Research Article
BibTex RIS Cite

A Feminist Stylistic Reading of Naomi Alderman’s Novel The Power

Year 2024, Volume: 6 Issue: 2, 31 - 40, 30.12.2024

Abstract

As there is social, political, and economic sexism, there is also linguistic sexism. The last one cannot be discovered by traditional feminist analysis, but by subjecting a text to a linguistic analysis as the feminist stylistic analysis. The present paper offers a feminist stylistic analysis of one contemporary novel to show how some lexical choices can be described as sexist and how their uses affect the representation of women negatively. To meet this aim, Naomi Alderman’s novel The Power is selected as a sample. It is qualitatively approached from a feminist stylistic point of view. A close reading of the text is conducted to find out the gendered biased uses of language at the level of words to relate their selection to gender meanings. Results show that the text is not free from lexical linguistic sexism. However, it is produced in the golden age of feminism and its main theme revolves around empowering women with electrical power to control the world. The researcher attributes the disability of avoiding using sexist language to social and cultural factors that overwhelm the consciousness of writers and make them unwillingly choose sexist words.

References

  • Alderman, N. (2016). The Power. Penguin books.
  • Al-Sakkaf, M. Gh. & Öztürk, A. S. (2024). Female Depiction Through the Choice of Transitivity in English Fiction: A Feminist Stylistic Study. Journal of History Culture and Art Research, 13(1), 18-35. doi: http://dx.doi.org/10.7596/taksad.v13i1.3313
  • Butler, J. (1990). Gender Trouble: Feminism and the Subversion of Identity, New York: Routledge.
  • Cixous, H. (1975). The laugh of the Medusa. Feminisms redux: An anthology of literary theory and criticism, 416-431
  • Cameron, D. (2007). The myth of Mars and Venus. Oxford University Press, USA.
  • Kayani, A. I., & Anwar, B. (2022). Fragmentation and Gender Representation: A Feminist Stylistic Analysis of Faruqi's The Mirror of Beauty. Journal of Gender and Social Issues, 21(1), 29-44.
  • Kristeva, J. (2024). Revolution in poetic language. Columbia University Press.
  • Rahimnouri, Z., & Ghandehariun, A. (2020). A feminist stylistic analysis of Doris Lessing’s The Fifth Child (1988). Journal of language and literature, 20(2), 221-230.
  • Raslie, H., & Zaidi, A. N. M. (2022). Female Representation in Online Advertisements: A Feminist Stylistic Analysis of Beauty Products Advertised on Instagram, 38(4), 30-44. https://doi.org/10.17576/JKMJC-2022-3804-21
  • Showalter, E. (1999). A literature of their own: British women novelists from Brontë to Lessing. Princeton University Press.
  • Mills, S. (1995). Feminist Stylistics. London: Routledge.
  • Shakoor, A., Ajmal, M., & Ghazanfar, S. (2023). Linguistic Construction of Women: A Feminist Stylistic Study of Aysha Baqir’s Beyond the Fields. Annals of Human and Social Sciences, 4(4), 102–111. https://doi.org/10.35484/ahss.2023(4-IV)09
  • Woolf, Virginia (2012). A Room of One's Own. Eastford, CT 06242: Martino Fine Books. pp. 17–21. ISBN 978-1614272779.
There are 13 citations in total.

Details

Primary Language English
Subjects World Languages, Literature and Culture (Other)
Journal Section Articles
Authors

Ghazal Mansoor Alsakkaf

Abdul Serdar Ozturk 0000-0002-7780-7107

Publication Date December 30, 2024
Submission Date October 9, 2024
Acceptance Date December 24, 2024
Published in Issue Year 2024 Volume: 6 Issue: 2

Cite

APA Alsakkaf, G. M., & Ozturk, A. S. (2024). A Feminist Stylistic Reading of Naomi Alderman’s Novel The Power. Eurasian Journal of English Language and Literature, 6(2), 31-40.