Use of drone in Indonesian sound art within the context of ‘Lawing’ put forward by Anugerah

Yıl 2024, , 219 - 244, 30.06.2024

Rahul Sharma , Rıta Milyartini

https://doi.org/10.12975/rastmd.20241226

Öz

Nursalim Yadi Anugerah is an Indonesian modern contemporary artist, who uses the drones of Kledik, an instrument from Kalimantan in his artwork called ‘Lawing’. Anugerah has engaged in addressing socioenvironmental concerns through an interdisciplinary approach. His unique approach towards drone and sound art makes him an appropriate choice for this research. The primary objective of this research is to inquire the use of drone in Indonesian Sound Art within the context of ‘Lawing’ put forward by Anugerah. The research methodology adopted for this study is Sound Ethnography. The data was collected through semi-structured interviews, observations, and literature review. Manual coding and triangulation were used to analyse and interpret the data. Various themes and subthemes were derived through the analysis of the interviews and observations. The researcher found relevant themes like aesthetic and experiential quality of drone, and innovation with drone. This study examines the aesthetics of lawing including tone, texture, resonance and noise within the context of drone. The concept of Lawing is the connection of humans and breathing at a personal level. Anugerah used an air compressor for his performance, which is an innovative way of approaching Kledik to create drone. Ambisonic sound systems and specialized microphones have been purpose-designed to craft such artworks, creating a unique spatial experience, and distinctive experiential dimension for the audience. The incorporation of technology with ethnic music in these artworks, emerges as a central driver of creativity and novelty. The study of ‘Lawing’ illustrates Anugerah’s innovative approach to transform the melodic rhythmic drone of the traditional Kledik into a continuous drone with various density in texture. Anugerah has been actively creating sound art, fusing philosophical and cultural underpinnings of Dayak’s with contemporary technology. ’Lawing’ not only presents the Dayak people’s belief, but also provoke listeners to understand the environmental issues faced in Kalimantan.

Anahtar Kelimeler

sound art, technology, ambisonics, drone, kledik

Etik Beyan

This study was produced first author master thesis. Additionally, we acknowledge the support Education University of Indonesia for providing the resources, and ethics clearance-reference Number: B-038/UN40.B.4.3/KP/2024 to conduct this research.

Destekleyen Kurum

Universitas Pendidikan Indonesia

Teşekkür

We would like to express our sincere gratitude to Nursalim Yadi Anugerah for his invaluable insights and contributions to this study on the innovative use of drones in sound art, particularly in the creation of ‘Lawing’. His expertise and passion for exploring the intersection of technology, culture, and environmental themes have been instrumental in shaping the research direction and enriching our understanding of contemporary sound art practices in Indonesia. We want to thank Gatot Danar Sulistiyanto for his insights on ambisonic systems. We also extend our appreciation to the sound art community in Indonesia for their openness, collaboration, and willingness to share their experiences, which have been essential in illuminating the diverse perspectives and creative processes involved in this dynamic field. Additionally, we acknowledge the support of Universitas Pendidikan Indonesia for providing the resources, and ethics clearance-reference Number: B-038/ UN40.B.4.3/KP/2024 to conduct this research.

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