/j.ctt7zw6fp
- Suter, R. (2019). The spirit(s) of modern Japanese fiction. In F. Rambelli (Ed.), Spirits and animism in contemporary Japan: The Invisible Empire (pp. 127-141). Bloomsbury Academic.
- Yeung, V. (2016). Time and timelessness: A study of narrative structure in Murakami Haruki’s “Kafka on the Shore.” Mosaic: An Interdisciplinary Critical Journal, 49(1), 145-160. http://www.jstor.org/stable/44030501
Abstract
In Kafka on the Shore, Haruki Murakami redefines selfhood as a dynamic, interconnected phenomenon shaped by human-nonhuman interactions. Through dual narratives, Kafka Tamura’s first-person perspective intertwines with that of his alter ego, Crow, while Satoru Nakata, who has no shadow, speaks in the third person, thereby emphasizing detachment and fragmentation. These stories converge in metaphysical spaces where past and present dissolve, creating rhizomatic connections between identities. Animistic elements, including talking cats, Crow, raining fish, and objects like the entrance stone, highlight the agency of nonhuman entities in shaping consciousness. Figures such as Johnnie Walker and Colonel Sanders critique Western consumerist culture, while Nakata’s childhood trauma reflects Japan’s struggle with historical amnesia and Western influence. Murakami presents selfhood as fluid, always open to transformation, suggesting that identity emerges through relational and cultural entanglements rather than fixed individuality. This paper, thus, examines narrative strategies, animism, and cultural critique to show how the novel positions selfhood as collective, evolving, and interconnected.
References
- Alaimo, S. (2008). Trans-Corporeal feminisms and the ethical space of nature. In S. Alaimo & S. Hekman (Eds.), Material Feminisms (pp. 237-264). Indiana University Press.
- Baik, J. (2010). Murakami Haruki and the historical memory of East Asia. Inter-Asia Cultural Studies, 11(1), 64-72. https://doi.org/10.1080/14649370903403603
- Bennett, J. (2010). Vibrant matter: A political ecology of things. Duke University Press.
- Bird Rose, D. (2017). Connectivity thinking, animism, and the pursuit of liveliness. Educational Theory, 67(4), 457-474. https://doi.org/10.1111/edth.12203
- DeLanda, M. (2016). Assemblage theory. Edinburgh University Press.
- Deleuze, G., & Guattari, F. (1987). A thousand plateaus: Capitalism and schizophrenia (B. Massumi, Trans.). University of Minnesota Press. (Original work published 1980).
- Ellis, J., Hirabayashi, M., & Murakami, H. (2005). “In dreams begins responsibility”: An interview with Haruki Murakami. The Georgia Review, 59(3), 548-567. http://www.jstor.org/stable/41402632
- Freud, S. (1900). The interpretation of dreams (J. Strachey, Trans.). In J. Strachey (Ed.), The Standard Edition of the Complete Psychological Works of Sigmund Freud (Vols. 4-5). Hogarth Press.
- Freud, S. (1905). Three essays on the theory of sexuality (J. Strachey, Trans.). In J. Strachey (Ed.), The Standard Edition of the Complete Psychological Works of Sigmund Freud (Vol. 7, pp. 123-246). Hogarth Press.
- Freud, S. (1923). The ego and the id (J. Strachey, Trans.). In J. Strachey (Ed.), The Standard Edition of the Complete Psychological Works of Sigmund Freud (Vol. 19, pp. 12-66). Hogarth Press.
- Pticina, L. (2025). Haruki Murakami: An existential perspective on personality and individuality in selected novels. In J. T. Milburn (Ed.), Haruki Murakami and philosophical concepts (pp. 165-180). Palgrave Macmillan. https://doi.org/10.1007/978-3-031-89646-0-18
- Kim, J. P. S. (2022). Rethinking Haruki Murakami: An alternative history of traumas and aftermaths in Kafka on the Shore. Critique: Studies in Contemporary Fiction, 64(3), 416-429. https://doi.org/10.1080/00111619.2022.2041539
- Krahn, D. (2021). Ontology on the shore: Murakami, Heidegger, and narrative confusion in Kafka on the Shore. Mosaic: An Interdisciplinary Critical Journal, 54(4), 99-114. https://www.jstor.org/stable/27240997
- Lai, A. T. (2007). Memory, hybridity, and creative alliance in Haruki Murakami’s fiction. Mosaic: An Interdisciplinary Critical Journal, 40(1), 163-179. http://www.jstor.org/stable/44030164
- Lyotard, J.-F. (1997). Postmodern fables (G. Van Den Abbeele, Trans.). University of Minnesota Press. (Original work published 1993).
