Araştırma Makalesi
BibTex RIS Kaynak Göster
Yıl 2023, Cilt: 11 Sayı: 4, 675 - 688, 30.12.2023

Öz

Kaynakça

  • [1] Irivwieri, G. O., “Arts and Crafts as Springboard for Sustainable Development and Industrialization in Nigeria”, International Journal of Creativity and Technical Development 1(1), 1-18, (2009).
  • [2] Information Department, Mid-Western Nigeria at a glance, Caxton Press, (1971).
  • [3] UNESCO, UNESCO is ready for MONDIACULT 2022. Retrieved September 28, 2022 from https://ich.unesco.org
  • [4] Erma, H., Technical Art History: The Synergy of Art, Conservation and Science, Brill Leiden & Boston, 2012
  • [5] Reynolds P. D., Hart M. & Mickiewicz T. (2014). The UK Business Creation Process: The 2013 Panel Study of Entrepreneurial Dynamics Pretest, Aston Business School, 2014. doi:10.13140/RG.2.2.27165.51685
  • [6] Baumol W. & Strom R., “Entrepreneurship and economic growth” Strategic Entrepreneurship Journal, 1(4), 233-237, 2007. doi: 10.1002/sej.26
  • [7] Van Praag C. M. & Versloot P.H. “What is the value of entrepreneurship? A review of recent research”, Small Business Economics, 29, 351-382, 2007. doi: 10.1007/s11187-007-9074-x
  • [8] Smagina, A. & Ludiga, I., “What is Crafts Entrepreneurship? The Development of its Definition through Entrepreneurs` and Consumers` Perceptions”, Rural Environment Education Personality, 14(1), 401-414, 2021.
  • [9] Doreen J. & Thomas N.J., “Firing up craft capital: the renaissance of craft and craft policy in the United Kingdom”, International Journal of Cultural Policy, 23(4), 495-551, 2017. doi: 10.1080/10286632.2015.1068765
  • [10] Gartner W.B., “What are we talking about when we are talking about entrepreneurship?” Journal of Business Venturing, 5(1), 15-28, 1990. doi: 10.1016/0883-9026(90)90023-M
  • [11] Gangi J., “The Synergies of Artistic and Entrepreneurial Action” The Journal of Arts management, Law, and Society, 45(4), 247-254, 2015. doi: 10.1080/10632921.2015.1088912
  • [12] Walley L.E.E. & Taylor D.W. (2002). “Opportunists, Champions, Mavericks? A Typology of Green Entrepreneurs”, Greener Management International, 38(1), 31-43, 2022. doi: 10.9774/GLEAF.3062.2002.su.00005
  • [13] Essel, O. Q., “Our Arts: Our Wealth and Health”, Journal of African Arts and Culture, 1(1), 83- 92 (2013).
  • [14] Littrell, M., Cockram, M. & Strawn, S., A rich and deeply cultural tradition: A case study of aid to artisans in Ghana, 1993 – 1997, Hartford: Aid to Artisans, (2005).
  • [15] Barbados Investment and Development Corporation, Profile of the craft sector, BIDC, (2008).

Conservation of African Craft through Art Entrepreneurship: Case Study of Kente Craft.

Yıl 2023, Cilt: 11 Sayı: 4, 675 - 688, 30.12.2023

Öz

This article discussed how Kente cloth has been able to remain relevant despite the influence of civilization. Kente is a symbol of African identity which significantly supports the economic development of Ghana. Although this craft is an age-long Ghanaian textile craft, it has defied the negative impact of civilization on most African indigenous crafts. The study focused on the value of arts and crafts to African nations’ economies. İt was intended to draw attention to the factors that have sustained the Kente craft so as to serve as a sprinngboard for the preservation of other African crafts. The article was approached with a review research design method using primarily secondary means of data collection. It was observed that Kente cloth designs have been conserved and transformed into everyday objects which is been patronised by both indigenous and foreign cultures. Kente designs are more visible in the international market than other African traditional cloths. This visibility is traceable to the joint efforts of art entrepreneurs, Kente weaving communities and the government. It was recommended that art entrepreneurs in other African countries should create a platform to learn from their Ghananian counterparts.

