Araştırma Makalesi
BibTex RIS Kaynak Göster

A Critical Analysis of Displacement and Human Rights Violations in Films

Yıl 2025, Cilt: 22 Sayı: 1, 143 - 155
https://doi.org/10.26466/opusjsr.1610242

Öz

This paper aims to meta-synthesize films for future research on displacement and exposure to human rights violations in cinema. With a purposive sample of eleven films, the focus was on basic human rights violations and impoverishment caused by war-related displacement. The article provided spatial diversity through the thematization, and meta-synthesis of films produced on the topic in different countries. In the selected films, displaced people were often traumatized by material and emotional poverty and human rights violations. However, in most countries of migration, discourses on refugees have been developed with the claim that they cause unemployment and cheap labour. Therefore, the research explored not only the humanitarian injustices suffered by refugees but also whether the voices of non-refugee groups experiencing poverty and unemployment are heard. According to the findings, these films often focused on displaced people, with insufficient dialogue with local people, especially those living in poverty. In an assessment, it was observed that the selected films generally lacked a solidarity ground for refugee and non-refugee vulnerable social groups who are directly and indirectly subjected to human rights violations as a result of fleeing war.

Etik Beyan

Araştırma makalemi etik kaideler çerçevesinde yazdığımı beyan ederim.

Kaynakça

  • Agamben, G. (1998). Homo sacer: Sovereign power and bare life. Stanford University Press.
  • Anderson, B. (2016). Imagined communities: Reflections on the origin and spread of nationalism (Revised). Verso.
  • Artıkişler Kolektifi. (2007). Hakkari’den Ankara’ya kağıtçılar [Scavengers from Hakkari to Ankara] [Video recording]. Artıkişler Kolektifi.
  • Augé, M. (1995). Non-places: Introduction to an anthropology of supermodernity. Verso.
  • Bayrakdar, D. (2022). Migrant bodies in the land/city/ seascapes of 2000s turkish cinema. In D. Bayrakdar & R. Burgoyne (Eds.), Refugees and migrants in contemporary film, art and media (pp. 193–218). Amsterdam University Press. https://doi.org/doi:10.1515/9789048554584-011
  • Bluemel, J. (2016). Exodus: Our journey to Europe (2016-2018) [Video recording]. BBC.
  • Bondas, T., & Hall, E. O. C. (2007). Challenges in approaching metasynthesis research. Qualitative Health Research, 17(1), 113–121. https://doi.org/https://doi.org/10.1177/1049732306295879
  • Bookchin, N., Brown, P., Ebrahimian, S., Enmedio, C., Juhasz, A., Martin, L., Mirzoeff, N., Ross, A., Saab, A. J., & Sitrin, M. (2013). Militant research hand-book.
  • Brady, G. (2018). Island of the Hungry ghosts [Video recording]. Chromosom Film, Third Film , Echotango , Various Films.
  • Brian Knappenberger. (2022). I’m not a Nazi [Video recording]. Netflix.
  • Briciu, B. (2020). “Anyone can become a refugee:” strategies for empathic concern in activist documentaries on migration. Emotion, Space and Society, 37, 100737. https://doi.org/https://doi.org/10.1016/j.emospa.2020.100737
  • Butler, J. (2004). Precarious life: The powers of mourning and violence. Verso.
