Review

THE ISSUE OF MAKAM IN ELAZIĞ-HARPUT MUSIC

Volume: 8 Number: 2 May 27, 2024
EN

THE ISSUE OF MAKAM IN ELAZIĞ-HARPUT MUSIC

Abstract

The Elazığ-Harput music, which holds a significant place within Turkish music, contains compositions with distinctive melody progressions and musicalstructures unlike music from other regions. It is stated in the sources that the makams of these works are examined differently from the makams in urkish music,as makams that include names and sequences specific to one region. In the research, the work called “İbrahimiye Gazel” belonging to the Elazığ-Harput region wasnotated and examined in terms of makam. As a result, it has been revealed that the makam structure of the work is in the “Uşşak” makam, one of the makams in Turkish music. Consequently, with the identification of these structures which are called “Elazığ-Harput makams” in the sources, it has been concluded that they do not represent regional makams but rather styles of discourse.

Keywords

References

  1. Ekici, Savaş. (2009). Elazığ Harput Müziği. Akçağ Yayınları, Ankara.
  2. Emnalar, Atınç. (1998). Tüm Yönleriyle Türk Halk Müziği ve Nazariyatı. Ege Üniversitesi Basımevi İzmir.
  3. Köroğlu, Halil İbrahim. (2017). TRT Türk Halk Müziği Repertuvarında Bulunan Elazığ-Harput Yöresine Ait Türkülerin Makam ve Usûl Açısından İncelenmesi. Atatürk Üniversitesi Sosyal Bilimler Enstitüsü Yüksek Lisans Tezi, Erzurum.
  4. Küçükçelebi, A. E. (2002). Uzun Havalar. Ankara, Kültür Bakanlığı Yayınları. Memişoğlu, Fikret. (1992). Harput Ahengi. Ankara: Elazığ Kültür Tanıtma Vakfı Yayınları.
  5. Özkan, İ. H. (2006). Türk Musikisi Nazariyatı ve Usülleri. Ötüken Yayınları. Pelikoğlu, Mehmet Can. (2012). Geleneksel Türk Halk Müziği Eserlerinin Makamsal Açıdan Adlandırılması. Mega Ofset Matbaacılık, Erzurum.
  6. Parlak, E. (1990). Bozlaklar. Yüksek Lisans İstanbul Teknik Üniversitesi Sosyal Bilimler Enstitüsü, İstanbul.
  7. Solakoğlu, S. (2011). Muharrem Ertaş İcrâsında Bozlakların İncelenmesi. Sakarya Üniversitesi, Sosyal Bilimleri Enstitüsü Yüksek Lisans Tezi, Sakarya.
  8. Subaşı, M., & Okumuş, K. (2017). Bir Araştırma Yöntemi Olarak Durum Çalışması. Atatürk Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 21(2), 419-426.

Details

Primary Language

English

Subjects

Adult Education

Journal Section

Review

Authors

Ozan Daş * This is me
Türkiye

Publication Date

May 27, 2024

Submission Date

October 18, 2023

Acceptance Date

February 13, 2024

Published in Issue

Year 2024 Volume: 8 Number: 2

APA
Daş, O., & Eroğlu, T. (2024). THE ISSUE OF MAKAM IN ELAZIĞ-HARPUT MUSIC. International Journal of Quality in Education, 8(2), 77-100. https://izlik.org/JA58KC97DK
AMA
1.Daş O, Eroğlu T. THE ISSUE OF MAKAM IN ELAZIĞ-HARPUT MUSIC. IJQE. 2024;8(2):77-100. https://izlik.org/JA58KC97DK
Chicago
Daş, Ozan, and Türker Eroğlu. 2024. “THE ISSUE OF MAKAM IN ELAZIĞ-HARPUT MUSIC”. International Journal of Quality in Education 8 (2): 77-100. https://izlik.org/JA58KC97DK.
EndNote
Daş O, Eroğlu T (May 1, 2024) THE ISSUE OF MAKAM IN ELAZIĞ-HARPUT MUSIC. International Journal of Quality in Education 8 2 77–100.
IEEE
[1]O. Daş and T. Eroğlu, “THE ISSUE OF MAKAM IN ELAZIĞ-HARPUT MUSIC”, IJQE, vol. 8, no. 2, pp. 77–100, May 2024, [Online]. Available: https://izlik.org/JA58KC97DK
ISNAD
Daş, Ozan - Eroğlu, Türker. “THE ISSUE OF MAKAM IN ELAZIĞ-HARPUT MUSIC”. International Journal of Quality in Education 8/2 (May 1, 2024): 77-100. https://izlik.org/JA58KC97DK.
JAMA
1.Daş O, Eroğlu T. THE ISSUE OF MAKAM IN ELAZIĞ-HARPUT MUSIC. IJQE. 2024;8:77–100.
MLA
Daş, Ozan, and Türker Eroğlu. “THE ISSUE OF MAKAM IN ELAZIĞ-HARPUT MUSIC”. International Journal of Quality in Education, vol. 8, no. 2, May 2024, pp. 77-100, https://izlik.org/JA58KC97DK.
Vancouver
1.Ozan Daş, Türker Eroğlu. THE ISSUE OF MAKAM IN ELAZIĞ-HARPUT MUSIC. IJQE [Internet]. 2024 May 1;8(2):77-100. Available from: https://izlik.org/JA58KC97DK