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            <front>

                <journal-meta>
                                    <journal-id></journal-id>
            <journal-title-group>
                                                                                    <journal-title>Nişantaşı Üniversitesi Sosyal Bilimler Dergisi</journal-title>
            </journal-title-group>
                            <issn pub-type="ppub">2147-5121</issn>
                                        <issn pub-type="epub">2717-7610</issn>
                                                                                            <publisher>
                    <publisher-name>Nişantaşı Üniversitesi</publisher-name>
                </publisher>
                    </journal-meta>
                <article-meta>
                                        <article-id pub-id-type="doi">10.52122/nisantasisbd.1468055</article-id>
                                                                <article-categories>
                                            <subj-group  xml:lang="en">
                                                            <subject>Arts and Cultural Policy</subject>
                                                            <subject>Art Sociology</subject>
                                                    </subj-group>
                                            <subj-group  xml:lang="tr">
                                                            <subject>Sanat ve Kültür Politikası</subject>
                                                            <subject>Sanat Sosyolojisi</subject>
                                                    </subj-group>
                                    </article-categories>
                                                                                                                                                        <title-group>
                                                                                                                        <trans-title-group xml:lang="en">
                                    <trans-title>NATURE-INSPIRED ART: EXAMPLES OF MUSHROOM STRUCTURES</trans-title>
                                </trans-title-group>
                                                                                                                                                                                                <article-title>DOĞADAN ESİN ALAN SANAT: MANTAR YAPILAR ÖRNEĞİ</article-title>
                                                                                                    </title-group>
            
                                                    <contrib-group content-type="authors">
                                                                        <contrib contrib-type="author">
                                                                    <contrib-id contrib-id-type="orcid">
                                        https://orcid.org/0000-0001-6979-6658</contrib-id>
                                                                <name>
                                    <surname>Kuyrukcu</surname>
                                    <given-names>Dilek</given-names>
                                </name>
                                                                    <aff>TEKİRDAĞ NAMIK KEMAL ÜNİVERSİTESİ</aff>
                                                            </contrib>
                                                    <contrib contrib-type="author">
                                                                    <contrib-id contrib-id-type="orcid">
                                        https://orcid.org/0000-0002-5620-661X</contrib-id>
                                                                <name>
                                    <surname>Özçelik</surname>
                                    <given-names>Hüseyin</given-names>
                                </name>
                                                                    <aff>HACETTEPE ÜNİVERSİTESİ, GÜZEL SANATLAR FAKÜLTESİ</aff>
                                                            </contrib>
                                                                                </contrib-group>
                        
                                        <pub-date pub-type="pub" iso-8601-date="20241231">
                    <day>12</day>
                    <month>31</month>
                    <year>2024</year>
                </pub-date>
                                        <volume>12</volume>
                                        <issue>2</issue>
                                        <fpage>438</fpage>
                                        <lpage>456</lpage>
                        
                        <history>
                                    <date date-type="received" iso-8601-date="20240414">
                        <day>04</day>
                        <month>14</month>
                        <year>2024</year>
                    </date>
                                                    <date date-type="accepted" iso-8601-date="20241128">
                        <day>11</day>
                        <month>28</month>
                        <year>2024</year>
                    </date>
                            </history>
                                        <permissions>
                    <copyright-statement>Copyright © 2013, Nişantaşı Üniversitesi Sosyal Bilimler Dergisi</copyright-statement>
                    <copyright-year>2013</copyright-year>
                    <copyright-holder>Nişantaşı Üniversitesi Sosyal Bilimler Dergisi</copyright-holder>
                </permissions>
            
                                                                                                <trans-abstract xml:lang="en">
                            <p>Humans have coexisted with nature since the cave age, resulting in rich cultural history centered around it.  Throughout different periods, artists from various disciplines  drawn inspiration from nature&#039;s animate . Nature has been depicted in literature, architecture, painting, and sculpture in many different ways. Artists  used landscapes, natural objects as a means of self-expression in their works. This study examines symbiotic relationship between humans, nature, art, focusing on mutual influence. It analyzes artworks inspired by fungal structures, which are considered one of the most important organisms in nature due to their role in the life cycle. The study also explores the significance of this natural organism in global culture, both historically and in terms of its meaning for artists and nature. The featured works and artists showcase  world of fungi as a work of art, aiming to raise awareness and sensitivity about nature. They question the interaction between nature, human beings, highlighting previously overlooked aspect of modern life.  Qualitative research methods were used to analyze how mushroom structures are reflected in works of art and how artists utilize them.  found that art featuring natural forms has the ability to shape the audience&#039;s perception of nature while remaining committed to it.</p></trans-abstract>
                                                                                                                                    <abstract><p>İnsan doğanın bir parçası olarak var olmuş, hayatta kalmıştır. Mağara devrinden günümüze devam eden bu birliktelik, doğanın konu olduğu büyük bir kültür birikimine yol açmıştır.  Farklı dönemlerde, farklı disiplinlerden birçok sanatçı doğayı, doğaya ait canlı, cansız nesneleri esin kaynağı olarak seçmişlerdir. Doğa; edebiyattan, mimariye, resimden, heykele sanat eserlerinde pek çok farklı yüzüyle yer almıştır. Sanatçılar çalışmalarında kimi zaman bir manzarayı kimi zaman doğada var olan canlı cansız nesneleri kendini ifade etmede araç olarak kullanmışlardır. Bu çalışmada, insan-doğa-sanat arasındaki karşılıklı etkilenme ve etkilemeye dayanan (simbiyotik) ilişkiye odaklanılmış, doğanın en önemli organizmalarından biri olan, doğadaki hayat döngüsünün temel kaynağı kabul edilen mantar yapılarından esin alan sanat çalışmaları örneklenerek, analiz edilmiş, bu doğal organizmanın sanatçı ve doğa için taşıdığı anlamlarla beraber, tarihsel anlamda da küresel kültürdeki yeri, önemi  irdelenmiştir. Seçilen eserler ve sanatçılar modern yaşam içinde insanın varlıklarından haberdar olmadığı mantarlar dünyasını izleyicisine bir eser olarak sunan, eserleri aracılığıyla doğaya dair farkındalık ve duyarlılık yaratmayı hedefleyen, doğa-insan arasındaki etkileşimi sorgulayan çağdaş sanatçıların eserleridir. Mantar yapılarının sanat eserlerine hangi yönü ile yansıdığı, sanatçıların mantar yapılarını eserlerinde ne şekilde kullandıkları nitel araştırma yöntemleriyle incelenmiştir. Sonuç olarak;  doğal formların çağdaş sanattaki varlığı; sanatın doğaya olan bağlılığını korurken izleyicisinin,  doğaya bakışını biçimlendirme gücüne sahip olduğunu göstermektedir.</p></abstract>
                                                            
            
                                                                                        <kwd-group>
                                                    <kwd>Sanat</kwd>
                                                    <kwd>  doğa</kwd>
                                                    <kwd>  sanat tarihi</kwd>
                                                    <kwd>  mantar yapıları</kwd>
                                            </kwd-group>
                            
                                                <kwd-group xml:lang="en">
                                                    <kwd>Art</kwd>
                                                    <kwd>  nature</kwd>
                                                    <kwd>  art history</kwd>
                                                    <kwd>  mushroom structures</kwd>
                                            </kwd-group>
                                                                                                                                        </article-meta>
    </front>
    <back>
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