  • Crialese, E. (2011). Terraferma [Video recording]. Cattleya & Rai Cinema.
  • Dudley, A. (2022). Moving peoples and motion pictures: migration in film and other media. In Refugees and Migrants in Contemporary Film, Art and Media (pp. 27–50). Amsterdam University Press. https://doi.org/10.1515/9789048554584-003
  • Ghobadi, B. (2004). Turtles can fly [Video recording]. In IFC Films. IFC Films et. al.
  • Göktürk, D. (2022). 7. The secret life of waste: Recycling dreams of migration (D. Bayrakdar & R. Burgoyne, Eds.; pp. 151–176). Amsterdam University Press. https://doi.org/doi:10.1515/9789048554584-009
  • Gün, E., & Tekemen, H. (2021). Akdeniz’de düzensiz göçler ve göçmenler: Terraferma filmi örneği. Sosyolojik Bağlam Dergisi, 2(April 2021), 64–76. https://doi.org/10.52108/2757-5942.2.1.4
  • Hanitzsch, T. (2007). Situating peace journalism in journalism studies: A critical appraisal. Conflict & Communication, 6(2).
  • Harding, T. (2001). The video activist handbook‎. Pluto Press.
  • Hayward, P. (2019). The dark side of christmas: Incarceration and alienation in Gabrielle Brady’s film island of the Hungry Ghosts (2018). Shima: The International Journal of Research into Island Cultures. https://doi.org/10.21463/shima.13.1.14
  • Haznedaroğlu, A. (2017). Misafir [Video recording]. CGV Mars Dağıtım.
  • Hinegardner, L. (2009). Action, organization, and documentary film: Beyond a communications model of human rights videos. Visual Anthropology Review, 25(2), 172–185. https://doi.org/10.1111/j.1548-7458.2009.01040.x
  • Kaurismäki, A. (2018). The other side of hope [Video recording]. Palace Films.
  • Kehya, R. Ö. (2018). İtalya ve Türkiye’ye göç etmiş insanlarla ilgili youtube video yorumlarında nefret söylemi: Karşılaştırmalı bir analiz [Master thesis]. In Ankara University. Ankara Üniversitesi.
  • Kleinman, A., & Kleinman, J. (1997). The appeal of experience; the dismay of images: Cultural appropriations of suffering in our times. In A. Kleinman, V. Das, & M. M. Lock (Eds.), Social Suffering (Issue 1, pp. 1–23). University of California Press.
  • Labaki, N. (2018). Capernaum [Video recording]. Sony Pictures Classics.
  • Lynch, J. (2008). Debates in peace journalism. Sydney University Press.
  • Majidi, M. (2001, January 31). Baran [Video recording]. Miramax Films.
  • Malik, S. (1996). ‘Beyond “The Cinema of Duty”? The pleasures of hybridity: Black British film of the 1980s and 1990s’. In Dissolving Views: Key Writings on British Cinema (pp. 202–215). Cassell.
  • Matziaraki, D. (2016). 4.1 Miles [Video recording]. https://www.youtube.com/watch?v=hjnj5B2GCvc.
  • Nash, K. (2018). Film that brings human rights to life. Public Culture, 30(3), 393–412. https://doi.org/10.1215/08992363-6912103
  • Nash, K. (2022). Beyond suffering, towards justice? Human rights films and the critique of humanitarian culture. Human Rights Quarterly, 44(4), 784–805. https://doi.org/https://dx.doi.org/10.1353/hrq.2022.0046
  • Öztürk, S., & Altındal, Y. (2019). Refugee face of stigma: Sociological reading of the film “The More”. İmgelem, 3(5), 161–192. https://dergipark.org.tr/en/pub/imgelem/issue/50509/644568
  • Phillips, C. (2018). Making drama out of the refugee crisis | Film | The Guardian. https://www.theguardian.com/film/2018/apr/01/refugee-films-another-news-story-stranger-in-paradise-island-of-hungry-ghosts
