Research Article

Interpretation of technical and expression aspects on Mauro Giuliani’s “Grand Overture, Op.61”

Volume: 11 Number: 4 December 30, 2023
  • Herry Djahwasi *
  • Zaharul Lailiddin Saidon
  • Pongpat Pongpradit
  • Muchammad Bayu Tejo Sampurno
EN TR

Interpretation of technical and expression aspects on Mauro Giuliani’s “Grand Overture, Op.61”

Abstract

The Mauro Giuliani’s “Grand Overture, Op. 61” poses a diverse and intricate task for classical guitar musicians, as it involves a complex interweaving of technical elements, profound emotional expression, and intricate structural components. The significant of this study is to acquire a more profound comprehension of the dynamic correlation between composition and artistic interpretation within the framework of this renowned classical guitar composition. There are two research objectives in this study. The first is to interpret the various elements of “Grand Overture, Op. 61” in terms of its composition, encompassing its challenging technical aspects, profound emotional depth, and intricate structural intricacies. The second is to interpret how these facets impose specific artistic expectations on the performer. This study was conducted within the paradigm of artistic research. The data collection technique employed in this study will involve a combination of library research, personal experience, direct observation, and self-reflection. The artistic processes and revelations in this study emphasize the resolution of technical challenges, the development of an approach to achieve a high level of technical proficiency, the analytical examination of compositional elements, and the crafting of sound profiles. These aspects were thoroughly explored through theoretical and practical investigations of “The Grand Overture” by Mauro Giuliani. This ultimately results in the development of distinctive and captivating interpretive decisions that successfully encapsulate the fundamental nature of Giuliani’s composition. The beneficial features of the basic interpretive concepts in this study are highly recommended for future studies to be applied in the form of various classical repertoires and other fields of musical instrumentation.

Keywords

References

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  5. Cook, N. (2014). Beyond the Score: Music as Performance. Oxford University Press.
  6. Davies, S. (2001). Musical Works and Performances: A Philosophical Exploration. Oxford University Press.
  7. Djahwasi, H. R., & Saidon, Z. L. (2020). Artistic research: artistic as research vs artistic as method. International Journal of Academic Research in Business and Social Sciences, 10(11), 292–309. https://doi. org/10.6007/ijarbss/v10-i11/8091
  8. Dogantan-Dack, P. D. M. (2015). Artistic practice as research in music: theory, criticism, practice. Ashgate. https://books. google.com.my/books?id=-ZMsnwEACAAJ

Details

Primary Language

English

Subjects

Composition in Western Classical Music, Interpretation in Western Classical Music, Music Performance

Journal Section

Research Article

Authors

Zaharul Lailiddin Saidon This is me
0000-0002-5942-0283
Malaysia

Pongpat Pongpradit This is me
0009-0004-8993-2863
Thailand

Muchammad Bayu Tejo Sampurno This is me
0000-0003-1735-7498
Indonesia

Publication Date

December 30, 2023

Submission Date

October 13, 2023

Acceptance Date

December 25, 2023

Published in Issue

Year 2023 Volume: 11 Number: 4

APA
Djahwasi, H., Saidon, Z. L., Pongpradit, P., & Sampurno, M. B. T. (2023). Interpretation of technical and expression aspects on Mauro Giuliani’s “Grand Overture, Op.61”. Rast Musicology Journal, 11(4), 563-587. https://doi.org/10.12975/rastmd.20231145
AMA
1.Djahwasi H, Saidon ZL, Pongpradit P, Sampurno MBT. Interpretation of technical and expression aspects on Mauro Giuliani’s “Grand Overture, Op.61.” RMJ. 2023;11(4):563-587. doi:10.12975/rastmd.20231145
Chicago
Djahwasi, Herry, Zaharul Lailiddin Saidon, Pongpat Pongpradit, and Muchammad Bayu Tejo Sampurno. 2023. “Interpretation of Technical and Expression Aspects on Mauro Giuliani’s ‘Grand Overture, Op.61’”. Rast Musicology Journal 11 (4): 563-87. https://doi.org/10.12975/rastmd.20231145.
EndNote
Djahwasi H, Saidon ZL, Pongpradit P, Sampurno MBT (December 1, 2023) Interpretation of technical and expression aspects on Mauro Giuliani’s “Grand Overture, Op.61”. Rast Musicology Journal 11 4 563–587.
IEEE
[1]H. Djahwasi, Z. L. Saidon, P. Pongpradit, and M. B. T. Sampurno, “Interpretation of technical and expression aspects on Mauro Giuliani’s ‘Grand Overture, Op.61’”, RMJ, vol. 11, no. 4, pp. 563–587, Dec. 2023, doi: 10.12975/rastmd.20231145.
ISNAD
Djahwasi, Herry - Saidon, Zaharul Lailiddin - Pongpradit, Pongpat - Sampurno, Muchammad Bayu Tejo. “Interpretation of Technical and Expression Aspects on Mauro Giuliani’s ‘Grand Overture, Op.61’”. Rast Musicology Journal 11/4 (December 1, 2023): 563-587. https://doi.org/10.12975/rastmd.20231145.
JAMA
1.Djahwasi H, Saidon ZL, Pongpradit P, Sampurno MBT. Interpretation of technical and expression aspects on Mauro Giuliani’s “Grand Overture, Op.61”. RMJ. 2023;11:563–587.
MLA
Djahwasi, Herry, et al. “Interpretation of Technical and Expression Aspects on Mauro Giuliani’s ‘Grand Overture, Op.61’”. Rast Musicology Journal, vol. 11, no. 4, Dec. 2023, pp. 563-87, doi:10.12975/rastmd.20231145.
Vancouver
1.Herry Djahwasi, Zaharul Lailiddin Saidon, Pongpat Pongpradit, Muchammad Bayu Tejo Sampurno. Interpretation of technical and expression aspects on Mauro Giuliani’s “Grand Overture, Op.61”. RMJ. 2023 Dec. 1;11(4):563-87. doi:10.12975/rastmd.20231145

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