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IDENTITIES AT STAKE: UNINTELLIGIBILITY OF THE ‘PHALLIC’ FEMALE IN ANN JELLICOE’S THE SPORT OF MY MAD MOTHER

Yıl 2015, Cilt: 4 Sayı: 2, 124 - 133, 01.12.2015

Öz

Although the
notion of identity is assumed to be stable and unchanging in order to reinforce
the binary opposition of the center/self and the ‘other,’ identities are fluid,
and hence they are always at stake, which brings about the recognition that
identities are attached to the subjects through a flimsy thread with a
potential to break loose from them. The anxiety of facing the challenge to
their identities and what they hold so dear to themselves is, this paper
argues, the driving force behind the actions of the most of the characters in
Ann Jellicoe’s 1962 revision of The Sport
of My Mad Mother
. Furthermore, elaborating on our insistence on tangible
meanings that are accessible to us, Jellicoe asserts that we desire to attain
the singular meaning of everything, be it a play or a natural phenomenon.
Hence, this paper contends that in an attempt to make us confront this fact and
realise the futility of our pursuit of exactitude and meaningful order,
Jellicoe does not take us gently, but urges and even forces us to take part in
the provisional meaning-making process and come up with our own
interpretations. As the author of this paper, my interpretation will focus on
identity politics with its feminist implications along with a patriarchal
discourse of ethics and responsibility. 

Kaynakça

  • 1. Jellicoe, A. (1964). The Sport of My Mad Mother. London: Faber and Faber.
  • 2. Bhabha, H. K. (1995). “Cultural Diversity and Cultural Differences.” The Post-Colonial Studies Reader. Ed. Bill Ashcroft, Gareth Griffiths, and Helen Tiffin. London: Routledge. 206-12.
  • 3. Butler, J. (1988). “Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory.” Theatre Journal 40.4: 519-31. JSTOR.
  • 4. ---. (2011). “Precarious Life, Vulnerability, and the Ethics of Cohabitation.” Body, Memory and Representation. A Dialogue Between Adriana Cavarero and Judith Butler. The Universitat Autònonoma de Barcelona. Museum of Contemporary Art, Barcelona. Lecture.
  • 5. Carlson, S. (1994). Women and Comedy: Rewriting the British Theatrical Tradition. Ann Arbor: The U of Michigan P.
  • 6. Donne, J. (2003). Devotions Upon Emergent Occasions: Together with Death's Duel. Ann Arbor: U. of Michigan P.
  • 7. Foucault, M. (1988). The History of Sexuality: Volume I: An Introduction. New York: Pantheon.
  • 8. ---. (1995). ---. Discipline and Punish: The Birth of the Prison. New York: Vintage.
  • 9. Freud, S. (1917). The Standard Edition of the Complete Psychological Works of Sigmund Freud. London: The Hogarth P.
  • 10. Gale, M. B. (1996). West End Women: Women and the London Stage 1918- 1962. London: Routledge.
  • 11. Hall, S. (1996). “Introduction: Who Needs ‘Identity’?”. Questions of Cultural Identity. Ed. Stuart Hall and Paul du Gay. London: Sage. 1-18.
  • 12. Lévi-Strauss, C. (1978). Myth and Meaning. London: Routledge.
  • 13. Lowenstein, A. (2005). Shocking Representation: Historical Trauma, National Cinema, and the Modern Horror Film. New York: Columbia UP.
  • 14. Oliver, J. (1996). “Ann Jellicoe.” British Playwrights, 1956-1995: A Research and Production Sourcebook. Ed. William W. Demastes. Westport: Greenwood P.
  • 15. Paglia, C. (1991). Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson. New York: Vintage.
  • 16. Pinter, H. (1991). “Introduction: Writing for the Theatre.” Plays One. London: Faber and Faber.
  • 17. Poovey, M. (1988). “Feminism and Deconstruction.” Feminist Studies 14.1: 51-65. JSTOR.
  • 18. Snyder, L. (2000). “From the Royal Court to the Colway Community Plays: Ann Jellicoe’s Theatrical Innovations.” Diss. Loyola U of Chicago. ProQuest Digital Dissertations.
  • 19. Taylor, J. R. (1963). Anger and After: A Guide to the New British Drama. Baltimore: Penguin.
  • 20. Thompson, J. (1992). “‘The World Made Flesh’: Women and Theatre.” The Death of the Playwright?: Modern British Drama and Literary Theory. Ed. Adrian Page. London: Macmillan. 2-42.
  • 21. Wandor, M. (1986). Carry on, Understudies: Theatre and Sexual Politics. London: Routledge.
  • 22. Wyllie, A. (2009). Sex on Stage: Gender and Sexuality in Post-War British Theatre. Bristol: Intellect.
Toplam 22 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Bölüm Makaleler
Yazarlar

Neslihan Yılmaz Demirkaya Bu kişi benim

Yayımlanma Tarihi 1 Aralık 2015
Gönderilme Tarihi 1 Temmuz 2015
Yayımlandığı Sayı Yıl 2015 Cilt: 4 Sayı: 2

Kaynak Göster

APA Yılmaz Demirkaya, N. (2015). IDENTITIES AT STAKE: UNINTELLIGIBILITY OF THE ‘PHALLIC’ FEMALE IN ANN JELLICOE’S THE SPORT OF MY MAD MOTHER. İnönü Üniversitesi Uluslararası Sosyal Bilimler Dergisi, 4(2), 124-133.

İnönü Üniversitesi Uluslararası Sosyal Bilimler Dergisi 

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