Araştırma Makalesi
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Discursive (Re) Construction of Black Femininity: Venus from Feminist Critical Discourse Analysis Perspective

Yıl 2025, Cilt: 26 Sayı: 1, 57 - 76, 28.06.2025
https://doi.org/10.33831/jws.v26i1.516

Öz

One of the striking plays by a black female writer, Suzan-Lori Parks, Venus is analyzed through Feminist Critical Discourse Analysis (FCDA) in this study. Inspired by a brutal historical reality, Parks (re)positions black women in the patriarchal and racist system. Her black woman, Venus, is objectified through her body, while she also struggles to be the subject of her own inner world. Focusing on the playwright’s discourse, this study sheds light on the complex structure of relationship between discourse and gender through FCDA. Its main concern is that gender is discursively constructed based on ideological and political factors. It claims that discourse justifies and perpetuates gender-based discrimination, resulting in strengthening the patriarchal system on linguistic level. Based on FCDA’s principles, this study infuses that Parks’s discourse positioning the black female body as an object of male domination is constructed to reflect power relations, which systematically oppress black women. Relatedly, this study suggests that Parks’s discourse in Venus illuminates the pervasive nature of the objectification and exploitation of the black female body and dismantles historical and societal realities through the systemic oppression and marginalization that black women have faced. By exposing these deep-rooted power imbalances based on white hegemony and patriarchy, Parks’s discourse challenges the longstanding societal norms that have subjugated black women for centuries.

