“Santiago Matamoros” or Saint James the Moor Killer: Who Wants to Kill the Moor in William Shakespeare’s Othello?
Year 2022,
Volume: 4 Issue: 2, 144 - 174, 02.11.2022
Zied Ben Amor
Abstract
The question of race is a dynamic site where anxiety and colonialism manifest themselves in Shakespeare’s Othello. The first part of the research interrogates Othello as a complex construct shaped by the time’s cultural fashion about race. The study of the question of race from the paradigms of imagery and postcolonialism reveals that the building of Othello is backed by a well-constructed set of ideas unveiling a colonialist hegemonic discourse. The second part of the analysis challenges to go beyond a mere critical reception of the play according to postcolonialism by introducing a double-fold reflection: First, it is an invitation to recall the importance of aesthetic dimensions in reading texts from multicultural or political sides. The “transmigratory nature of the dramatic text” is used to call on injecting aesthetic alternatives while dealing with confrontations between cultures; it addresses the question of what happens when Othello is re-appropriated by North African stage directors. The focus on the Tunisian directors Tawfik Al Jibali’s and Muhammad Driss’ adaptations of Othello has allowed us to consider transmigrating theatre as an alternative to ideology and race in reading Othello. Second, it is a claim to review the reception of postcolonialism so that it would not service violence and terrorism but rather usher in post-postcolonialism and prepare the ground for what Jyotsna Singh has called “the Global Renaissance” and the “Global Shakespeare Movement”.
Supporting Institution
English Department, Faculty of Arts and Humanities of Sousse, University of Sousse
Thanks
To all the organizing committee of the ICELALTS international conference and Eurasian Journal of English Language and Literature
References
- Primary sources:
Reference1
Shakespeare, W., Honigmann, E. A. J., Thompson, A., & Shakespeare, W. (2016). Othello (Revised edition). Bloomsbury Arden Shakespeare.
- Reference2
Shakespeare, W., Sanders, N., & Shakespeare, W. (2003). Othello (Updated ed). Cambridge University Press.
- Reference3
Shakespeare, W., & Shakespeare, W. (2009). King lear (R. A. Foakes & R. Proudfoot, Eds.). The Arden Shakespeare.
- Reference4
Althusser, L. (2014). On the reproduction of capitalism: Ideology and ideological state apparatuses. Verso.
- Reference5
Aljunied, K. (2020). Malaysia. Mahathir’s Islam: Mahathir Mohamad on religion and modernity in Malaysia by Sven Schlottmann Honolulu: University of Hawai’i press, 2018. Pp. 243. Notes, bibliography, index. Journal of Southeast Asian Studies, 51(4), 633–635. https://doi.org/10.1017/S0022463420000752
- Reference6
Andermahr, S., Lovell, T., & Wolkowitz, C. (2000). A Glossary of feminist theory (1. publ). Arnold [u.a.].
- Reference7
Ben Amor, Z. (2020). Mapping Sight and Blindness in King Lear(s) of William Shakespeare and Roberto Ciulli: Towards a Poly-optic Reading. International Review of Literary Studies, 2(2), 14–33. https://irlsjournal.com/ojs/index.php/irls/article/view/21/13
- Reference8
Ben Halima, H. (1974). Un Demi-siecle de Théâtre Arabe en Tunisie: 1907-1957. Publications de l’Université de Tunis.
- Reference9
Berger, M. (2010). Religion and Islam in contemporary international relations. Netherlands Institute of International Relations Clingendael".
- Reference10
Chabaneh, O. (1998). “He transformed Othello from myth to reality. Tawfik Al Jibali: The Arab Theatre is at its Worst”. Al Hayat. https://www.sauress.com/alhayat/30964904
- Reference11
Charnes, Linda. (2003). “We were never early modern”. In Philosophical Shakespeares. Routledge.
- Reference12
Christofides, R. M. (2016). Othello’s secret: The Cyprus problem. Bloomsbury Arden Shakespeare.
