Teorik Makale
BibTex RIS Kaynak Göster
Yıl 2022, Cilt: 1 Sayı: 2, 13 - 26, 05.11.2022
https://doi.org/10.55755/DepArch.2022.9

Öz

Kaynakça

  • Aliseda A (2006) Abductive reasoning: logical investigations into discovery and explanation. vol 330. Springer, The Netherlands.
  • Anderson JR (1980) Cognitive psychology and its implications. W. H. Freeman, San Francisco.
  • Anderson JR, Bower GH (1973) Human associative memory. V. H. Winston & Sons, New York.
  • Atkinson RC, Shiffrin RM (1968) Human memory: a proposed system and its control processes. In Spence KW, Spence JT (eds) The psychology of learning and motivation, vol 2, Academic, New York, pp 89-195)
  • Boisvert DR (2011) Charles Leslie Stevenson. In: Zalta EN (ed) The Stanford Encyclopedia of Philosophy. http://plato.stanford.edu/archives/sum2011/entries/stevenson/. Accessed 14 August 2015.
  • Bower GH (1970) Organizational factors in memory. Cognitive Psychology, 1:18-46.
  • Brown T (2009) The making of a design thinker. Metropolis, October: 60-62.
  • Byrne RMJ, Johnson-Laird (1989) Spatial reasoning. Journal of Memory and Language, 28(5): 564-575.
  • Chan CS (1990) Cognitive processes in architectural design problem solving. Design Studies, 11(2):60-80.
  • Chan CS (1992) Exploring individual style through Wright’s design. Journal of Architectural and Planning Research, 9(3):207-238.
  • Chan CS (1993) How an individual style is generated? Environment and Planning B, 20(4):391-423.
  • Chan CS (1994) Operational definition of style. Environment and Planning B, 21(2): 223-246.
  • Chan CS (1997) Mental image and internal representation. Journal of Architectural and Planning Research, 14(1):52-77.
  • Chan CS (2000) Can style be measured? Design Studies, 21(3):277-291.
  • Chan CS (2001) An examination of the forces that generate a style. Design Studies 22(4):319-346.
  • Chan CS (2011) Design Representation and Perception in Virtual Environments, In: Wang XY Tsai J (eds) Collaborative Design Virtual Environments, Springer, Amsterdam, pp 29-40.
  • Chan CS (2012) Phenomenology of rhythm in design. Journal of Frontiers of Architectural Research, 1(3):253-258.
  • Chan CS (2015) Style and creativity in design. Springer International Publishing, Switzerland.
  • Cross N, Cross AC (1995) Observations of teamwork and social processes in design. Design Studies, 16: 143-170.
  • Eastman (2001) New directions in design cognition: studies of representation and recall. In: Eastman C, McCracken M, Newsteller W (eds) Design knowing and learning. Elsevier, Amsterdam, pp 147-198.
  • Echenique M (1972) Models: a discussion. In: Martin, L March L (eds) Urban space and structures. Cambridge University Press, Cambridge, pp 164-174.
  • Goodridge J (1998) Rhythm and timing of movement in performance drama, dance and ceremony. Jessica Kingsley, London.
  • Guilford JP (1950) Crativity. American Psychologist. 5:444-454.
  • Guilford JP (1967) The nature of human intelligence. McGraw-Hill, New York.
  • Hatch L (1988) Problem solving approach. In: Kemp WH, Schwaller AE (eds) Instructional strategies for technology education. Glencoe, Mission Hills.
  • Kaplan C, Simon HA (1990) In search of insight. Cognitive Psychology, 22:374-419.
  • Korf RE (1980) Toward a model of representational changes. Artificial Intelligence, 14:41-78.
  • Kosslyn SM (1975) Information representation in visual images. Cognitive Psychology, 7: 341-370.
  • Littlejohn D (1984) Architect, the life and work of Charles W Moore. Holt, Rinehart and Winston, New York.
  • Magnani L (2009) Abductive cognition. The epistemological and eco-cognitive dimensions of hypothetical reasoning. Springer, Berlin/Heidelberg.
  • Mithen S (2005) The singing Neanderthals: the origins of music, language, mind and body. Weidenfeld & Nicolson, London.
  • Newell A, Simon HA (1972) Human problem solving. Prentice-Hall, Englewood Cliffs.
  • Peirce CS (1997) Pragmatism as a principle and method of right thinking: the 1903 Harvard lectures on pragmatism. SUNY Press, Albany.
  • Penfield W (2015) Mystery of the mind: a critical study of consciousness and the human brain. Princeton University Press, Princeton, NJ.
  • Runco MA (1991) Divergent thinking. Ablex Publishing, Westport, CT.
  • Schon DA (1983) The reflective practitioner. Temple-Smith, London.
  • Torrance EP (1962) Guiding creative talent. Prentice Hall, Englewood Cliffs.
  • Torrance EP (1966) Torrance tests of creativity. Personnel Press, Princeton.
  • Wimmer GE, Shohamy D (2012) Preference by association: how memory mechanisms in the hippocampus bias decisions. Science 338(6104):270-273.
  • Yeston M (1976) The stratification of musical rhythm. Yale University Press, New Heaven.