  • Polat, S., & Ay, O. (2016). Meta-synthesis: A Conceptual analysis. Journal of Qualitative Research in Education, 52(64), 1–25. https://doi.org/10.14689/issn.2148-2624.1.4c2s3m
  • Rogoff, I. (2002). Studying visual culture. In N. Mirzoeff (Ed.), The Visual Culture Reader (2nd ed., pp. 24–36). Routledge.
  • Roncallo-Dow, S., Córdoba-Hernández, A. M., & Durán Camero, M. (2019). “Aylan Kurdi, Twitter and the short-lived outrage. Revista Española de Investigaciones Sociológicas, 165, 121–142. https://doi.org/10.5477/cis/reis.165.121
  • Rorty, R. (1992). The linguistic turn: Essays in philosophical method. University of Chicago Press.
  • Rosi, G. (2016). Fuocoammare [Fire at Sea] [Video recording]. 01 Distribution.
  • Sarıkaya, Ö. (2023). Aylan Bebek [’Aylan Baby’] [Video recording]. Türktime TV.
  • Saybaşılı, N. (2011). Sınırlar ve hayaletler görsel kültürde göç hareketleri. Metis Yayıncılık.
  • Saylak, O. (2017). Daha [More] [Video recording]. Bir Film.
  • Schiffer, S. (2022). Die Widerspiegelung der Migrations- und Integrationsdebatte in den Medien. In H. U. Uslucan Haci-Halil and Brinkmann (Ed.), Dabeisein und Dazugehören: Integration in Deutschland (pp. 253–275). Springer Fachmedien Wiesbaden. https://doi.org/10.1007/978-3-658-33785-8_12
  • Seghaier, R. (2018). Poverty porn and reproductive injustice: A Review of Capernaum. Kohl: A Journal for Body and Gender Research, 4(2). https://doi.org/https://doi.org/10.36583/2018040214
  • Selvarajah, S. (2020). Human rights journalism and its nexus to responsibility to protect: How and why the international press failed in sri lanka’s humanitarian crisis. Springer Nature.
  • Selvarajah, S. (2021). Identifying obstacles to peace journalism in Sri Lanka and Nepal. Journalism Practice, 15(1), 136–152. https://doi.org/10.-1080/17512786.2019.1695536
  • Sen, A. (2008). Violence, identity and poverty. Journal of Peace Research, 45(1), 5–15. https://doi.org-/10.1177/0022343307084920
  • Shaw, I. S. (2012). Human rights journalism. Palgrave Macmillan UK. https://doi.org/10.1057-/9780230358874
  • Sontag, S. (2004). Regarding the pain of others. Picador.
  • Soykan, Ö. N. (2020). Estetik ve sanat felsefesi. Bilge Kültür Sanat.
  • Tosun, U. (2018). Afganistanbul [Video recording]. Özkan Özdemir.
  • United Nations High Commissioner for Refugees (UNHCR). (2023). Refugee data finder. https://www.unhcr.org/refugee-statistics/
  • Vogt Isaksen, J. (2019). The impact of the financial crisis on European attitudes toward immigration. Comparative Migration Studies, 7(1), 24. https://doi.org/10.1186/s40878-019-0127-5
  • Wigger, I. (2019). Anti-Muslim racism and the racialisation of sexual violence: ‘intersectional stereotyping’ in mass media representations of male Muslim migrants in Germany. Culture and Religion, 20(3), 248–271. https://doi.org/10.1080/14755610.2019.1658609
  • Yalouri, E. (2019). ‘Difficult’ representations. Visual art engaging with the refugee crisis. Visual Studies, 34(3), 223–238. https://doi.org/10.1080/1472586X.2019.1653788
  • Yüksel, E. (2019). Daha ve misafir filmlerinde mültecilere yönelik dışlama pratikleri ve yok-yerler. https://doi.org/DOI: 10.24955/ilef.653996

