Araştırma Makalesi
BibTex RIS Kaynak Göster
Yıl 2016, Sayı: 44, 35 - 59, 01.04.2016

Öz

Kaynakça

  • Adorno, Theodore. 1991[1976]. On the Fetish Character in Music and the Regression of Listening. In The Culture Industry, 30-60. London and New York: Routledge.
  • Agee, James, and Walker Evans. 2001 [1941]. Let Us Now Praise Famous Men. New York and Boston: Mariner Books.
  • Allen, Theodore. 1997. The Invention of the White Race (Vol. 2). London: Verso.
  • Augspurger, Michael. 2004. An economy of abundant beauty: Fortune magazine and Depression America. Ithaca, NY: Cornell University Press.
  • Bourdieu, Pierre. 1984. Distinction: A Social Critique of the Judgement of Taste. Trans. Richard Nice. Cambridge, MA: Harvard University Press.
  • Bourdieu, Pierre. 1984. Language and Symbolic Power. Cambridge, MA: Harvard University Press.
  • Chandler, Aaron. 2009. “Mutual Wounding Shall Have Been Won and Heal”: Deleuzean Masochism and the Anxiety of Representation in James Agee’s and Walker Evans’s Let Us Now Praise Famous Men. Literature Interpretation Theory, 20(3), 196-214.
  • Crank, James Andrew. 2009. “A Piece of the Body Torn Out by the Roots”: Failure and Fragmentation in Let Us Now Praise Famous Men. The Mississippi Quarterly, 62(1), 163-178.
  • Culbert, David. 1978. The Infinite Variety of Mass Experience: The Great Depression, W.P.A. Interviews, and Student Family History Projects. Louisiana History: The Journal of the Louisiana Historical Association, 19(1), 43-63.
  • Deleuze, Gilles. 1989[1967]. Coldness and Cruelty. In Masochism, Transl. Jean McNeil. New York: Zone.
  • Fabian, Johannes. 1983. Time and the Other: How Anthropology Makes its Object. New York: Columbia University Press.
  • Fitzgerald, Robert. 1968. A Memoir. James Agee: The Collected Short Prose. New York: Ballantine Books.
  • Frisinghelli, Christine. 2014. Comments on the photographic documentations of Pierre Bourdieu. Camera Austria. www.cameraaustria.at/camera/uploads/2014/07/Text_Frisinghelli_EN.pdf. Accessed March 31, 2015.
  • Geertz, Clifford. 1973. Thick Description: Toward an Interpretive Theory of Culture. In The Interpretation of Cultures: Selected Essays, 3-30. New York: Basic Books.
  • Gunster, Shane. 2004. Capitalizing on Culture: Critical Theory for Cultural Studies. Toronto: University of Toronto Press.
  • Henninger, Katherine. 2004. Claiming Access: Controlling Images in Dorothy Allison. The Arizona Quarterly, 60(3), 83-108.
  • Hester, Jessica. 2008. Progressivism, Suffragists and Constructions of Race: Evelyn Greenleaf Southerland’s Po’ White Trash. Women’s Writing, 15(1), 55-68.
  • Lucaites, John Louis. 1997. Visualizing ‘The People’: Individualism vs. Collectivism in Let Us Now Praise Famous Men. The Quarterly Journal of Speech, 83(3), 269-288.
  • McWhiney, Grady. 1988. Cracker Culture: Celtic Ways in the Old South. Tuscaloosa: University of Alabama Press.
  • Officer, Lawrence H., and Samuel H. Williamson. 2011. Purchasing Power of Money in the United States from 1774 to 2010. Measuring Worth. http:www.measuringworth.com/ppowerus. Accessed July 26, 2011.
  • Ophir, Ella Zohar. 2007. Romantic Reverence and Modernist Representation: Vision, Power, and the Shattered Form of Let Us Now Praise Famous Men. Twentieth Century Literature, 53 (2), 125- 152.
  • Rabinowitz, Paula. 1992. Voyeurism and Class Consciousness: James Agee and Walker Evans, “Let Us Now Praise Famous Men.” Cultural Critique, 21 (Spring), 143-170.
  • Townsend, R.C. 1973. The Possibilities of Field Work. College English, 34(4), 481-499.
  • Vollman, William. 2007. Poor People. New York: Harper Perennial. Wray, Matt. 2006. Not Quite White: White Trash and the Boundaries of Whiteness. Durham, NC: Duke University Press

Repositioning Let Us Now Praise Famous Men in the Social Sciences: Ethnography, thick description, and reflexive sociology

Yıl 2016, Sayı: 44, 35 - 59, 01.04.2016

Öz

This article is a disciplinary intervention into the academic work on James Agee’s and Walker Evans’ collaborative, multi-media work Let Us Now Praise Famous Men LUNPFM . While many of the published articles on LUNPFM have appeared under the auspices of literary studies and its corollaries, this article re-contextualizes it in the social sciences. Originally marketed as a sociological work, it anticipates some of the most innovative techniques and approaches in the social sciences in the latter half of the twentieth century. Although its poetic digressions make it of literary interest as well, its exhaustive description and analysis of phenomena is reminiscent of Clifford Geertz’ take on “thick description,” and it uses the emic technique of anthropology. As well, it resembles in some respects Pierre Bourdieu’s work Distinction, especially in its formal presentation and in some of the aesthetic observations Agee makes. It bridges the literary and the sociological fields effectively

