The differences of kinematic parameters high jump between male and female finalists World Championship Daegu, 2011

Yıl 2017, Cilt: 3 Sayı: 4, 60 - 69, 30.12.2017

Ratko Pavlovic

Öz

Kinematic parameters often crucially influence the performance in athletic disciplines. This is especially evident for top athletes who have almost identical morphological, motor and functional parameters. The differences that affect the sporting result are generally attributed to a better performance technique that is often the consequence of the different values of the individual's kinematic parameters. This study analyzes the differences between the defined kinematic parameters in the discipline high jump. The sample included 6 men and women athletes who competed in the finals of the World Championships (Daegu, 2011) and a total of 11 kinematic parameters were selected. The results were obtained by applying the T-test module for small independent samples, confirming the differences between men and women's finalists in Daegu, 2011. Statistically significant differences were recorded only in four (4) out of eleven (11) kinematic parameters (36%). Significant differences were recorded in the following parameters where the motor abilities (speed and explosive power) were manifested: maximum body center height (T=6.870; p<0.05), maximum horizontal velocity of the body center (T=3.134; p<0.05), the horizontal velocity of the center of gravity of the body (T=3.087; p<0.05) and the vertical velocity of the center of gravity of the body (T= 15.844; p<0.05).

Anahtar Kelimeler

Finalist athletes, high jump, kinematic parameters

Kaynakça

• Dapena J. Mechanics of rotation in the Fosbury-flop. Med. Sci. Sports Exerc, 1990; 12: 45-53.
• Dapena J. The high jump. In V. Zatsiorsky (Ed.), Biomechanics in Sport (pp. 284-311). Blackwell Science: Oxford, 2000.
• Dapena J, Chung CS. Vertical and radial motions of the body during the takeoff phase of high jumping. Med. Sci. Sports Exerc, 1988; 20: 290-302.
• Dapena J, Mc Donald C, Cappert J. A Regression Analysis of high jumping technique. J Sport Biomechanics, 1990; 6: 246-261.
• Hay JG. The Biomechanics of Sports Techniques (First/Fourth Edition). Prentice-Hall, Inc, Englewood Cliffs, 1993.
• Idrizović K. Atletika I i II. [Athletics I, II. In Serbian] Univerzitet Crne Gore: Biblioteka biomedicinskih nauka, 2010.
• Isolehto J, Virmavirta M, Kyröläinen H, Komi P. Biomechanical analysis of the high jump at the 2005 IAAF World Championships in Athletics. IAAF, 2007; 22(2): 17-27.
• Jovović V. Atletika biomehanika-tehnika i metodika. [Athletics biomechanics-technique and methodology. In Serbian] Nikšić. Filozofski fakultet-studijski program fizičke culture, 2006.
• Kim SS, Kwon MS, Wi UR, Kim KM, Lee JM. Men's High Jump-Biomechanics Research Report from the IAAF World Championships, Daegu 2011. Scientific Research Project Biomechanical Analyses at the 13 IAAF World Championship, Daeegu, 2011 Final Report High Jump.
• Kim KM, Lee JM, Kim SS, Kwon MS, Wi UR. Women's High Jump-Biomechanics Research Report from the IAAF World Championships, Daegu 2011. Scientific Research Project Biomechanical Analyses at the 13 IAAF World Championship, Daegu, 2011 Final Report High Jump.
• Mihajlović I. Atletika. [Athletics.InSerbian] Novi Sad: Fakultet sporta i fizičkog vaspitanja, 2010.
• Pavlović R. The morphological status of the finalist in jumping disciplines at the Beijing Olympics. Sport Science- International Scientific Journal on Kinesiology, 2012; 5(2): 43-48.
• Pavlović R. The morphological status of the female finalist in jumping disciplines at the Beijing Olympics. Sport Mont, 2013; 11(37-39): 116-125.
• Pavlović R. Atletika 2. [Athletics 2. In Serbian] Niš: Udruženje književnika, Branko Miljković'', 2016.
• Stefanović Đ. Atletika 2-tehnika. [Athletics 2-technics. In Serbian] SIA. Beograd, 1992.
• Stanković D, Raković A. Atletika. [Athletics-In Serbian] Niš: Fakultet sporta i fizičkog vaspitanja, 2010.
• Tončev I. Atletika tehnika i obučavanje. [Athletics-Techniques and Training. In Serbian] Novi Sad: Fakultet fizičke culture, 2001.