Kaynakça

  • Amossou, F. & Djimet, I. (2020). De-structuring social orders for social change: a feminist critical discourse analysis of excerpts from two con-temporary literary artifacts. International Journal of Arts, Humanities and Social Studies, 2(5), 140-148.
  • Bergner, G. (2024). Review of the book collusions of fact and fiction: Per-forming slavery in the works of Suzan-Lori Parks and Kara Walker, by Ilka Saal. African American Review 57(1), 89-91. https://dx.doi.org/10.1353/afa.2024.a939996.
  • Chouliaraki, L. & Fairclough, N. (1999). Discourse in late modernity: Re-thinking critical discourse analysis. Edinburgh: Edinburgh University press.Collins, P. H. (2005). Black sexual politics: African Americans, gender and the new racism. New York and London: Routledge.
  • Collins, P. C. (2000). Black feminist thought: knowledge, consciousness and empowerment. New York and London: Routledge.
  • Dickerson, G. (1990). The cult of true womanhood: toward a womanist attitude in African-American theatre. In S.E. Case (Ed.), Performing feminisms: Feminist critical theory and theatre (pp. 109-119). London: The John Hopkins University press.
  • Eşrefoğlu, B. (2018, August). Kim bu siyah Venüs? https://baharesrefoglu.wordpress.com/2018/08/26/kim-bu-siyah-venus/. Retrieved April 21, 2024.
  • Fairclough, N. (1992). Discourse and social change. Cambridge: Polity press.
  • Ghasemi, M. (2014). History plays as/or counterhistory plays: a study of Suzan-Lori Parks’s major plays. Journal of Language and Literature, 24, 123-135.
  • hooks, b. (1983). Ai’nt I a woman: black women and feminism. Boston: South end press.
  • Kolin, C. P. (2010). Puck’s magic mojo: The achievements of Suzan-Lori Parks. In P. C. Kolin (ed.), Suzan-Lori Parks: Essays on the plays and other works (pp. 7-19). London: McFarland & Company, Inc., Publish-ers Jefferson.
  • Kornweibel, K. R. (2009). A complex resurrection: race, spectacle, and complicity in Suzan-Lori Parks’s Venus. South Atlantic Review, 74(3), 64-81.
  • Larson, J. (2012). Understanding Suzan-Lori Parks. South Carolina: The University of South Carolina press.
  • Lazar, M. M. (2005). Politicizing gender in discourse: Feminist critical discourse analysis as political perspective and praxis. In M. M. Lazar (Ed.), Feminist critical discourse analysis: Gender, power and ideology in discourse (pp. 1-30). New York: Palgrave Macmillan.
  • Lazar, M. M. (2007). Feminist critical discourse analysis: Articulating a feminist discourse praxis. Critical Discourse Studies 4(2), 141-164.
  • Lehtonen, S. (2007). Feminist critical discourse analysis and children’s fantasy fiction – Modelling a new approach [presentation]. Past, pre-sent, future- From women’s studies to post-gender research, Umeå.
  • Lyu, C. & Zhang, Y. (2023). Unveiling the past: the multidimensional the-atrical space in Suzan-Lori Parks’s Venus. Chinese Semiotic Studies, 19(4), 615-632. https://doi.org/10.1515/css-2023-2024.
  • McCormick, S. (2014). Witnessing and wounding in Suzan-Lori Parks’s Venus. MELUS 39 (2), 188-207.
  • Oddenino, I. (2011). “I wanna love something wild”: A reading of Suzan-Lori Parks’s Venus. In N. Natasha Gordon-Chiembere (Ed.), Representa-tion and Black Womanhood (pp. 121-135). New York: Palgrave Mac-millan.
  • Parks, S. L. (1995). From elements of style. In S. L. Parks (writ.), The America play and other works (pp. 7-18). New York: Theatre communi-cations group.
  • Parks, S. L. (1997). Venus. New York: Theatre communications group.
  • Sharpley-Whiting, T. D. (1999). Black Venus: Sexualized savages, primal fears, and primitive narratives in French. Durham: Duke University press.
  • Sözen, E. (2014). Söylem: belirsizlik, mübadele, bilgi/güç ve refleksivite. Ankara: Birleşik press.
  • Sunderland, J. & Litosseliti, L. (2002). Gender identity and discourse anal-ysis: Theoretical and empirical considerations. In L. Litosseliti (Ed.), Gender Identity and DiscourseAnalysis (pp. 1-39). Philadelphia: John Benjamins.
  • Tobias, P. V. (2002). “Saartje Baartman: Her life, her remains, and the negotiations for their repatriation from France to South Africa. South African Journal of Science, 98, 107-110.
  • Warner, S. L. (2008). Suzan-Lori Parks’s drama of disinterment: A trans-national exploration of Venus. Theatre Journal 60(2), 181-199. https://dx.doi.org/10.1353/tj.0.0024.
  • Wetmore, K. J., Jr. (2007). It’s an Oberammergau thing: An interview with Suzan-Lori Parks. In Kevin J. W. Jr. and A. Smith-Howard (eds.), Suzan-Lori Parks: A casebook (pp. 124-140). New York: Routledge.
  • Williams, M. (1996, April). Suzan- Lori Parks: From a planet closer to the sun. New York Times. https://www.nytimes.com/1996/04/17/garden/at-lunch-with-suzan-lori-parks-from-a-planet-closer-to-the-sun.html. Retrieved March 23, 2024.
  • Young, J. (1997). The re-objectification and re-commodification of Saartjie Baartman in Suzan-Lori Parks’s Venus. African American Review, 31(4), 699-700.
  • Zhuo, W. (2021). The ethical choices of “Sable Venus”: Reading Suzan-Lori Parks’s Venus from the perspective of ethical literary criticism. Foreign Literature Studies, 43(1), 92-103.

Siyahi Feminenliğin Söylemsel Yeniden İnşası: Feminist Eleştirel Söylem Analizi Perspektfinden Venüs

Yıl 2025, Cilt: 26 Sayı: 1, 57 - 76, 28.06.2025
https://doi.org/10.33831/jws.v26i1.516