- Massumi, B. (2002). Parables for the virtual: Movement, affect, sensation. Duke University Press.
- Merleau-Ponty, M. (2002). Phenomenology of perception (C. Smith, Trans.). Routledge. (Original work published 1945).
- Milburn, J. T. (2025). Haruki Murakami and conceptual personae: Fuzzy authorship and The Sheep Man. In J. T. Milburn (Ed.), Haruki Murakami and philosophical concepts (pp. 199-237). Palgrave Macmillan. https://doi.org/10.1007/978-3-031-89646-0-20
- Murakami, H. (2005). Kafka on the Shore (P. Gabriel, Trans.). Vintage. (Original work published 2002).
- Nihei, C. (2019). Haruki Murakami: Storytelling and productive distance (1st ed.). Routledge. https://doi.org/10.4324/9780367266653
- Nihei, C. (2016). The productivity of a space in-between: Murakami Haruki as a translator. Japanese Studies, 36(3), 383-397. https://doi.org/10.1080/10371397.2016.1248378
- Rorty, R. (1995). Rorty and pragmatism: The philosopher responds to his critics (H. J. Saatkamp Jr., Ed.). Vanderbilt University Press.
- Spinoza, B. (1919). Ethics (R. H. M. Elwes, Trans.). J. M. Dent & Sons. (Original work published 1677).
- Spinoza, B. (1674). Letter 58 to Schuller. In J. Bennett (Ed.), Correspondence. https://www.earlymoderntexts.com/authors/spinoza
- Strecher, M. C. (1999). Magical realism and the search for identity in the fiction of Murakami Haruki. The Journal of Japanese Studies, 25(2), 263-298. https://doi.org/10.2307/133313
- Strecher, M. C. (2020). Out of the (b)earth canal: the mythic journey in Murakami Haruki. Japan Forum, 32(3), 338-360. https://doi.org/10.1080/09555803.2019.1691628
- Strecher, M. C. (2014). The Forbidden Worlds of Haruki Murakami. University of Minnesota Press. http://www.jstor.org/stable/10.5749/j.ctt7zw6fp
- Suter, R. (2019). The spirit(s) of modern Japanese fiction. In F. Rambelli (Ed.), Spirits and animism in contemporary Japan: The Invisible Empire (pp. 127-141). Bloomsbury Academic.
- Yeung, V. (2016). Time and timelessness: A study of narrative structure in Murakami Haruki’s “Kafka on the Shore.” Mosaic: An Interdisciplinary Critical Journal, 49(1), 145-160. http://www.jstor.org/stable/44030501
Details
| Primary Language | English |
|---|---|
| Subjects | World Languages, Literature and Culture (Other), Literary Theory |
| Journal Section | Research Article |
| Authors | |
| Submission Date | August 19, 2025 |
| Acceptance Date | January 30, 2026 |
| Publication Date | January 31, 2026 |
| Published in Issue | Year 2026 Volume: 20 Issue: 1 |
Aim & Scope
Çankaya University Journal of Humanities and Social Sciences beşeri ve sosyal bilimler alanında ulusal ve uluslararası düzeyde yapılan akademik çalışmaları yayımlayan açık erişimli hakemli bir dergidir. Haziran ve Aralık olmak üzere yılda iki kere online yayımlanır. Derginin yayın dili İngilizcedir.
Edebiyat incelemeleri, karşılaştırmalı edebiyat, kuram çalışmaları, çeviri ve kültür çalışmaları, dilbilim, çevirmen eğitimi ve yabancı dil eğitimi alanlarını kapsayan disiplinlerarası çalışmalara yer verir. Beşeri ve sosyal bilimlerin ilgili alanlarındaki yeni bakış açılarını akademik çevreye yaymak derginin hedefleri arasındadır. Kapsamını oluşturan konularda uygulamalı ve/veya kuramsal araştırmaların daha geniş bir akademik çevrede tartışılmasını kolaylaştırmayı ve bunları bilim insanlarına ve kamuoyuna duyurmayı amaçlar. Bu amaçla dergide basılan makalelerin Creative Commons Alıntı-GayriTicari-Türetilemez 4.0 Uluslararası Lisansı (CC BY-NC-ND) altında açık erişimine izin verilir.