Filmlerde Yerinden Edilme ve İnsan Hakları İhlalleri Üzerine Eleştirel Bir Analiz

Yıl 2025, Cilt: 22 Sayı: 1, 143 - 155
https://doi.org/10.26466/opusjsr.1610242

Öz

Bu çalışma, sinemada yerinden edilme ve insan hakları ihlallerine maruz kalma üzerine gelecekte yapılacak araştırmalar için filmleri meta-sentezlemeyi amaçlamıştır. On bir filmden oluşan amaca yönelik bir örneklemle, temel insan hakları ihlallerine ve savaşa bağlı yerinden edilmenin neden olduğu yoksullaşmaya odaklanılmıştır. Makale, farklı ülkelerde konuyla ilgili üretilen filmlerin temalaştırılması ve meta-sentezi yoluyla mekânsal çeşitlilik sağlamıştır. Seçilen filmlerde, yerinden edilmiş insanlar genellikle maddi ve duygusal yoksulluk ve insan hakları ihlalleri nedeniyle travmatize edilmiştir. Bununla birlikte, çoğu göç ülkesinde mültecilerle ilgili söylemler, işsizliğe ve ucuz işgücüne neden oldukları iddiasıyla geliştirilmiştir. Bu nedenle araştırma, yalnızca mültecilerin maruz kaldığı insani adaletsizlikleri değil, aynı zamanda mülteci olmayan yoksulluk ve işsizlik deneyimi yaşayan grupların seslerinin duyulup duyulmadığını da araştırmıştır. Bulgulara göre, bu filmler genellikle yerinden edilmiş insanlara odaklanmış, yerel halkla, özellikle de yoksulluk içinde yaşayanlarla yeterince diyalog kurulmamıştır. Yapılan değerlendirmeye göre, seçilen filmlerin genellikle savaştan kaçmanın bir sonucu olarak doğrudan ve dolaylı olarak insan hakları ihlallerine maruz kalan mülteci ve mülteci olmayan hassas toplumsal gruplar için bir dayanışma zemininden uzak olduğu gözlemlenmiştir.