Öz

Bu çalışma, siyahi kadın yazar Suzan-Lori Park’ın çarpıcı oyunlarından biri olan Venüs’ü Feminist Eleştirel Söylem Analizi (FESA) ile incelemektedir. Parks, tarihsel bir gerçeklikten esinlenerek yazdığı oyununda siyahi kadını, ataerkil ve ırkçı düzende yeniden konumlandırır. Siyahi kadını, Venüs bir yandan bedeni üzerinden nesneleştirilirken, diğer yandan kendi iç dünyasının öznesi olarak çabalar. Yazarın söylemine odaklanan bu çalışmada, FESA aracılığı ile söylem ve cinsiyet arasındaki karmaşık ilişki ağına ışık tutulmaktadır. FESA’nın temel savı, cinsiyetin söylemsel olarak kurgulandığı ve bu kurgunun temelinde ideolojik ve politik unsurların yer aldığıdır. Söylemin cinsiyete dayalı ayrımcılığı meşrulaştırdığını ve devam ettirdiğini ve böylece ataerkil yapının dilsel düzlemde de güçlendirildiğini iddia eder. FESA’nın ilkelerinden yola çıkan bu çalışma, Parks’ın siyahi kadın bedenini eril tahakkümün bir nesnesi olarak konumlandıran söyleminin, siyahi kadını sistematik olarak ezen güç ilişkilerini yansıtacak şekilde kurgulandığını ileri sürmektedir. Dolayısıyla bu çalışma, Parks’ın Venus’teki söyleminin, siyah kadın bedeninin nesneleştirilmesinin ve sömürülmesinin yaygın doğasını aydınlattığını ve tarihsel ve toplumsal gerçekleri, siyahi kadınların maruz kaldıkları sistematik baskı ve ötekileştirme yoluyla ortaya çıkardığını iddia etmektedir. Parks’ın söylemi, hem beyaz hegemonyasına hem de ataerkilliğe dayanan bu köklü güç dengesizliklerini açığa çıkararak, yüzyıllardır siyahi kadınları boyunduruk altına alan uzun süredir devam ettirilmiş toplumsal normlara meydan okumaktadır.

