Research Article
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Year 2020, Issue: 52, 45 - 68, 01.01.2020

Abstract

References

  • Birmingham, Stephen. The Grandes Dames. Simon & Schuster, 1982.
  • Brister, Lori N. Looking for the Picturesque: Tourism, Visual Culture, and the Literature of Travel in the Long Nineteenth Century. 2015. George Washington U, PhD dissertation.
  • Carter, Morris. Isabella Stewart Gardner and Fenway Court. Houghton Mifflin, 1925.
  • Fisher, Paul. “Isabella Stewart Gardner’s ‘Barbarous Barbaro’: Fenway Court as Exilic Map and Liberation Cartography.” Cartographies of Exile: A New Spatial Literacy, edited by Karen Elizabeth Bishop, Routledge, 2016, pp. 133–152.
  • Goldfarb, Hilliard T. The Isabella Stewart Gardner Museum: A Companion Guide and History. Yale UP, 1995.
  • Henke, Suzette. Shattered Subjects: Trauma and Testimony in Women’s Life-Writing. St. Martin’s Press, 1998.
  • Holly, Michael Ann. The Melancholy Art. Princeton UP, 2013.
  • Lucey, Donna M. Sargent’s Women: Four Lives behind the Canvas. Kindle ed., W.W. Norton & Company, 2017.
  • Matthews, Rosemary. “Collectors and Why They Collect: Isabella Stewart Gardner and Her Museum of Art.” Journal of the History of Collections, vol. 21, no. 2, 2009, pp. 183–189.
  • McClintock, Anne. Imperial Leather: Race, Gender, and Sexuality in the Colonial Contest. Routledge, 1995.
  • Mckinzie, Megan. Shaping Identity: Isabella Stewart Gardner, Art Collecting, and the Gilded Age. 2014. Southern Illinois U– Edwardsville, MA thesis.
  • Morantz-Sanchez, Regina. “Negotiating Power at the Bedside: Historical Perspectives on Nineteenth-Century Patients and Their Gynecologists.” Feminist Studies vol. 26, no. 2, 2000, pp. 287–309.
  • Rhodes, Gretchen Stein. Method and Madness at the Isabella Stewart Gardner Museum. 2010. Louisiana State U and Agricultural and Mechanical College, PhD dissertation.
  • Riley, Casey. “Self-Assembled: Isabella Stewart Gardner’s Photographic Albums and the Development of her Museum, 1902–1924.” Photographs, Museums, Collections: Between Art and Information, edited by Elizabeth Edwards and Christopher Morton, Bloomsbury Publishing, 2015, pp. 48–64.
  • Saarinen, Aline B. The Proud Possessors: The Lives, Times and Tastes of Some Adventurous American Art Collectors. Random House, 1958.
  • Schuster, David G. “Personalizing Illness and Modernity: S. Weir Mitchell, Literary Women, and Neurasthenia, 1870–1914.” Bulletin of the History of Medicine vol. 79, no. 4, 2005, pp. 695– 722.
  • Shand-Tucci, Douglass. The Art of Scandal: The Life and Times of Isabella Stewart Gardner. Harper Collins, 1997.
  • Stiles, Anne. “Go Rest, Young Man.” American Psychological Association Time Capsule, vol. 43, no. 1, 2012, p. 32.
  • Tharp, Louise Hall. Mrs. Jack: A Biography of Isabella Stewart Gardner. Little, Brown and Company, 1965.
  • Vigderman, Patricia. The Memory Palace of Isabella Stewart Gardner. Sarabande Books, 2007.
  • Welter, Barbara. “The Cult of True Womanhood, 1820–1860.” American Quarterly, vol. 18, no. 2, 1966, pp. 151–174.
  • Yoshihara, Mari. Embracing the East: White Women and American Orientalism. Oxford UP, 2003.
  • Zorzi, Rosella Mamoli, editor. Henry James: Letters to Isabella Stewart Gardner. Pushkin, 2009.

The Glamour of Exotica and Erotica: The Travel Writing of Isabella Stewart Gardner

Year 2020, Issue: 52, 45 - 68, 01.01.2020

Abstract

This article explores the travel writing of Isabella Stewart
Gardner (1840–1924), a Boston socialite who, over the course of
nearly thirty years (1867–1895), toured the world and documented
her trips through journals, albums and extensive correspondence with
confidants such as novelist Henry James. It argues that because of its
transgressive elements, specifically its depiction of nineteenth-century
taboos such as the exotic, erotic and macabre, Gardner’s travel writing
provides significant, yet complex, insight into the art collector’s life,
even though like her museum, it is carefully curated. Moreover, this
article underscores how, on one hand, such travel writing served as a
counternarrative to rigid Victorian social and cultural codes, while on
the other, it provided women like Gardner with a problematic discursive
space to negotiate orientalist and imperialist authority and power.

