Postmodern Ethnicity in Sandra Cisneros’ Caramelo: Hybridity, Spectacle, and Memory in the Nomadic Text

Yıl 2000, Sayı: 12, 3 - 12, 01.10.2000

Ellen Mccracken

Öz

Chicana writer Sandra Cisneros poses under a hot-pink parasol for a picture outside her purple house in San Antonio, wearing a flowered Mexican blouse, black short-shorts, and a red rebozo. For other appearances she wears Virgin of Guadalupe earrings, an ornate antique Oaxacan skirt, or a china poblana costume. She poses in a Mexican folkloric dress in a publicity photo for an appearance at the University of Southern California in 2002, and in a rebozo for the back cover of the first edition of Woman Hollering Creek. She remakes herself as a Chicana vamp on earlier book covers such as My Wicked Wicked Ways and Loose Woman, and for Angel Rodríguez-Díaz’s “Portrait of Sandra Cisneros” housed in the Smithsonian Museum. In another photo, she lowers her rebozo to display her “Buddahlupe” tattoo on her upper arm. Her bright red truck has zarape seat covers and a license plate reading “AY TU.”

Anahtar Kelimeler

Postmodern, Ethnicity, Sandra Cisneros

Kaynakça

• Aparicio, Frances R. “On Sub-versive Signifiers: U.S. Latina/o Writers Tropicalize English.” American Literature 66.4 (1994): 795-801.
• Cervantes, Lorna Dee. [Editor’s Note.] Mango. 1.1 (Fall 1976): 2.
• Cisneros, Sandra. Bad Boys. San José, CA: Mango Publications, 1980.
• -----. Caramelo: or Puro Cuento. New York: Alfred A. Knopf, 2002.
• -----.The House on Mango Street. Houston, TX: Arte Público Press, 1984. Republished New York: Random House, 1991.
• -----. Loose Woman. New York: Alfred A. Knopf, 1994.
• -----. Woman Hollering Creek and Other Stories. New York: Random House, 1991.
• Jussawalla, Feroza and Reed Way Dasenbrock. “Sandra Cisneros.” In Interviews with Writers of the Post-Colonial World. Ed. Feroza Jussawalla and Reed Way Dasenbrock. Jackson, Miss.: University Press of Mississippi, 1992: 286-306.
• McCracken, Ellen. “Sandra Cisneros’ The House on Mango Street: Community-Oriented Introspection and the Demystification of Patriarchal Violence.” In Breaking Boundaries: Latina Writings and Critical Readings. Ed. Asunción Horno-Delgado, et.al. Amherst: University of Massachusetts Press, 1989: 62-71.
• -----. New Latina Narrative: The Feminine Space of Postmodern Ethnicity Tucson: Univeristy of Arizona Press, 1999.
• Rodríguez Aranda, Pilar E. “On the Solitary Fate of Being Mexican, Female, Wicked and Thirty-three: An Interview with Writer Sandra Cisneros.” Americas Review 18.1 (Spring 1990): 64-80