Araştırma Makalesi
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Tradition as a Useful Tool: New Patterns of Culture among the Bosniaks in Novi Pazar

Yıl 2023, , 55 - 64, 30.11.2023
https://doi.org/10.26650/CONS2023-1254303

Öz

This article focuses on the KUD Mladih Novi Pazar Youth Culture and Art Association and the FolklorDaire music group, which play an active role in culture and music in Novi Pazar, Serbia. The core question that I try to understand in the context of these two cases is as follows. As new cultural patterns are formed, how do they gain sources of spirit, intellectual basis, and enthusiasm for practice? At this point, when I consider the historical and geographical positions of Novi Pazar, I underline that cultural and musical behaviors refer to tradition. Basically, I argue that tradition plays a role in the musical and cultural behavior of the city of Novi Pazar as a useful tool in both cases. Theoretically, I prioritize the concept of cultural intimacy borrowed from ethnography and the concept of revitalization movements in order to be able to explain the new cultural patterns produced based on the concept of tradition. The first fieldwork in Serbia, Novi Pazar provided data on getting to know the region, observing musical practices, ongoing cultural structures, and conducting in-depth interviews with active musicians in cultural music movements. In the second stage, netnography, an online research method, was used to study two refined samples.

Kaynakça

  • Aksic, N., & Pantovic, B. (2017). Cultural Centres and Their Role the Cultural Centre Novi Pazar and the Cultural Centre of Serbia (Paris). Glasnik Etnografskog instituta SANU, 65(1), 177-190. google scholar
  • Aruçi, M. (2013). Yenipazar [Novi Pazar], TDV İslâm Ansiklopedisi (pp. 468-471). Türkiye Diyanet Vakfı Yayınları. Retrieved https://islamansiklopedisi.org.tr/yenipazar-sirbistan. google scholar
  • Asavei, M.A. (2021). On Tradition and Cultural Memory in Contemporary Art: Theoretical Considerations. Eidos. A Journal for Philosophy of Culture, 5(1), 126-139. google scholar
  • Catic, R. (2009). Bosna-Hersek ve Sancak’taki Boşnaklar “Boşnak Kimliğinin Gelişimi” [Bosniaks in Bosnia-Herzegovina and Sandzak “Development of Bosniak Identity”]. In C. Sancaktar (Ed.), Uluslararası Balkan Kongresi: Balkan Milletler Arası Etkileşim (pp. 413-427). Istanbul: Tasam Yayınları. google scholar
  • Duric-Milovanovic, A., & Dordevic-Crnobrnja, J. (2021). Bayram Sofra in Belgrade - A Contribution to the Interreligious Dialogue and Visibility of Minority Religious Communities. Glasmik Etnografskog instituta SANU, 1(69), 19-46. google scholar
  • Ficher, W. (2009). From Balkanologie to Balkankompetenzen: Balkan Studies at an Historical Crossroads. Retrieved http://www.kakanien-revisited.at/beitr/balkans/wfischer1.pdf. google scholar
  • Hacısalihoğlu, M. (2009). Sırbistan [Serbia], TDV İslâm Ansiklopedisi (pp. 121-126). Türkiye Diyanet Vakfı Yayınları. Retrieved https://islamansiklopedisi.org.tr/sirbistan#2. google scholar
  • Hadzic, H. (2015). Obicaji Bosnjaka kod svadbe i akike u Sandzaku [Bosniak Wedding and Akika Customs in Sandzak], Islamska misao (8). Retrieved from https://www.scribd.com/document/503217818/Islamska-misao-8. google scholar
  • Herzfeld, M. (2005). Cultural Intimacy: Social Poetics in the Nation-State. New York: Routledge. google scholar
  • Kaser, K. (2014). Disciplinary Boundaries in Question: Balkan Studies in a Globalizing World, Godisnjak, 42, 215-226. google scholar
  • Lajic-Mihajlovic, D., & Jovanovic, J. (2012). Introduction: Music and Ethnomusicology - Encounters in the Balkans. In D. Despic, J. Jovanovic, & D. Lajic-Mihajlovic (Eds.), Musical Practices in the Balkans: Ethnomusicological Perspectives (pp. 13-27), Srpska akademija nauka i umetnosti: Odeljenje likovne i muzicke umetnosti - Muzikoloski institut. google scholar
  • Luke, C. (2018). Heritage Interests: Americanism, Europeanism and Neo-Ottomanism. Journal of Social Archaeology, 2(18), 234-257. google scholar
  • Medic, I. (2020). Making a Case for Balkan Music Studies. Arts, 9(4), 99. google scholar
  • Raduski, N. (2023). Bunjevci in Serbia: Croats, Serbs or Specific Ethnic Community? Politicka revija, 1(75), 45-69. google scholar
  • Samson, J. (2013). Music in the Balkans. Leiden, Boston: Brill. google scholar
  • Shils, E. (1981). Tradition. Chicago: University of Chicago Press. google scholar
  • Todorova, M.N. (2009). Imagining the Balkans. Oxford: Oxford University Press. google scholar
  • Wallace, A.F.C. (1956). Revitalization Movements. American Anthropologist, 58(2), 264-281. google scholar
Yıl 2023, , 55 - 64, 30.11.2023
https://doi.org/10.26650/CONS2023-1254303

