Galatasaray Üniversitesi İletişim Dergisi 1305-2411 2548-124X Galatasaray Üniversitesi 10.16878/gsuilet.96673 Digital Culture, New Media and The Transformation of Collective Memory Dijital Kültür, Yeni Medya ve Toplumsal Hafızanın Dönüşümü Culture digitale, nouveaux médias et la transformation de la mémoire collective Başaran İnce Gökçen 12 08 2014 21 9 29 12 02 2014 Copyright © 2004, Galatasaray Üniversitesi İletişim Dergisi 2004 Galatasaray Üniversitesi İletişim Dergisi

Along with the advent of digital technologies, modern and “semimodern” societies met a new phase of temporality. Speed, mobility and globality epitomise the fundamental characteristics of this process. New media, as a form of communication that consist of “digitality, interactivity and hypertextuality”, enable the genesis of a new memory culture in which audiences act as memory “prosumers”. Yet it is dubious whether this new era will lead to a “memory boom” or a “digital amnesia” when one takes into account the material restrictions of digital platforms, like their lifespan. This article aims to discuss the possibilities/impossibilities of the digital communication and understand its contributions to the construction of collective memory.

Dijital teknolojilerin ortaya çıkışı ile birlikte, modern ve yarı-moderntoplumlar, hız, akışkanlık ve küreselliğin temel karakteristikler olarak sayılabileceği,yeni bir zamansallık biçimi ile tanıştı. Dijitallik, interaktivite ve hipermetinselliksağlayabilen yeni medya, izleyicinin aynı anda hem üretici hem tüketici (prosumer)olarak varolabildiği yeni bir hafıza kültürünün doğuşunu sağladı. Ancak dijitalteknolojinin kısıtlılıkları düşünüldüğünde, bu sürecin bir “hafıza patlaması”na yada “dijital amnezi”ye dönüşeceğini söyleyebilmek mümkün görünmemektedir.Bu makalenin amacı toplumsal hafızanın inşasında, dijital iletişimin imkân veimkânsızlıklarını tartışmaktır.

Avec l’apparition des technologies digitales, les sociétés modernes etsemi modernes ont commencé à reconnaître une nouvelle forme de temporalitédont les caractéristiques principales sont la mobilité et la globalisation. Lesnouveaux médias qui permettent la digitalité, l’interaction et l’hyper textualité ontconduit à une nouvelle culture de mémoire dans laquelle le spectateur pourraitexister à la fois comme producteur et comsommateur (prosumer). Pourtant,en considérant la limite des téchnologies digitales, cela ne paraît pas possibled’affirmer que ce procès causera “une explosion de mémoire” ou “une amnésiedigitale”. Le but de cet article est de discuter des possibilités et impossibilitésde la communication digitale dans la construction de la mémoire collective.

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