Çankaya University Journal of Humanities and Social Sciences, daha önce başka bir yerde basılmamış özgün eserlere yer verir ve edebiyat incelemeleri, karşılaştırmalı edebiyat, kuram çalışmaları, çeviri ve kültür çalışmaları, dilbilim, çevirmen eğitimi ve yabancı dil eğitimi alanlarını kapsayan İngilizce yazılmış makale başvurularını kabul eder.
Subject Area and Category
Arts and Humanities: Literature and Literary Theory; Philosophy
Social Sciences: Linguistics and Language; Education; Translation Studies; Cultural Studies
Author Guidelines
Çankaya University Journal of Humanities and Social Sciences publishes original scientific articles, reviews, and research notes that meet the standards for a given discipline and the principles of COPE Code of Conduct and Best Practice Guidelines. No publication fee is charged at any stage.
Manuscripts submitted to CUJHSS should not be previously published or under review elsewhere. Submissions should be the original work of their authors and should contribute to the literature.
* The Journal accepts manuscript submissions in English (Word/doc. or docx. file format). Full formatting according to the style sheet is required after the paper is accepted for publication.
* Articles submitted to the journal should be between 6000-8000 words in length (not including Abstract, Methods, References). The submission should meet the length requirements: 6000-8000 words for papers and 1500-2500 words for book reviews.
* All articles should have an abstract (around 150 words, not exceeding 200 words), and no less than five keywords should be listed.
* For all references to quotations from and for the ideas and concepts taken from other sources, proper citation conventions specified in the Journal guidelines (APA Style) should be used. For details, refer to https://apastyle.apa.org/instructional-aids/reference-guide.pdf
All manuscripts sent for publication should meet academic writing conventions and publication ethics. Scientific and ethical rules must be adhered to in the design, preparation, production stages of the manuscript and in the analyses of data and use of materials.
The content and language of manuscripts and any legal liabilities are under the sole responsibility of their authors. The author(s) warrant that the Article is original and has not been submitted to any other journal to be published or has not been published before, and that the Article is not in violation of any right of privacy, common law, statutory copyright, or other personal or property rights.
Sources that contribute to an understanding of the research findings should be cited properly and there is no conflict of interest to disclose.
Manuscripts that do not adhere to publication ethics and/or citation conventions or display any form of plagiarism are rejected.
For further details, refer to the Journal’s Ethical Principles and Publication Policy.
Ethical Principles and Publication Policy
• Çankaya University Journal of Humanities and Social Sciences (CUJHSS, e-ISSN: 3062-0112) is an open access, double anonymous peer-reviewed international journal that publishes original scholarly articles, review articles, research notes, and book reviews. It accepts manuscript submissions in English.
• Manuscripts submitted to the Journal should not be previously published or under review elsewhere. Submissions should be the original work of their authors and should contribute to the literature.
• All manuscripts sent for publication should meet academic writing conventions and publication ethics. The Journal commits to the internationally accepted principles of publication ethics expressed in the recommendations of the Committee on Publication Ethics (COPE; publicationethics.org). The whole publication process is bounded by the provisions set out by the Committee on Publication Ethics along with the Interuniversity Board Scientific Research and Publication Ethics Directive. Scientific and ethical rules must be adhered to in the design, preparation, production stages of the manuscript and in the analysis of data and use of materials.
• The author(s) warrant that the article is original and not in violation of any right of privacy, common law, statutory copyright, or other personal or property rights. All submissions are subjected to originality check on iThenticate program and/or intihal.net. The content and language of manuscripts and any legal liabilities are under the sole responsibility of their authors. The author(s) warrant that there is no conflict of interest to disclose.
• Sources that contribute to an understanding of the research findings should be cited properly. Manuscripts that do not adhere to publication ethics and/or citation conventions or display any form of plagiarism are rejected. For all references to quotations from and for the ideas and concepts taken from other sources, proper citation conventions specified in the Journal guidelines (APA Style) should be used.
• If the study requires research on animals, clinical studies on humans and/or human subjects, data collection from the participants by using survey, interview, focus group work, observation, experiment, interview techniques, etc. the authors are required to obtain institutional ethics committee approval. Authors should provide a clear statement explaining that necessary consent has been obtained from human subjects and that the rights of participants are respected.
