Research Article
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Year 2023, Volume: 2 Issue: 2, 115 - 140, 06.11.2023
https://doi.org/10.55755/DepArch.2023.19

Abstract

References

  • Architects Journal. (2006). Piers art centre | AJ Buildings Library. [online] Available at: <https://www.ajbuildingslibrary.co.uk/projects/display/id/3295> [Accessed 8 January 2021].
  • Arefi, M. (1999). Non-place and placelessness as narratives of loss: Rethinking the notion of place. Journal of Urban Design. 4(2).
  • Breitling, S., & Cramer, J. (2012). Architecture in existing fabric. Basel: De Gruyter.
  • Brown, G. M. (1975). Letters from Hamnavoe. London: Steve Savage Publishers Ltd.
  • Carmody Groarke. (2019). Carmody Groarke Windermere Jetty Museum. [online] Carmody Groarke. Available at: <https://www.carmodygroarke.com/windermere-jetty-museum/>
  • Carmody Groarke. (2013). Windermere Steamboat Museum design and access statement. London.
  • Connerton, P. (1989). How societies remember. Cambridge: Cambridge University Press.
  • Cresswell, T. (2004). Place: A short introduction. Malden, Massachusetts: Blackwell Publishing.
  • Day, C. (2002). Spirit andplace. Oxford: Architectural Press. 2002.
  • Feld, S., & Basso, K. (1996). Senses of place. School of American Research Press.
  • Frampton, K. (1998). Towards a critical regionalism: Six points for an architecture of resistance, in Foster, H., The anti-aesthetic: essays on postmodern culture, New York: New Press.
  • Gillespie, N. (2007). ‘The Black House’, in The Pier Arts Centre, Edinburgh: Sleeper.
  • Gillespie, N. (2002). in Mead, A., Reiach and Hall’s Art ‘Beacon’. [online] The Architects’ Journal. Available at: <https://www.architectsjournal.co.uk/archive/reiach-and-halls-art-beacon?tkn=1> [Accessed 5 December 2020]. 2002.
  • González, M. (2017). Jesus College / Niall McLaughlin Architects. [online] ArchDaily. Available at: <https://www.archdaily.com/888128/jesus-college-niall-mclaughlin-architects>.
  • Groarke, A. (2019). Architects view, all aboard: Carmody Groarke’s Windermere Jetty Museum.
  • Hague, C., & Jenkins, P. (2005). Place identity, participation and planning, Abingdon: Routledge.
  • Heath, K. (2009). Vernacular architecture and regional design. Oxford: Elsevier.
  • Heidegger, M. (1971). The origin of the work of art. In: A. Hofstadter, ed., Poetry, Language, Thought. New York.
  • Heidegger, M. (1971). Building dwelling thinking. In: A. Hofstadter, ed., Poetry, Language, Thought. New York.
  • Hornstein, S. (2011). Losing Site - Architecture, memory and place. Farnham: Ashgate Publishing Limited.
  • Hourston Hanks, L. (2018). The museum and multivalences of place. In S. MacLeod, T. Austin, J. Hale, & O. Ho Hing-Kay (Eds.), The Future of Museum and Gallery Design: Purpose, Process, Perception, 86-99. Taylor & Francis (Routledge).
  • Jonathan Tuckey Design. (2020). David Brownlow Theatre/Jonathan Tuckey Design. [online] ArchDaily. Available at: <https://www.archdaily.com/955879/david-brownlow-theatre-jonathan-tuckey-design> [Accessed 24 October 2021].
  • Kief, E. (2015). Architecture and place: A critical look at How they interact and influence each other through definition, creation, and representation. Iowa State University.
  • Lynch, K. (1972). What time is this place?. Massachusetts Institute of Technology.
  • Malpus, J. (2018). Place and experience. 2nd ed. Abingdon: Routledge. 2018.
  • McKie, R. (2019). How Orkney leads the way for sustainable energy. The Guardian, [online] Available at: <https://www.theguardian.com/environment/2019/jan/20/orkney-northern-powerhouse-electricity-wind-waves-surplus-power-hydrogen-fuel-cell>.
  • Nash, S. (2017). Lavenham Guildhall - an Exceptional Medieval Building in Suffolk. [online] Archaeology Travel. Available at: <https://archaeology-travel.com/england/lavenham-guildhall-medieval-building-in-suffolk/>.
  • Norberg-Schulz, C. (1988). Architecture: Meaning and place, Selected Essays, New York: Rizzoli.
  • Norberg-Schulz, C. (1980). Genius loci: Towards a phenomenology of architecture, New York: Rizzoli.
  • Pallasmaa, J. (2012). The eyes of the skin. Chichester: Wiley.
  • Pier Arts Centre. n.d. About — Pier Arts Centre. [online] Pier Arts Centre. Available at: <https://www.pierartscentre.com/about> [Accessed 11 December 2020]. n.d.
  • Rapoport, A. (1969). House form and culture, Englewood cliffs NJ, Prentice Hall, Inc.
  • Reiach and Hall Architects. (2004). Confirmation of variations to scheme as granted listed building & planning consent.
  • Reiach and Hall Architects. (2007). The Pier Arts Centre / Reiach And Hall Architects. [online] ArchDaily. Available at: <https://www.archdaily.com/118010/the-pier-arts-centre-reiach-and-hall-architects> [Accessed 8 December 2020]. 2007.
  • Relph, E. (1976). Place and placelessness, London: Pion.
  • RIBA. (2018). West Court Jesus College. [online] Architecture.com. Available at: <https://www.architecture.com/awards-and-competitions-landing-page/awards/riba-regional-awards/riba-east-award-winners/2018/west-court-jesus-college>.
  • Rossi, A. (1982). The architecture of the city. Cambridge, Mass: MIT Press.
  • Ruggeri, D., & Southworth, M. (2010). Beyond placelessness, place identitiy and the global city. London: Routledge.
  • Seamon, D., & Sowers, J. (2008). Place and placelessness, Edward Relph.
  • Von Meiss, P. (1991). Elements of architecture. London: Chapman & Hall.
  • Weston, R. (2003). Materials, form and architecture. London: Laurence King Pub.
  • Wilson, R. (2019). All <board: Carmody Groarke’s Windermere Jetty Museum. [online] The Architects’ Journal. Available at: <https://www.architectsjournal.co.uk/buildings/all-aboard-carmody-groarkes-windermere-jetty-museum> [Accessed 2 December 2020].