Cognitive Phenomena of Style and Creativity

Yıl 2022, Cilt: 1 Sayı: 2, 13 - 26, 05.11.2022
https://doi.org/10.55755/DepArch.2022.9

Öz

This paper explains a cognitive notion of style and creativity approached from reviewing the general concepts of design thinking and cognition, exploring patterns of cognitive operations conducted in the design processes, elaborating how style and creativity are coming from executing these cognitive operations. In fact, style and creativity are the resulting phenomena, or byproducts, coming from design cognition. Thus, based on the concept of resulting phenomena from cognition as the premise, this paper itemized the theories of “changing or modifying our ways of executing our design cognition, our style and creativity would be improved.” Especially, style and creativity, as defined by features appearing in design products, should be treated as physical entities that they could be identified, recognized, and measured instead of abstract notions of intangible elements. Finally, the correlations between style and creativity are summarized to conclude the impact of design cognition. Hopefully, this paper will provide an outline for the ways to improve our style and creativity in design.

Kaynakça

  • Aliseda A (2006) Abductive reasoning: logical investigations into discovery and explanation. vol 330. Springer, The Netherlands.
  • Anderson JR (1980) Cognitive psychology and its implications. W. H. Freeman, San Francisco.
  • Anderson JR, Bower GH (1973) Human associative memory. V. H. Winston & Sons, New York.
  • Atkinson RC, Shiffrin RM (1968) Human memory: a proposed system and its control processes. In Spence KW, Spence JT (eds) The psychology of learning and motivation, vol 2, Academic, New York, pp 89-195)
  • Boisvert DR (2011) Charles Leslie Stevenson. In: Zalta EN (ed) The Stanford Encyclopedia of Philosophy. http://plato.stanford.edu/archives/sum2011/entries/stevenson/. Accessed 14 August 2015.
  • Bower GH (1970) Organizational factors in memory. Cognitive Psychology, 1:18-46.
  • Brown T (2009) The making of a design thinker. Metropolis, October: 60-62.
  • Byrne RMJ, Johnson-Laird (1989) Spatial reasoning. Journal of Memory and Language, 28(5): 564-575.
  • Chan CS (1990) Cognitive processes in architectural design problem solving. Design Studies, 11(2):60-80.
  • Chan CS (1992) Exploring individual style through Wright’s design. Journal of Architectural and Planning Research, 9(3):207-238.
  • Chan CS (1993) How an individual style is generated? Environment and Planning B, 20(4):391-423.
  • Chan CS (1994) Operational definition of style. Environment and Planning B, 21(2): 223-246.
  • Chan CS (1997) Mental image and internal representation. Journal of Architectural and Planning Research, 14(1):52-77.
  • Chan CS (2000) Can style be measured? Design Studies, 21(3):277-291.
  • Chan CS (2001) An examination of the forces that generate a style. Design Studies 22(4):319-346.
  • Chan CS (2011) Design Representation and Perception in Virtual Environments, In: Wang XY Tsai J (eds) Collaborative Design Virtual Environments, Springer, Amsterdam, pp 29-40.