Öz

Kaynakça

  • Aksic, N., & Pantovic, B. (2017). Cultural Centres and Their Role the Cultural Centre Novi Pazar and the Cultural Centre of Serbia (Paris). Glasnik Etnografskog instituta SANU, 65(1), 177-190. google scholar
  • Aruçi, M. (2013). Yenipazar [Novi Pazar], TDV İslâm Ansiklopedisi (pp. 468-471). Türkiye Diyanet Vakfı Yayınları. Retrieved https://islamansiklopedisi.org.tr/yenipazar-sirbistan. google scholar
  • Asavei, M.A. (2021). On Tradition and Cultural Memory in Contemporary Art: Theoretical Considerations. Eidos. A Journal for Philosophy of Culture, 5(1), 126-139. google scholar
  • Catic, R. (2009). Bosna-Hersek ve Sancak’taki Boşnaklar “Boşnak Kimliğinin Gelişimi” [Bosniaks in Bosnia-Herzegovina and Sandzak “Development of Bosniak Identity”]. In C. Sancaktar (Ed.), Uluslararası Balkan Kongresi: Balkan Milletler Arası Etkileşim (pp. 413-427). Istanbul: Tasam Yayınları. google scholar
  • Duric-Milovanovic, A., & Dordevic-Crnobrnja, J. (2021). Bayram Sofra in Belgrade - A Contribution to the Interreligious Dialogue and Visibility of Minority Religious Communities. Glasmik Etnografskog instituta SANU, 1(69), 19-46. google scholar
  • Ficher, W. (2009). From Balkanologie to Balkankompetenzen: Balkan Studies at an Historical Crossroads. Retrieved http://www.kakanien-revisited.at/beitr/balkans/wfischer1.pdf. google scholar
  • Hacısalihoğlu, M. (2009). Sırbistan [Serbia], TDV İslâm Ansiklopedisi (pp. 121-126). Türkiye Diyanet Vakfı Yayınları. Retrieved https://islamansiklopedisi.org.tr/sirbistan#2. google scholar
  • Hadzic, H. (2015). Obicaji Bosnjaka kod svadbe i akike u Sandzaku [Bosniak Wedding and Akika Customs in Sandzak], Islamska misao (8). Retrieved from https://www.scribd.com/document/503217818/Islamska-misao-8. google scholar
  • Herzfeld, M. (2005). Cultural Intimacy: Social Poetics in the Nation-State. New York: Routledge. google scholar
  • Kaser, K. (2014). Disciplinary Boundaries in Question: Balkan Studies in a Globalizing World, Godisnjak, 42, 215-226. google scholar
  • Lajic-Mihajlovic, D., & Jovanovic, J. (2012). Introduction: Music and Ethnomusicology - Encounters in the Balkans. In D. Despic, J. Jovanovic, & D. Lajic-Mihajlovic (Eds.), Musical Practices in the Balkans: Ethnomusicological Perspectives (pp. 13-27), Srpska akademija nauka i umetnosti: Odeljenje likovne i muzicke umetnosti - Muzikoloski institut. google scholar
  • Luke, C. (2018). Heritage Interests: Americanism, Europeanism and Neo-Ottomanism. Journal of Social Archaeology, 2(18), 234-257. google scholar
  • Medic, I. (2020). Making a Case for Balkan Music Studies. Arts, 9(4), 99. google scholar
  • Raduski, N. (2023). Bunjevci in Serbia: Croats, Serbs or Specific Ethnic Community? Politicka revija, 1(75), 45-69. google scholar
  • Samson, J. (2013). Music in the Balkans. Leiden, Boston: Brill. google scholar
  • Shils, E. (1981). Tradition. Chicago: University of Chicago Press. google scholar
  • Todorova, M.N. (2009). Imagining the Balkans. Oxford: Oxford University Press. google scholar
  • Wallace, A.F.C. (1956). Revitalization Movements. American Anthropologist, 58(2), 264-281. google scholar
Toplam 18 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Müzik
Bölüm Araştırma Makalesi
Yazarlar

Mehtap Demir Güven 0000-0003-4654-7872

Yayımlanma Tarihi 30 Kasım 2023
Gönderilme Tarihi 21 Şubat 2023
Yayımlandığı Sayı Yıl 2023

Kaynak Göster

APA Demir Güven, M. (2023). Tradition as a Useful Tool: New Patterns of Culture among the Bosniaks in Novi Pazar. Konservatoryum, 10(1), 55-64. https://doi.org/10.26650/CONS2023-1254303