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SÖMÜRGE ÇİFTLİĞİ NOSTALJİSİ: CYNTHIA SHEARER’IN THE CELESTIAL JUKEBOX ADLI ESERİNDE GÖÇ, EMEK, KUMARHANE İŞLETMESİ VE TARİHSEL TRAVMA

Yıl 2017, Sayı: 37, 207 - 224, 22.06.2017
https://doi.org/10.21497/sefad.328408

Öz

Son
zamanlarda araştırmacılar edebiyatta göçmen işçi sorunsalına, özellikle de ABD
Güney edebiyatında, oldukça yoğun bir ilgi göstermişlerdir. Bu çalışmalar Güney
edebiyatında işçi sömürüsü ve iş şartları konusunda yoğunlaşmıştır. ABD’nin
güney bölgesi Amerikan tecrübesinde emek ve işçi tarihi açısından bir istisna
oluşturmaktadır çünkü bölge çok sayıda göçmen çekmekte ve bu göçmenler bölgenin
ırk, sosyal ve ekonomik ilişkilerini değiştirmiş ve değiştirmeye devam
etmektedir. Bugün göçmenler ve göçmen işçi sorunu popüler medyada,
politikacılar ve bilim insanları arasında en tartışmalı konular arasında yer
almaktadır. Bu tartışmalar sadece bu bölgeye özgün değildir ancak tarihi
geçmişi, coğrafi konumu ve köleliği yaşayan bir anı olarak yeniden canlandırma
arzusu nedeniyle, Güney, küresel bağlantıları göz önünde bulundurulunca, iş ve
göçmen işçi tartışmalarında çok önemli bir yer teşkil etmektedir.
The Celestial Jukebox (2005) adlı eserinde, Güneyli yazar
Cynthia Shearer tarihsel süreciyle bağlantılı olarak işçi sömürüsünü
eleştirmekte ve göçmenleri ülkeye zenginlik katacak kültürel çeşitlilik unsuru
olarak görme eğilimindedir. Bu bağlamda, bu makalede
  Shearer’ın The Celestial Jukebox adlı eserinde mevcut evrensel kapitalizmin,
kölelik ekonomisini sürdürme eğiliminde olan kumarhane işletmesinin, tarihi
geçmişi olan emek sömürüsününün ve iş travmasının incelenmesi hedeflenmektedir.

Kaynakça

  • ADAMS, Jessica (2007). Wounds of Returning: Race, Memory, and Property on the Postslavery Plantation. Chapel Hill, NC: The University of North Carolina Press.
  • ALTINDIS, Huseyin (2015). "Immigrant Labor in Contemporary Southern Literature, 1980-2010" (Dissertation). Retrieved from ProQuest Dissertations and Theses database. (UMI No. 3688230).
  • APPADURAI, Arjun (1996).Modernity at Large: Cultural Dimensions of Globalization. Minneapolis: University of Minnesota Press.
  • BACON, David (2008). “Black and Brown Together” The American Prospect.
  • BENITEZ- ROJO, Antonio (1998). The Repeating Island: The Caribbean and Postmodern Performance. trans. James E. Maraniss. Durham: Duke University Press.
  • BEST, Stephen M. (2004). The Fugitive’s Properties: Law and the Poetics of Possession. Chicago: University of Chicago Press.
  • BOELHOWER, William (1981). “The Immigrant Novel as Genre,” MELUS 8 (1): 3-15.
  • BONE, Martyn (2010).“Narratives of African Immigration to the U.S. South: Dave Eggers’s What Is the What and Cynthia Shearer’s The Celestial Jukebox.” The New Centennial Review 10 (1): 65-76.
  • CLYNCH, Edward J. et al. (2006). “The Impact of Casino Gaming on Municipal Revenue, Expenditures, and Fiscal Health.” in Resorting to Casinos: The Mississippi Gambling Industry. ed. Denise Von Herrmann. Oxford: University of Mississippi Press: 81-101.
  • COBB, James C. (2005). “Beyond the ‘Y’All Wall’: The American South goes Global” in Globalization and theAmerican South. eds. James Cobb and William Stueck. Athens: University of Georgia Press: 1-19.
  • DAHL, Darren W. et al. (2009). “Sex in Advertising: Gender Differences and the Role fo Relationship Commitment” JCR 36 (2): 215-231.
  • FAULKNER, William (1938). Absalom, Absalom! New York: Vintage (1990).
  • FINDLAY, John M. (1986). People of Chance. New York: Oxford University Press.
  • GODDEN, Richard (1997). Fictions of Labor: William Faulkner and the South’s Long Revolution. Cambridge: Cambridge University Press.
  • GRAY, Richard (2011). After the Fall: American Literature since 9/11. New York: John Wiley & Sons.
  • HARVEY, David (2001). Spaces of Capital: Towards a Critical Geography. New York: Routledge. http://prospect.org/article/black-and-brown-together [15.04.2013].
  • KNIPPLING, Alpana Sharma (1996). Introduction. New Immigrant Literatures in the United States: A Sourcebook to Our Multicultural Literary Heritage. Ed. Alpana Sharma Knippling. Westport: Madagascar Press. Xiii-2.
  • LIPUMA, Edward and Benjamin Lee (2004). Financial Derivatives and the Globalization of Risk. Durham: Public Planet Books, Duke University Press.
  • MCPHERSON, Tara (2003). Reconstructing Dixie: Race, Gender, and Nostalgia in the Imagined South. Durham: Duke University Press.
  • MULLER, Gilbert H. (1999). New Strangers in Paradise: The Immigrant Experience and Contemporary American Fiction. Lexington: The University Press of Kentucky.
  • OLICK, Jeffrey (1999). “Collective Memory: The Two Cultures.” Sociological Theory 17 (3): 333-50.
  • POLANYI, Karl (2001). The Great Transformation. Boston: Beacon Press.
  • PURTY, Merle (1955). “The Renaissance of Southern Plantation.” Geographical Review. 45 (4): 459-91.
  • RICHARDSON, Robert D. (2006).William James: In the Maelstrom of American Modernism: a Biography. New York: Houghton Mifflin Company.
  • RIEFF, David (1993). “Multiculturalism’s Silent Partner: Is the Newly Globalized Consumer Economy Stupid.” Harper's: 62-72.
  • SALLAZ, Jeffrey J. (2009).The Labor of Luck: Casino Capitalism in the United States and South Africa. California: University of California Press.
  • SHEARER, Cynthia (2005).The Celestial Jukebox. A Novel. Athens: The University of Georgia Press.
  • SUÁREZ-OROZCO, Carola (2007). “Globalization, Immigration, and Education: Recent US Trends.” Globalization and Education: Proceedings of the Joint Working Group, eds. Marcelo Sánchez Sorondo, Edmond Malinvaud, and Pierre Léna. Berlin: Germany: Hubert & Co,: 93-126.
  • TAYLOR, Melanie Benson (2008). Disturbing Calculations: The Economics of Identity in Postcolonial Southern Literature, 1912-2002. Athens: University of Georgia Press.