Kaynakça

  • [1] Irivwieri, G. O., “Arts and Crafts as Springboard for Sustainable Development and Industrialization in Nigeria”, International Journal of Creativity and Technical Development 1(1), 1-18, (2009).
  • [2] Information Department, Mid-Western Nigeria at a glance, Caxton Press, (1971).
  • [3] UNESCO, UNESCO is ready for MONDIACULT 2022. Retrieved September 28, 2022 from https://ich.unesco.org
  • [4] Erma, H., Technical Art History: The Synergy of Art, Conservation and Science, Brill Leiden & Boston, 2012
  • [5] Reynolds P. D., Hart M. & Mickiewicz T. (2014). The UK Business Creation Process: The 2013 Panel Study of Entrepreneurial Dynamics Pretest, Aston Business School, 2014. doi:10.13140/RG.2.2.27165.51685
  • [6] Baumol W. & Strom R., “Entrepreneurship and economic growth” Strategic Entrepreneurship Journal, 1(4), 233-237, 2007. doi: 10.1002/sej.26
  • [7] Van Praag C. M. & Versloot P.H. “What is the value of entrepreneurship? A review of recent research”, Small Business Economics, 29, 351-382, 2007. doi: 10.1007/s11187-007-9074-x
  • [8] Smagina, A. & Ludiga, I., “What is Crafts Entrepreneurship? The Development of its Definition through Entrepreneurs` and Consumers` Perceptions”, Rural Environment Education Personality, 14(1), 401-414, 2021.
  • [9] Doreen J. & Thomas N.J., “Firing up craft capital: the renaissance of craft and craft policy in the United Kingdom”, International Journal of Cultural Policy, 23(4), 495-551, 2017. doi: 10.1080/10286632.2015.1068765
  • [10] Gartner W.B., “What are we talking about when we are talking about entrepreneurship?” Journal of Business Venturing, 5(1), 15-28, 1990. doi: 10.1016/0883-9026(90)90023-M
  • [11] Gangi J., “The Synergies of Artistic and Entrepreneurial Action” The Journal of Arts management, Law, and Society, 45(4), 247-254, 2015. doi: 10.1080/10632921.2015.1088912
  • [12] Walley L.E.E. & Taylor D.W. (2002). “Opportunists, Champions, Mavericks? A Typology of Green Entrepreneurs”, Greener Management International, 38(1), 31-43, 2022. doi: 10.9774/GLEAF.3062.2002.su.00005
  • [13] Essel, O. Q., “Our Arts: Our Wealth and Health”, Journal of African Arts and Culture, 1(1), 83- 92 (2013).
  • [14] Littrell, M., Cockram, M. & Strawn, S., A rich and deeply cultural tradition: A case study of aid to artisans in Ghana, 1993 – 1997, Hartford: Aid to Artisans, (2005).
  • [15] Barbados Investment and Development Corporation, Profile of the craft sector, BIDC, (2008).
Toplam 15 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Bölüm Sanat
Yazarlar

Adebayo Abiodun Adeloye 0000-0001-8705-5415

Johnson Olarinde Oladesu 0000-0003-1245-2541

Michael Abiodun Oyinloye 0000-0001-6353-2993

Tolulope Sobowale 0000-0001-8078-7381

Festus Uzzi 0000-0002-7173-5392

Yayımlanma Tarihi 30 Aralık 2023
Gönderilme Tarihi 28 Nisan 2023
Yayımlandığı Sayı Yıl 2023 Cilt: 11 Sayı: 4

Kaynak Göster

APA Adeloye, A. A., Oladesu, J. O., Oyinloye, M. A., Sobowale, T., vd. (2023). Conservation of African Craft through Art Entrepreneurship: Case Study of Kente Craft. Gazi University Journal of Science Part B: Art Humanities Design and Planning, 11(4), 675-688.