Place through Time: Investigating Place Identity Language within the Temporal Dimension

Year 2023, Volume: 2 Issue: 2, 115 - 140, 06.11.2023
https://doi.org/10.55755/DepArch.2023.19

Abstract

After an in-depth discussion on space, place, placelessness and place identity through readings from Heidegger, Norberg-Schulz, Relph and Lynch, the work concentrates on Aldo Rossi’s Pathogenic and Propelling definitions. The paper aims to use these definitions to further understand the symbiotic relationship between place and architecture. This relationship leads to a continuous evolutionary process which develops place identity over time and plays an intrinsic part in architectural design. By transposing language from Rossi’s ‘The Architecture of the City’ and applying it to place identity, the paper enables analysis into the effectiveness of pathogenic, propelling, and evolved place identity approaches. This language is explored further through the use of key case studies, mapping their identity from pathogenic to evolved.
The paper concludes that place identity plays a strong role in maintaining the authenticity of place. However, when necessary to maintain relevance in a changing world, architectural identity is required to be transformative and revealing - evolving and propelling alongside people, place, and culture.

Supporting Institution

University of Nottingham

Thanks

With sincere thanks to Kate Nicklin and Graham Mateer for their invaluable contributions to the project. Thanks also go to Associate Professor Tim Collett.