Policies Regarding the Responsibilities of Editors and Reviewers
• The Editors and Reviewers assess manuscripts based solely on their scientific merit, without consideration of the authors’ ethnicity, gender, sexual orientation, nationality, religious beliefs, or political views.
• The editorial oversight concerning the process of reviewing is ensured by the editors and the editorial and advisory board composed of active researchers who provide guidance on editorial policies and guidelines. The Editor-in-Chief ensures there are no conflicts of interest between authors, editors, and reviewers. The editorial team has the sole authority to assign reviewers and makes the final decision on manuscript publication in the Journal. The publication of any submitted manuscript is at the discretion of the Editors. No royalties are paid to authors.
Journal’s Evaluation Process and Reviewers’ Guidelines
• All manuscripts submitted to the Journal are evaluated with a double-blind peer review process without revealing the identities of the authors and reviewers. All submissions are examined first by the Editors, and the anonymous manuscripts which meet the standards for a given discipline and the principles of COPE Code of Conduct and Best Practice Guidelines are sent to at least two referees for their evaluation of format and content. Editors and reviewers are entitled to evaluate the manuscript in a detailed and fair manner and are expected to comply with scientific publication conventions and be objective in their decision.
Initial Screening: The Editors evaluate submissions based on their originality and alignment with the Journal’s scope, ensuring they meet the basic criteria of the Journal. Submissions that fail to meet these standards may be returned to the authors without undergoing peer review.
Peer Review: Manuscripts that pass the initial screening are subjected to a double-blind peer review process where the identities of both authors and reviewers remain anonymous. Authors are required to exclude identifying information from the initial manuscript submission. The journal appoints field experts as peer reviewers to assess the manuscript’s scientific merit and its contribution to the existing body of literature. If the reviewers request revisions, the manuscript is returned to the author. The author is responsible for completing the revisions promptly and submitting the revised, anonymized manuscript to the Journal. When necessary, the revised manuscript is re-evaluated by the reviewers.
Reviewers’ Guidelines: All reviewers for the Journal are expected to voluntarily adhere to the international standards established by the Committee on Publication Ethics (COPE). For details, visit https://publicationethics.org/
• By accepting the Journal’s invitation for a blind review, reviewers agree to adhere to international standards for blind peer review. They are expected to maintain strict confidentiality and must not share any information or documents related to the review process with third parties. Editors must ensure the confidentiality of both the manuscripts and the reviewers’ identities.
• Reviewers must have no conflict of interest regarding the research or authors. If a reviewer identifies a conflict of interest or feels unqualified to evaluate the manuscript, they should promptly notify the editor. They must bring to the Editors’ attention any information that could warrant the rejection of the manuscript.
• Reviewers are typically given 20 days to submit their review reports. Authors are required to address the reviewers' feedback and revise their work within the specified timeframe.
• Reviewers should offer constructive feedback aimed at improving the quality of the manuscript and ensure their comments are respectful and non-offensive.
• Reviewers may recommend no more than two rounds of revision for a manuscript. After the final revision (limited to two rounds), reviewers are responsible for evaluating the revised manuscript and making a definitive recommendation to either “accept” or “reject” the submission.
Editorial Decision: Based on the reviewers’ feedback, the Editors make an initial decision and communicate it to the authors, along with the reviewers’ comments and recommendations. If revisions are required, authors are provided with a specific timeframe to address the feedback and make the necessary changes. Following the revision, the possible final decisions include “acceptance,” “minor revision,” “rejection,” or “major revision and reevaluation” which may involve further review by the original reviewers or an additional external reviewer. Authors are given proofs of their final article for review and corrections before publication. Once the proofs are finalized, the manuscript is published online.
Policies Regarding Authorship, Retractions, and Post-Publication Corrections
• Authors who submit manuscripts should comply with the evaluation and review procedures set out by the COPE and are to adhere to ethical standards, rules and regulations to prevent their violations.
• All authors agree to take full responsibility for all aspects of their work, ensuring that any questions regarding the accuracy or integrity of any part of the research are thoroughly investigated and appropriately resolved. They must also adhere to the authorship guidelines relevant to their specific field of research.
• One author is assigned as Corresponding Author responsible for managing communication between the Journal and the co-authors and acts on behalf of all co-authors, ensuring that the manuscript has been reviewed and approved by all listed authors prior to submission.