Kaynakça

  • Agamben, G. (1998). Homo sacer: Sovereign power and bare life. Stanford University Press.
  • Anderson, B. (2016). Imagined communities: Reflections on the origin and spread of nationalism (Revised). Verso.
  • Artıkişler Kolektifi. (2007). Hakkari’den Ankara’ya kağıtçılar [Scavengers from Hakkari to Ankara] [Video recording]. Artıkişler Kolektifi.
  • Augé, M. (1995). Non-places: Introduction to an anthropology of supermodernity. Verso.
  • Bayrakdar, D. (2022). Migrant bodies in the land/city/ seascapes of 2000s turkish cinema. In D. Bayrakdar & R. Burgoyne (Eds.), Refugees and migrants in contemporary film, art and media (pp. 193–218). Amsterdam University Press. https://doi.org/doi:10.1515/9789048554584-011
  • Bluemel, J. (2016). Exodus: Our journey to Europe (2016-2018) [Video recording]. BBC.
  • Bondas, T., & Hall, E. O. C. (2007). Challenges in approaching metasynthesis research. Qualitative Health Research, 17(1), 113–121. https://doi.org/https://doi.org/10.1177/1049732306295879
  • Bookchin, N., Brown, P., Ebrahimian, S., Enmedio, C., Juhasz, A., Martin, L., Mirzoeff, N., Ross, A., Saab, A. J., & Sitrin, M. (2013). Militant research hand-book.
  • Brady, G. (2018). Island of the Hungry ghosts [Video recording]. Chromosom Film, Third Film , Echotango , Various Films.
  • Brian Knappenberger. (2022). I’m not a Nazi [Video recording]. Netflix.
  • Briciu, B. (2020). “Anyone can become a refugee:” strategies for empathic concern in activist documentaries on migration. Emotion, Space and Society, 37, 100737. https://doi.org/https://doi.org/10.1016/j.emospa.2020.100737
  • Butler, J. (2004). Precarious life: The powers of mourning and violence. Verso.
  • Crialese, E. (2011). Terraferma [Video recording]. Cattleya & Rai Cinema.
  • Dudley, A. (2022). Moving peoples and motion pictures: migration in film and other media. In Refugees and Migrants in Contemporary Film, Art and Media (pp. 27–50). Amsterdam University Press. https://doi.org/10.1515/9789048554584-003
  • Ghobadi, B. (2004). Turtles can fly [Video recording]. In IFC Films. IFC Films et. al.
  • Göktürk, D. (2022). 7. The secret life of waste: Recycling dreams of migration (D. Bayrakdar & R. Burgoyne, Eds.; pp. 151–176). Amsterdam University Press. https://doi.org/doi:10.1515/9789048554584-009
  • Gün, E., & Tekemen, H. (2021). Akdeniz’de düzensiz göçler ve göçmenler: Terraferma filmi örneği. Sosyolojik Bağlam Dergisi, 2(April 2021), 64–76. https://doi.org/10.52108/2757-5942.2.1.4
  • Hanitzsch, T. (2007). Situating peace journalism in journalism studies: A critical appraisal. Conflict & Communication, 6(2).
  • Harding, T. (2001). The video activist handbook‎. Pluto Press.
  • Hayward, P. (2019). The dark side of christmas: Incarceration and alienation in Gabrielle Brady’s film island of the Hungry Ghosts (2018). Shima: The International Journal of Research into Island Cultures. https://doi.org/10.21463/shima.13.1.14
  • Haznedaroğlu, A. (2017). Misafir [Video recording]. CGV Mars Dağıtım.
  • Hinegardner, L. (2009). Action, organization, and documentary film: Beyond a communications model of human rights videos. Visual Anthropology Review, 25(2), 172–185. https://doi.org/10.1111/j.1548-7458.2009.01040.x
  • Kaurismäki, A. (2018). The other side of hope [Video recording]. Palace Films.
  • Kehya, R. Ö. (2018). İtalya ve Türkiye’ye göç etmiş insanlarla ilgili youtube video yorumlarında nefret söylemi: Karşılaştırmalı bir analiz [Master thesis]. In Ankara University. Ankara Üniversitesi.
  • Kleinman, A., & Kleinman, J. (1997). The appeal of experience; the dismay of images: Cultural appropriations of suffering in our times. In A. Kleinman, V. Das, & M. M. Lock (Eds.), Social Suffering (Issue 1, pp. 1–23). University of California Press.
  • Labaki, N. (2018). Capernaum [Video recording]. Sony Pictures Classics.
  • Lynch, J. (2008). Debates in peace journalism. Sydney University Press.
  • Majidi, M. (2001, January 31). Baran [Video recording]. Miramax Films.
  • Malik, S. (1996). ‘Beyond “The Cinema of Duty”? The pleasures of hybridity: Black British film of the 1980s and 1990s’. In Dissolving Views: Key Writings on British Cinema (pp. 202–215). Cassell.
  • Matziaraki, D. (2016). 4.1 Miles [Video recording]. https://www.youtube.com/watch?v=hjnj5B2GCvc.
  • Nash, K. (2018). Film that brings human rights to life. Public Culture, 30(3), 393–412. https://doi.org/10.1215/08992363-6912103