References

  • Architects Journal. (2006). Piers art centre | AJ Buildings Library. [online] Available at: <https://www.ajbuildingslibrary.co.uk/projects/display/id/3295> [Accessed 8 January 2021].
  • Arefi, M. (1999). Non-place and placelessness as narratives of loss: Rethinking the notion of place. Journal of Urban Design. 4(2).
  • Breitling, S., & Cramer, J. (2012). Architecture in existing fabric. Basel: De Gruyter.
  • Brown, G. M. (1975). Letters from Hamnavoe. London: Steve Savage Publishers Ltd.
  • Carmody Groarke. (2019). Carmody Groarke Windermere Jetty Museum. [online] Carmody Groarke. Available at: <https://www.carmodygroarke.com/windermere-jetty-museum/>
  • Carmody Groarke. (2013). Windermere Steamboat Museum design and access statement. London.
  • Connerton, P. (1989). How societies remember. Cambridge: Cambridge University Press.
  • Cresswell, T. (2004). Place: A short introduction. Malden, Massachusetts: Blackwell Publishing.
  • Day, C. (2002). Spirit andplace. Oxford: Architectural Press. 2002.
  • Feld, S., & Basso, K. (1996). Senses of place. School of American Research Press.
  • Frampton, K. (1998). Towards a critical regionalism: Six points for an architecture of resistance, in Foster, H., The anti-aesthetic: essays on postmodern culture, New York: New Press.
  • Gillespie, N. (2007). ‘The Black House’, in The Pier Arts Centre, Edinburgh: Sleeper.
  • Gillespie, N. (2002). in Mead, A., Reiach and Hall’s Art ‘Beacon’. [online] The Architects’ Journal. Available at: <https://www.architectsjournal.co.uk/archive/reiach-and-halls-art-beacon?tkn=1> [Accessed 5 December 2020]. 2002.
  • González, M. (2017). Jesus College / Niall McLaughlin Architects. [online] ArchDaily. Available at: <https://www.archdaily.com/888128/jesus-college-niall-mclaughlin-architects>.
  • Groarke, A. (2019). Architects view, all aboard: Carmody Groarke’s Windermere Jetty Museum.
  • Hague, C., & Jenkins, P. (2005). Place identity, participation and planning, Abingdon: Routledge.
  • Heath, K. (2009). Vernacular architecture and regional design. Oxford: Elsevier.
  • Heidegger, M. (1971). The origin of the work of art. In: A. Hofstadter, ed., Poetry, Language, Thought. New York.
  • Heidegger, M. (1971). Building dwelling thinking. In: A. Hofstadter, ed., Poetry, Language, Thought. New York.
  • Hornstein, S. (2011). Losing Site - Architecture, memory and place. Farnham: Ashgate Publishing Limited.
  • Hourston Hanks, L. (2018). The museum and multivalences of place. In S. MacLeod, T. Austin, J. Hale, & O. Ho Hing-Kay (Eds.), The Future of Museum and Gallery Design: Purpose, Process, Perception, 86-99. Taylor & Francis (Routledge).
  • Jonathan Tuckey Design. (2020). David Brownlow Theatre/Jonathan Tuckey Design. [online] ArchDaily. Available at: <https://www.archdaily.com/955879/david-brownlow-theatre-jonathan-tuckey-design> [Accessed 24 October 2021].
  • Kief, E. (2015). Architecture and place: A critical look at How they interact and influence each other through definition, creation, and representation. Iowa State University.
  • Lynch, K. (1972). What time is this place?. Massachusetts Institute of Technology.
  • Malpus, J. (2018). Place and experience. 2nd ed. Abingdon: Routledge. 2018.
  • McKie, R. (2019). How Orkney leads the way for sustainable energy. The Guardian, [online] Available at: <https://www.theguardian.com/environment/2019/jan/20/orkney-northern-powerhouse-electricity-wind-waves-surplus-power-hydrogen-fuel-cell>.
  • Nash, S. (2017). Lavenham Guildhall - an Exceptional Medieval Building in Suffolk. [online] Archaeology Travel. Available at: <https://archaeology-travel.com/england/lavenham-guildhall-medieval-building-in-suffolk/>.
  • Norberg-Schulz, C. (1988). Architecture: Meaning and place, Selected Essays, New York: Rizzoli.
  • Norberg-Schulz, C. (1980). Genius loci: Towards a phenomenology of architecture, New York: Rizzoli.
  • Pallasmaa, J. (2012). The eyes of the skin. Chichester: Wiley.
  • Pier Arts Centre. n.d. About — Pier Arts Centre. [online] Pier Arts Centre. Available at: <https://www.pierartscentre.com/about> [Accessed 11 December 2020]. n.d.
  • Rapoport, A. (1969). House form and culture, Englewood cliffs NJ, Prentice Hall, Inc.
  • Reiach and Hall Architects. (2004). Confirmation of variations to scheme as granted listed building & planning consent.
  • Reiach and Hall Architects. (2007). The Pier Arts Centre / Reiach And Hall Architects. [online] ArchDaily. Available at: <https://www.archdaily.com/118010/the-pier-arts-centre-reiach-and-hall-architects> [Accessed 8 December 2020]. 2007.
  • Relph, E. (1976). Place and placelessness, London: Pion.
  • RIBA. (2018). West Court Jesus College. [online] Architecture.com. Available at: <https://www.architecture.com/awards-and-competitions-landing-page/awards/riba-regional-awards/riba-east-award-winners/2018/west-court-jesus-college>.
  • Rossi, A. (1982). The architecture of the city. Cambridge, Mass: MIT Press.
  • Ruggeri, D., & Southworth, M. (2010). Beyond placelessness, place identitiy and the global city. London: Routledge.
  • Seamon, D., & Sowers, J. (2008). Place and placelessness, Edward Relph.
  • Von Meiss, P. (1991). Elements of architecture. London: Chapman & Hall.
  • Weston, R. (2003). Materials, form and architecture. London: Laurence King Pub.
  • Wilson, R. (2019). All <board: Carmody Groarke’s Windermere Jetty Museum. [online] The Architects’ Journal. Available at: <https://www.architectsjournal.co.uk/buildings/all-aboard-carmody-groarkes-windermere-jetty-museum> [Accessed 2 December 2020].
There are 42 citations in total.

Details

Primary Language English
Subjects Architectural History, Theory and Criticism
Journal Section Research Articles
Authors

Chris Bennett 0000-0003-0253-6055

Laura Hanks 0000-0003-0806-5274

Early Pub Date November 6, 2023
Publication Date November 6, 2023
Submission Date September 12, 2023
Published in Issue Year 2023 Volume: 2 Issue: 2

Cite

APA Bennett, C., & Hanks, L. (2023). Place through Time: Investigating Place Identity Language within the Temporal Dimension. DEPARCH Journal of Design Planning and Aesthetics Research, 2(2), 115-140. https://doi.org/10.55755/DepArch.2023.19

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