Kaynakça

  • Adorno, Theodore. 1991[1976]. On the Fetish Character in Music and the Regression of Listening. In The Culture Industry, 30-60. London and New York: Routledge.
  • Agee, James, and Walker Evans. 2001 [1941]. Let Us Now Praise Famous Men. New York and Boston: Mariner Books.
  • Allen, Theodore. 1997. The Invention of the White Race (Vol. 2). London: Verso.
  • Augspurger, Michael. 2004. An economy of abundant beauty: Fortune magazine and Depression America. Ithaca, NY: Cornell University Press.
  • Bourdieu, Pierre. 1984. Distinction: A Social Critique of the Judgement of Taste. Trans. Richard Nice. Cambridge, MA: Harvard University Press.
  • Bourdieu, Pierre. 1984. Language and Symbolic Power. Cambridge, MA: Harvard University Press.
  • Chandler, Aaron. 2009. “Mutual Wounding Shall Have Been Won and Heal”: Deleuzean Masochism and the Anxiety of Representation in James Agee’s and Walker Evans’s Let Us Now Praise Famous Men. Literature Interpretation Theory, 20(3), 196-214.
  • Crank, James Andrew. 2009. “A Piece of the Body Torn Out by the Roots”: Failure and Fragmentation in Let Us Now Praise Famous Men. The Mississippi Quarterly, 62(1), 163-178.
  • Culbert, David. 1978. The Infinite Variety of Mass Experience: The Great Depression, W.P.A. Interviews, and Student Family History Projects. Louisiana History: The Journal of the Louisiana Historical Association, 19(1), 43-63.
  • Deleuze, Gilles. 1989[1967]. Coldness and Cruelty. In Masochism, Transl. Jean McNeil. New York: Zone.
  • Fabian, Johannes. 1983. Time and the Other: How Anthropology Makes its Object. New York: Columbia University Press.
  • Fitzgerald, Robert. 1968. A Memoir. James Agee: The Collected Short Prose. New York: Ballantine Books.
  • Frisinghelli, Christine. 2014. Comments on the photographic documentations of Pierre Bourdieu. Camera Austria. www.cameraaustria.at/camera/uploads/2014/07/Text_Frisinghelli_EN.pdf. Accessed March 31, 2015.
  • Geertz, Clifford. 1973. Thick Description: Toward an Interpretive Theory of Culture. In The Interpretation of Cultures: Selected Essays, 3-30. New York: Basic Books.
  • Gunster, Shane. 2004. Capitalizing on Culture: Critical Theory for Cultural Studies. Toronto: University of Toronto Press.
  • Henninger, Katherine. 2004. Claiming Access: Controlling Images in Dorothy Allison. The Arizona Quarterly, 60(3), 83-108.
  • Hester, Jessica. 2008. Progressivism, Suffragists and Constructions of Race: Evelyn Greenleaf Southerland’s Po’ White Trash. Women’s Writing, 15(1), 55-68.
  • Lucaites, John Louis. 1997. Visualizing ‘The People’: Individualism vs. Collectivism in Let Us Now Praise Famous Men. The Quarterly Journal of Speech, 83(3), 269-288.
  • McWhiney, Grady. 1988. Cracker Culture: Celtic Ways in the Old South. Tuscaloosa: University of Alabama Press.
  • Officer, Lawrence H., and Samuel H. Williamson. 2011. Purchasing Power of Money in the United States from 1774 to 2010. Measuring Worth. http:www.measuringworth.com/ppowerus. Accessed July 26, 2011.
  • Ophir, Ella Zohar. 2007. Romantic Reverence and Modernist Representation: Vision, Power, and the Shattered Form of Let Us Now Praise Famous Men. Twentieth Century Literature, 53 (2), 125- 152.
  • Rabinowitz, Paula. 1992. Voyeurism and Class Consciousness: James Agee and Walker Evans, “Let Us Now Praise Famous Men.” Cultural Critique, 21 (Spring), 143-170.
  • Townsend, R.C. 1973. The Possibilities of Field Work. College English, 34(4), 481-499.
  • Vollman, William. 2007. Poor People. New York: Harper Perennial. Wray, Matt. 2006. Not Quite White: White Trash and the Boundaries of Whiteness. Durham, NC: Duke University Press
Toplam 24 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Afrika Dilleri, Edebiyatları ve Kültürleri
Bölüm Research Article
Yazarlar

Trevor Cunnington Bu kişi benim

Yayımlanma Tarihi 1 Nisan 2016
Yayımlandığı Sayı Yıl 2016 Sayı: 44

Kaynak Göster

MLA Cunnington, Trevor. “Repositioning Let Us Now Praise Famous Men in the Social Sciences: Ethnography, Thick Description, and Reflexive Sociology”. Journal of American Studies of Turkey, sy. 44, 2016, ss. 35-59.

JAST - Journal of American Studies of Turkey