PLANTATION NOSTALGIA: IMMIGRATION, LABOR, CASINO INDUSTRY, AND HISTORICAL TRAUMA IN CYNTHIA SHEARER’S THE CELESTIAL JUKEBOX

Yıl 2017, Sayı: 37, 207 - 224, 22.06.2017
https://doi.org/10.21497/sefad.328408

Öz

Recently, scholars have devoted considerable attention
to the study of labor in literature, and specifically in the literature of the
U.S. South due to the region’s global connections and complicated history.
These studies have given insights into material conditions and exploitation of
labor in southern spaces. The South has been an exception to the American
experience with its exceptional history of labor, as the region has attracted
many immigrants to a labor force that shaped and continues to shape the racial,
social, and economic relations in the region. Immigration and immigrant labor
are some of the most controversial and popular discussion topics among mass
media, politicians, and scholars today. These discussions are not region
specific; yet due to its historical background, geographical location, and
reconstructing plantation as a living memory, the U.S. South has a profound
role in labor and immigration debates as one of the most prominent regions with
deep-rooted global connections. Cynthia Shearer in her novel
The Celestial Jukebox (2005)
problematizes and challenges the idea of labor exploitation through historical
contexts and tends to portray immigrants within the framework of cultural
diversity and richness with liberal ideas of multiculturalism that acknowledge
cultural differences contributing to the cultural diversity of the region. In
this vein, this paper attempts to discuss the current condition of global
capitalism, casino industry, immigrant labor, the role of historically rooted
labor exploitation, and labor trauma in Cynthia Shearer’s
The Celestial Jukebox.