  • Nash, K. (2022). Beyond suffering, towards justice? Human rights films and the critique of humanitarian culture. Human Rights Quarterly, 44(4), 784–805. https://doi.org/https://dx.doi.org/10.1353/hrq.2022.0046
  • Öztürk, S., & Altındal, Y. (2019). Refugee face of stigma: Sociological reading of the film “The More”. İmgelem, 3(5), 161–192. https://dergipark.org.tr/en/pub/imgelem/issue/50509/644568
  • Phillips, C. (2018). Making drama out of the refugee crisis | Film | The Guardian. https://www.theguardian.com/film/2018/apr/01/refugee-films-another-news-story-stranger-in-paradise-island-of-hungry-ghosts
  • Polat, S., & Ay, O. (2016). Meta-synthesis: A Conceptual analysis. Journal of Qualitative Research in Education, 52(64), 1–25. https://doi.org/10.14689/issn.2148-2624.1.4c2s3m
  • Rogoff, I. (2002). Studying visual culture. In N. Mirzoeff (Ed.), The Visual Culture Reader (2nd ed., pp. 24–36). Routledge.
  • Roncallo-Dow, S., Córdoba-Hernández, A. M., & Durán Camero, M. (2019). “Aylan Kurdi, Twitter and the short-lived outrage. Revista Española de Investigaciones Sociológicas, 165, 121–142. https://doi.org/10.5477/cis/reis.165.121
  • Rorty, R. (1992). The linguistic turn: Essays in philosophical method. University of Chicago Press.
  • Rosi, G. (2016). Fuocoammare [Fire at Sea] [Video recording]. 01 Distribution.
  • Sarıkaya, Ö. (2023). Aylan Bebek [’Aylan Baby’] [Video recording]. Türktime TV.
  • Saybaşılı, N. (2011). Sınırlar ve hayaletler görsel kültürde göç hareketleri. Metis Yayıncılık.
  • Saylak, O. (2017). Daha [More] [Video recording]. Bir Film.
  • Schiffer, S. (2022). Die Widerspiegelung der Migrations- und Integrationsdebatte in den Medien. In H. U. Uslucan Haci-Halil and Brinkmann (Ed.), Dabeisein und Dazugehören: Integration in Deutschland (pp. 253–275). Springer Fachmedien Wiesbaden. https://doi.org/10.1007/978-3-658-33785-8_12
  • Seghaier, R. (2018). Poverty porn and reproductive injustice: A Review of Capernaum. Kohl: A Journal for Body and Gender Research, 4(2). https://doi.org/https://doi.org/10.36583/2018040214
  • Selvarajah, S. (2020). Human rights journalism and its nexus to responsibility to protect: How and why the international press failed in sri lanka’s humanitarian crisis. Springer Nature.
  • Selvarajah, S. (2021). Identifying obstacles to peace journalism in Sri Lanka and Nepal. Journalism Practice, 15(1), 136–152. https://doi.org/10.-1080/17512786.2019.1695536
  • Sen, A. (2008). Violence, identity and poverty. Journal of Peace Research, 45(1), 5–15. https://doi.org-/10.1177/0022343307084920
  • Shaw, I. S. (2012). Human rights journalism. Palgrave Macmillan UK. https://doi.org/10.1057-/9780230358874
  • Sontag, S. (2004). Regarding the pain of others. Picador.
  • Soykan, Ö. N. (2020). Estetik ve sanat felsefesi. Bilge Kültür Sanat.
  • Tosun, U. (2018). Afganistanbul [Video recording]. Özkan Özdemir.
  • United Nations High Commissioner for Refugees (UNHCR). (2023). Refugee data finder. https://www.unhcr.org/refugee-statistics/
  • Vogt Isaksen, J. (2019). The impact of the financial crisis on European attitudes toward immigration. Comparative Migration Studies, 7(1), 24. https://doi.org/10.1186/s40878-019-0127-5
  • Wigger, I. (2019). Anti-Muslim racism and the racialisation of sexual violence: ‘intersectional stereotyping’ in mass media representations of male Muslim migrants in Germany. Culture and Religion, 20(3), 248–271. https://doi.org/10.1080/14755610.2019.1658609
  • Yalouri, E. (2019). ‘Difficult’ representations. Visual art engaging with the refugee crisis. Visual Studies, 34(3), 223–238. https://doi.org/10.1080/1472586X.2019.1653788
  • Yüksel, E. (2019). Daha ve misafir filmlerinde mültecilere yönelik dışlama pratikleri ve yok-yerler. https://doi.org/DOI: 10.24955/ilef.653996
Toplam 56 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Kitle İletişimi, Yoksulluk Çalışmaları, Göç Sosyolojisi, Sinema Sosyolojisi
Bölüm Research Articles
Yazarlar

Rahime Özgün Kehya 0000-0002-4695-3689

Erken Görünüm Tarihi 16 Şubat 2025
Yayımlanma Tarihi
Gönderilme Tarihi 30 Aralık 2024
Kabul Tarihi 5 Şubat 2025
Yayımlandığı Sayı Yıl 2025 Cilt: 22 Sayı: 1

Kaynak Göster

APA Kehya, R. Ö. (2025). A Critical Analysis of Displacement and Human Rights Violations in Films. OPUS Journal of Society Research, 22(1), 143-155. https://doi.org/10.26466/opusjsr.1610242