- Reference13
------------------------- (2021). Hamlet versus Othello: Or, why the white boy keeps winning. Shakespeare, 17(1), 6–14. https://doi.org/10.1080/17450918.2020.1829020
- Reference14
Darragi, R. (2007). The Tunisian stage: Shakespeare’s part in question. Critical Survey, 19(3). https://doi.org/10.3167/cs.2007.190306
- Reference15
Dean, L. F. (Ed.). (1972). Shakespeare: Modern essays in criticism (Rev. ed., reprint). Oxford Univ. Press.
- Reference16
Dobson, M., Wells, S., Sharpe, W., & Sullivan, E. (Eds.). (2015). The oxford companion to Shakespeare (Second edition). Oxford University Press.
- Reference17
Everett, B. (1982). ‘Spanish’ Othello: The making of Shakespeare’s moor. In S. Wells (Ed.), Shakespeare Survey (1st ed., pp. 101–112). Cambridge University Press. https://doi.org/10.1017/CCOL0521247527.010
- Reference18
“Fanon, Frantz Omar .” The Columbia Encyclopedia, 6th ed. . Retrieved March 28, 2022 from Encyclopedia.com: https://www.encyclopedia.com/reference/encyclopedias-almanacs-transcripts-and-maps/fanon-frantz-omar
- Reference19
Giraldi, G. (1566). De Gli Hecatommithi Di M. Giovanbattista Giraldi Cinthio Nobile Ferrarese: 1. (n.p.): Scotto.
- Reference20
Greenblatt, S. (2005). Renaissance self-fashioning: From More to Shakespeare. University of Chicago Press.
- Reference21
Ghazoul, F. J. (1998). The arabization of Othello. Comparative Literature, 50(1), 1-31. https://doi.org/10.2307/1771217
- Reference22
Habib, I. H. (2000). Shakespeare and race: Postcolonial praxis in the early modern period. University Press of America.
- Reference23
Heilman, R. B. (1972). “Wit and witchcraft: An approach to Othello”. In Modern Essay in Criticism. Oxford University Press.
- Reference24
Hiddleston, J. (2017). Writing after postcolonialism: Francophone North African literature in transition. Bloomsbury Academic.
- Reference25
Ibn Warraq. (2007). Defending the west: A critique of Edward Said’s orientalism. Prometheus Books.
- Reference26
Loomba, A. (2002). Shakespeare, race, and colonialism. Oxford University Press.
- Reference27
--------------. (2005). Colonialism/postcolonialism (2nd ed). Routledge.
- Reference28
MacCrossan, C. (2020). “What, in a town of war … to manage private and domestic quarrel? ”: Othello and the tragedy of Cyprus. Shakespeare, 16(3), 239–257. https://doi.org/10.1080/17450918.2020.1792538
- Reference29
Morris, R. C., & Spivak, G. C. (Eds.). (2010). Can the subaltern speak? Reflections on the history of an idea. Columbia University Press.
- Reference30
Said, E. W. (2003). Orientalism (Facsimile edition). Penguin.
- Reference31
Salgado, F. and Salgado, G. (1989). Shakespeare: Othello. Penguin.
- Reference32
Singh, J. G. (1996). Colonial narratives/cultural dialogues: Discoveries of India in the language of colonialism. Routledge.
- Reference33
--------------. (2019). Shakespeare and postcolonial theory. The Arden Shakespeare.
- Reference34
Singh, J. G. & John Wiley & Sons, Inc (Eds.). (2021). A companion to the global Renaissance: English literature and culture in the era of expansion (Second edition). John Wiley & Sons, Inc.
- Reference35
Spence, L. (2010). Legends and romances of Spain (1920). Kessinger Publishing
- Reference36
Spurgeon, C. F. E. (2001). Shakespeare’s imagery and what it tells us (Reprinted). Cambridge Univ. Press.
- Reference37
Thieme, J. (2002). Postcolonial con-texts: Writing back to the canon. Continuum International Pub. Group. http://public.eblib.com/choice/publicfullrecord.aspx?p=436961
- Reference38
Wells, S. (Ed.). (1982). Shakespeare survey (1st ed.). Cambridge University Press. https://doi.org/10.1017/CCOL0521247527