  • Chan CS (2012) Phenomenology of rhythm in design. Journal of Frontiers of Architectural Research, 1(3):253-258.
  • Chan CS (2015) Style and creativity in design. Springer International Publishing, Switzerland.
  • Cross N, Cross AC (1995) Observations of teamwork and social processes in design. Design Studies, 16: 143-170.
  • Eastman (2001) New directions in design cognition: studies of representation and recall. In: Eastman C, McCracken M, Newsteller W (eds) Design knowing and learning. Elsevier, Amsterdam, pp 147-198.
  • Echenique M (1972) Models: a discussion. In: Martin, L March L (eds) Urban space and structures. Cambridge University Press, Cambridge, pp 164-174.
  • Goodridge J (1998) Rhythm and timing of movement in performance drama, dance and ceremony. Jessica Kingsley, London.
  • Guilford JP (1950) Crativity. American Psychologist. 5:444-454.
  • Guilford JP (1967) The nature of human intelligence. McGraw-Hill, New York.
  • Hatch L (1988) Problem solving approach. In: Kemp WH, Schwaller AE (eds) Instructional strategies for technology education. Glencoe, Mission Hills.
  • Kaplan C, Simon HA (1990) In search of insight. Cognitive Psychology, 22:374-419.
  • Korf RE (1980) Toward a model of representational changes. Artificial Intelligence, 14:41-78.
  • Kosslyn SM (1975) Information representation in visual images. Cognitive Psychology, 7: 341-370.
  • Littlejohn D (1984) Architect, the life and work of Charles W Moore. Holt, Rinehart and Winston, New York.
  • Magnani L (2009) Abductive cognition. The epistemological and eco-cognitive dimensions of hypothetical reasoning. Springer, Berlin/Heidelberg.
  • Mithen S (2005) The singing Neanderthals: the origins of music, language, mind and body. Weidenfeld & Nicolson, London.
  • Newell A, Simon HA (1972) Human problem solving. Prentice-Hall, Englewood Cliffs.
  • Peirce CS (1997) Pragmatism as a principle and method of right thinking: the 1903 Harvard lectures on pragmatism. SUNY Press, Albany.
  • Penfield W (2015) Mystery of the mind: a critical study of consciousness and the human brain. Princeton University Press, Princeton, NJ.
  • Runco MA (1991) Divergent thinking. Ablex Publishing, Westport, CT.
  • Schon DA (1983) The reflective practitioner. Temple-Smith, London.
  • Torrance EP (1962) Guiding creative talent. Prentice Hall, Englewood Cliffs.
  • Torrance EP (1966) Torrance tests of creativity. Personnel Press, Princeton.
  • Wimmer GE, Shohamy D (2012) Preference by association: how memory mechanisms in the hippocampus bias decisions. Science 338(6104):270-273.
  • Yeston M (1976) The stratification of musical rhythm. Yale University Press, New Heaven.
Toplam 40 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Mimarlık
Bölüm Research Articles
Yazarlar

Chiu Shui Chan 0000-0002-7161-4371

Yayımlanma Tarihi 5 Kasım 2022
Gönderilme Tarihi 20 Nisan 2022
Yayımlandığı Sayı Yıl 2022 Cilt: 1 Sayı: 2

Kaynak Göster

APA Chan, C. S. (2022). Cognitive Phenomena of Style and Creativity. DEPARCH Journal of Design Planning and Aesthetics Research, 1(2), 13-26. https://doi.org/10.55755/DepArch.2022.9

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