Kaynakça

  • Amossou, F. & Djimet, I. (2020). De-structuring social orders for social change: a feminist critical discourse analysis of excerpts from two con-temporary literary artifacts. International Journal of Arts, Humanities and Social Studies, 2(5), 140-148.
  • Bergner, G. (2024). Review of the book collusions of fact and fiction: Per-forming slavery in the works of Suzan-Lori Parks and Kara Walker, by Ilka Saal. African American Review 57(1), 89-91. https://dx.doi.org/10.1353/afa.2024.a939996.
  • Chouliaraki, L. & Fairclough, N. (1999). Discourse in late modernity: Re-thinking critical discourse analysis. Edinburgh: Edinburgh University press.Collins, P. H. (2005). Black sexual politics: African Americans, gender and the new racism. New York and London: Routledge.
  • Collins, P. C. (2000). Black feminist thought: knowledge, consciousness and empowerment. New York and London: Routledge.
  • Dickerson, G. (1990). The cult of true womanhood: toward a womanist attitude in African-American theatre. In S.E. Case (Ed.), Performing feminisms: Feminist critical theory and theatre (pp. 109-119). London: The John Hopkins University press.
  • Eşrefoğlu, B. (2018, August). Kim bu siyah Venüs? https://baharesrefoglu.wordpress.com/2018/08/26/kim-bu-siyah-venus/. Retrieved April 21, 2024.
  • Fairclough, N. (1992). Discourse and social change. Cambridge: Polity press.
  • Ghasemi, M. (2014). History plays as/or counterhistory plays: a study of Suzan-Lori Parks’s major plays. Journal of Language and Literature, 24, 123-135.
  • hooks, b. (1983). Ai’nt I a woman: black women and feminism. Boston: South end press.
  • Kolin, C. P. (2010). Puck’s magic mojo: The achievements of Suzan-Lori Parks. In P. C. Kolin (ed.), Suzan-Lori Parks: Essays on the plays and other works (pp. 7-19). London: McFarland & Company, Inc., Publish-ers Jefferson.
  • Kornweibel, K. R. (2009). A complex resurrection: race, spectacle, and complicity in Suzan-Lori Parks’s Venus. South Atlantic Review, 74(3), 64-81.
  • Larson, J. (2012). Understanding Suzan-Lori Parks. South Carolina: The University of South Carolina press.
  • Lazar, M. M. (2005). Politicizing gender in discourse: Feminist critical discourse analysis as political perspective and praxis. In M. M. Lazar (Ed.), Feminist critical discourse analysis: Gender, power and ideology in discourse (pp. 1-30). New York: Palgrave Macmillan.
  • Lazar, M. M. (2007). Feminist critical discourse analysis: Articulating a feminist discourse praxis. Critical Discourse Studies 4(2), 141-164.
  • Lehtonen, S. (2007). Feminist critical discourse analysis and children’s fantasy fiction – Modelling a new approach [presentation]. Past, pre-sent, future- From women’s studies to post-gender research, Umeå.
  • Lyu, C. & Zhang, Y. (2023). Unveiling the past: the multidimensional the-atrical space in Suzan-Lori Parks’s Venus. Chinese Semiotic Studies, 19(4), 615-632. https://doi.org/10.1515/css-2023-2024.
  • McCormick, S. (2014). Witnessing and wounding in Suzan-Lori Parks’s Venus. MELUS 39 (2), 188-207.
  • Oddenino, I. (2011). “I wanna love something wild”: A reading of Suzan-Lori Parks’s Venus. In N. Natasha Gordon-Chiembere (Ed.), Representa-tion and Black Womanhood (pp. 121-135). New York: Palgrave Mac-millan.
  • Parks, S. L. (1995). From elements of style. In S. L. Parks (writ.), The America play and other works (pp. 7-18). New York: Theatre communi-cations group.
  • Parks, S. L. (1997). Venus. New York: Theatre communications group.
  • Sharpley-Whiting, T. D. (1999). Black Venus: Sexualized savages, primal fears, and primitive narratives in French. Durham: Duke University press.
  • Sözen, E. (2014). Söylem: belirsizlik, mübadele, bilgi/güç ve refleksivite. Ankara: Birleşik press.
  • Sunderland, J. & Litosseliti, L. (2002). Gender identity and discourse anal-ysis: Theoretical and empirical considerations. In L. Litosseliti (Ed.), Gender Identity and DiscourseAnalysis (pp. 1-39). Philadelphia: John Benjamins.
  • Tobias, P. V. (2002). “Saartje Baartman: Her life, her remains, and the negotiations for their repatriation from France to South Africa. South African Journal of Science, 98, 107-110.
  • Warner, S. L. (2008). Suzan-Lori Parks’s drama of disinterment: A trans-national exploration of Venus. Theatre Journal 60(2), 181-199. https://dx.doi.org/10.1353/tj.0.0024.
  • Wetmore, K. J., Jr. (2007). It’s an Oberammergau thing: An interview with Suzan-Lori Parks. In Kevin J. W. Jr. and A. Smith-Howard (eds.), Suzan-Lori Parks: A casebook (pp. 124-140). New York: Routledge.
  • Williams, M. (1996, April). Suzan- Lori Parks: From a planet closer to the sun. New York Times. https://www.nytimes.com/1996/04/17/garden/at-lunch-with-suzan-lori-parks-from-a-planet-closer-to-the-sun.html. Retrieved March 23, 2024.
  • Young, J. (1997). The re-objectification and re-commodification of Saartjie Baartman in Suzan-Lori Parks’s Venus. African American Review, 31(4), 699-700.
  • Zhuo, W. (2021). The ethical choices of “Sable Venus”: Reading Suzan-Lori Parks’s Venus from the perspective of ethical literary criticism. Foreign Literature Studies, 43(1), 92-103.
Toplam 29 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Kadın Araştırmaları, Sosyoloji (Diğer)
Bölüm Araştırma Makalesi
Yazarlar

Tuba Baykara

Yayımlanma Tarihi 28 Haziran 2025
Gönderilme Tarihi 1 Kasım 2024
Kabul Tarihi 29 Mart 2025
Yayımlandığı Sayı Yıl 2025 Cilt: 26 Sayı: 1

Kaynak Göster

APA Baykara, T. (2025). Discursive (Re) Construction of Black Femininity: Venus from Feminist Critical Discourse Analysis Perspective. Kadın/Woman 2000, 26(1), 57-76. https://doi.org/10.33831/jws.v26i1.516