Kaynakça

  • ADAMS, Jessica (2007). Wounds of Returning: Race, Memory, and Property on the Postslavery Plantation. Chapel Hill, NC: The University of North Carolina Press.
  • ALTINDIS, Huseyin (2015). "Immigrant Labor in Contemporary Southern Literature, 1980-2010" (Dissertation). Retrieved from ProQuest Dissertations and Theses database. (UMI No. 3688230).
  • APPADURAI, Arjun (1996).Modernity at Large: Cultural Dimensions of Globalization. Minneapolis: University of Minnesota Press.
  • BACON, David (2008). “Black and Brown Together” The American Prospect.
  • BENITEZ- ROJO, Antonio (1998). The Repeating Island: The Caribbean and Postmodern Performance. trans. James E. Maraniss. Durham: Duke University Press.
  • BEST, Stephen M. (2004). The Fugitive’s Properties: Law and the Poetics of Possession. Chicago: University of Chicago Press.
  • BOELHOWER, William (1981). “The Immigrant Novel as Genre,” MELUS 8 (1): 3-15.
  • BONE, Martyn (2010).“Narratives of African Immigration to the U.S. South: Dave Eggers’s What Is the What and Cynthia Shearer’s The Celestial Jukebox.” The New Centennial Review 10 (1): 65-76.
  • CLYNCH, Edward J. et al. (2006). “The Impact of Casino Gaming on Municipal Revenue, Expenditures, and Fiscal Health.” in Resorting to Casinos: The Mississippi Gambling Industry. ed. Denise Von Herrmann. Oxford: University of Mississippi Press: 81-101.
  • COBB, James C. (2005). “Beyond the ‘Y’All Wall’: The American South goes Global” in Globalization and theAmerican South. eds. James Cobb and William Stueck. Athens: University of Georgia Press: 1-19.
  • DAHL, Darren W. et al. (2009). “Sex in Advertising: Gender Differences and the Role fo Relationship Commitment” JCR 36 (2): 215-231.
  • FAULKNER, William (1938). Absalom, Absalom! New York: Vintage (1990).
  • FINDLAY, John M. (1986). People of Chance. New York: Oxford University Press.
  • GODDEN, Richard (1997). Fictions of Labor: William Faulkner and the South’s Long Revolution. Cambridge: Cambridge University Press.
  • GRAY, Richard (2011). After the Fall: American Literature since 9/11. New York: John Wiley & Sons.
  • HARVEY, David (2001). Spaces of Capital: Towards a Critical Geography. New York: Routledge. http://prospect.org/article/black-and-brown-together [15.04.2013].
  • KNIPPLING, Alpana Sharma (1996). Introduction. New Immigrant Literatures in the United States: A Sourcebook to Our Multicultural Literary Heritage. Ed. Alpana Sharma Knippling. Westport: Madagascar Press. Xiii-2.
  • LIPUMA, Edward and Benjamin Lee (2004). Financial Derivatives and the Globalization of Risk. Durham: Public Planet Books, Duke University Press.
  • MCPHERSON, Tara (2003). Reconstructing Dixie: Race, Gender, and Nostalgia in the Imagined South. Durham: Duke University Press.
  • MULLER, Gilbert H. (1999). New Strangers in Paradise: The Immigrant Experience and Contemporary American Fiction. Lexington: The University Press of Kentucky.
  • OLICK, Jeffrey (1999). “Collective Memory: The Two Cultures.” Sociological Theory 17 (3): 333-50.
  • POLANYI, Karl (2001). The Great Transformation. Boston: Beacon Press.
  • PURTY, Merle (1955). “The Renaissance of Southern Plantation.” Geographical Review. 45 (4): 459-91.
  • RICHARDSON, Robert D. (2006).William James: In the Maelstrom of American Modernism: a Biography. New York: Houghton Mifflin Company.
  • RIEFF, David (1993). “Multiculturalism’s Silent Partner: Is the Newly Globalized Consumer Economy Stupid.” Harper's: 62-72.
  • SALLAZ, Jeffrey J. (2009).The Labor of Luck: Casino Capitalism in the United States and South Africa. California: University of California Press.
  • SHEARER, Cynthia (2005).The Celestial Jukebox. A Novel. Athens: The University of Georgia Press.
  • SUÁREZ-OROZCO, Carola (2007). “Globalization, Immigration, and Education: Recent US Trends.” Globalization and Education: Proceedings of the Joint Working Group, eds. Marcelo Sánchez Sorondo, Edmond Malinvaud, and Pierre Léna. Berlin: Germany: Hubert & Co,: 93-126.
  • TAYLOR, Melanie Benson (2008). Disturbing Calculations: The Economics of Identity in Postcolonial Southern Literature, 1912-2002. Athens: University of Georgia Press.
Toplam 29 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Bölüm Makaleler
Yazarlar

Hüseyin Altındiş

Yayımlanma Tarihi 22 Haziran 2017
Gönderilme Tarihi 8 Şubat 2017
Yayımlandığı Sayı Yıl 2017 Sayı: 37

Kaynak Göster

APA Altındiş, H. (2017). PLANTATION NOSTALGIA: IMMIGRATION, LABOR, CASINO INDUSTRY, AND HISTORICAL TRAUMA IN CYNTHIA SHEARER’S THE CELESTIAL JUKEBOX. Selçuk Üniversitesi Edebiyat Fakültesi Dergisi(37), 207-224. https://doi.org/10.21497/sefad.328408

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