References

  • Birmingham, Stephen. The Grandes Dames. Simon & Schuster, 1982.
  • Brister, Lori N. Looking for the Picturesque: Tourism, Visual Culture, and the Literature of Travel in the Long Nineteenth Century. 2015. George Washington U, PhD dissertation.
  • Carter, Morris. Isabella Stewart Gardner and Fenway Court. Houghton Mifflin, 1925.
  • Fisher, Paul. “Isabella Stewart Gardner’s ‘Barbarous Barbaro’: Fenway Court as Exilic Map and Liberation Cartography.” Cartographies of Exile: A New Spatial Literacy, edited by Karen Elizabeth Bishop, Routledge, 2016, pp. 133–152.
  • Goldfarb, Hilliard T. The Isabella Stewart Gardner Museum: A Companion Guide and History. Yale UP, 1995.
  • Henke, Suzette. Shattered Subjects: Trauma and Testimony in Women’s Life-Writing. St. Martin’s Press, 1998.
  • Holly, Michael Ann. The Melancholy Art. Princeton UP, 2013.
  • Lucey, Donna M. Sargent’s Women: Four Lives behind the Canvas. Kindle ed., W.W. Norton & Company, 2017.
  • Matthews, Rosemary. “Collectors and Why They Collect: Isabella Stewart Gardner and Her Museum of Art.” Journal of the History of Collections, vol. 21, no. 2, 2009, pp. 183–189.
  • McClintock, Anne. Imperial Leather: Race, Gender, and Sexuality in the Colonial Contest. Routledge, 1995.
  • Mckinzie, Megan. Shaping Identity: Isabella Stewart Gardner, Art Collecting, and the Gilded Age. 2014. Southern Illinois U– Edwardsville, MA thesis.
  • Morantz-Sanchez, Regina. “Negotiating Power at the Bedside: Historical Perspectives on Nineteenth-Century Patients and Their Gynecologists.” Feminist Studies vol. 26, no. 2, 2000, pp. 287–309.
  • Rhodes, Gretchen Stein. Method and Madness at the Isabella Stewart Gardner Museum. 2010. Louisiana State U and Agricultural and Mechanical College, PhD dissertation.
  • Riley, Casey. “Self-Assembled: Isabella Stewart Gardner’s Photographic Albums and the Development of her Museum, 1902–1924.” Photographs, Museums, Collections: Between Art and Information, edited by Elizabeth Edwards and Christopher Morton, Bloomsbury Publishing, 2015, pp. 48–64.
  • Saarinen, Aline B. The Proud Possessors: The Lives, Times and Tastes of Some Adventurous American Art Collectors. Random House, 1958.
  • Schuster, David G. “Personalizing Illness and Modernity: S. Weir Mitchell, Literary Women, and Neurasthenia, 1870–1914.” Bulletin of the History of Medicine vol. 79, no. 4, 2005, pp. 695– 722.
  • Shand-Tucci, Douglass. The Art of Scandal: The Life and Times of Isabella Stewart Gardner. Harper Collins, 1997.
  • Stiles, Anne. “Go Rest, Young Man.” American Psychological Association Time Capsule, vol. 43, no. 1, 2012, p. 32.
  • Tharp, Louise Hall. Mrs. Jack: A Biography of Isabella Stewart Gardner. Little, Brown and Company, 1965.
  • Vigderman, Patricia. The Memory Palace of Isabella Stewart Gardner. Sarabande Books, 2007.
  • Welter, Barbara. “The Cult of True Womanhood, 1820–1860.” American Quarterly, vol. 18, no. 2, 1966, pp. 151–174.
  • Yoshihara, Mari. Embracing the East: White Women and American Orientalism. Oxford UP, 2003.
  • Zorzi, Rosella Mamoli, editor. Henry James: Letters to Isabella Stewart Gardner. Pushkin, 2009.
There are 23 citations in total.

Details

Primary Language English
Subjects North American Language, Literature and Culture, Literary Studies
Journal Section Research Articles
Authors

Tanfer Emin Tunc 0000-0002-2922-3916

Publication Date January 1, 2020
Published in Issue Year 2020 Issue: 52

Cite

MLA Tunc, Tanfer Emin. “The Glamour of Exotica and Erotica: The Travel Writing of Isabella Stewart Gardner”. Journal of American Studies of Turkey, no. 52, 2020, pp. 45-68.

JAST - Journal of American Studies of Turkey