• Authors accept that the Article is distributed under the terms and conditions of the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (CC BY-NC-ND).
• Authors may withdraw their submissions before the review process begins. While authors are permitted to review and approve their manuscripts prior to publication, any changes or corrections required after publication can only be made through the issuance of a corrigendum. The decision to make post-publication amendments lies at the discretion of the Editors. The Editor-in-Chief is responsible for publishing errata or making necessary corrections.
• Provided that it is partially or fully published, the author(s) also grant that any kind of permission has been taken for the Article to be published in the Journal. If authors use any material (photograph, drawing, etc.) from other sources under copyright, they are responsible for getting the copyrights.
Çankaya Üniversitesi and its agents make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the content and disclaim all such representations and warranties whether expressed in this publication are the views and opinions of the respective authors and not of the Editors of Çankaya University Journal of Humanities and Social Sciences.
OA Licensing and Copyright
• Çankaya University Journal of Humanities and Social Sciences is a fully open access academic journal (https://v2.sherpa.ac.uk/id/publication/44107). Publishing open access means that your article will be free to access online immediately on publication, increasing the visibility, readership, and impact of your research. Open access (OA) articles are freely available to download and share, provided the original work is properly cited.
• The Author(s) accept that the Article is distributed under the terms and conditions of the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (CC BY-NC-ND), which ‘enables reusers to distribute, remix, adapt, and build upon the material in any medium or format, so long as attribution is given to the creator.’
• The Journal’s rights include but are not limited to the following:
(1) to publish the Article in any media, whether paper or electronic, free of charge;
(2) to license others to create abstracts of the Article and to index the Article.
• Authors retain the copyright of their papers without restrictions to
(1) publish the Article, or permit its publication, as a part of any book the author(s) may write or contribute with chapters provided that this publication is acknowledged properly;
(2) reproduce the article for their own purposes provided the original work is properly cited;
(3) use all or some parts of the article in their lectures, classroom teaching, etc.
Price Policy
Hiçbir aşamada veya amaçla ücret talep edilmez/No fee is charged at any stage.
Articles published are distributed under the terms and conditions of the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License CC BY-NC-ND. For more information see the Sherpa Romeo entry at https://v2.sherpa.ac.uk/id/publication/44107.
OA Licensing & Copyright:
* Çankaya University Journal of Humanities and Social Sciences is a fully open access peer-reviewed academic journal. Articles published are distributed under the terms and conditions of the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License CC BY-NC-ND. Open access (OA) articles are immediately freely available to read, download and share, provided the original work is properly cited. No fee is charged at any stage.
* The Author(s) accept that the Article is distributed under the terms and conditions of the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (CC BY-NC-ND). No part of this publication may be reproduced, stored, transmitted, or disseminated, in any form, or by any means—electronic, mechanical, xeroxing, recording, or otherwise—without proper citation and due acknowledgement of the source.
* Authors retain the copyright of their papers without restrictions to (1) publish the Article, or permit its publication, as a part of any book the author(s) may write or contribute with chapters provided that this publication is acknowledged properly; (2) reproduce the article for their own purposes provided the copies are not offered for sale; (3) use, free of charge, all or some parts of the article in their lectures, classroom teaching, etc. The Journal’s rights include but are not limited to the following: (1) to publish the Article in any media, whether paper or electronic, free of charge; (2) to license others to create abstracts of the Article and to index the Article.
* Çankaya Üniversitesi and its agents make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the content and disclaim all such representations and warranties whether expressed in this publication are the views of the authors and are not the views of Çankaya Üniversitesi or the editors of the Journal. For more information see the Sherpa Romeo entry at https://v2.sherpa.ac.uk/id/publication/44107
Indexes
Journal Boards
Sahibi
Sorumlu Yazı İşleri Müdürü
Danışman Editör
Baş Editör
Editörler
Yardımcı Editör
Copyeditor
Editorial Advisory Board
Çankaya University Journal of Humanities and Social Sciences
General Manager | Genel Yayın Yönetmeni, Öğretmenler Caddesi No.14, 06530, Balgat, Ankara.
Communication | İletişim: e-mail: mkirca@gmail.com | mkirca@cankaya.edu.tr
https://cujhss.cankaya.edu.tr/
CUJHSS, eISSN 3062-0112