A Comparative Study of Ogu Mase Music of Akarakumo and Lagon-Thogli in Badagry

Yıl 2022, Cilt: 6 Sayı: 1, 42 - 59, 30.06.2022

Olugbenga Loko Funmi John

https://doi.org/10.33906/musicologist.851319

Öz

This is a comparative study of Mase music in two Ogu communities; Akarakumo and Lagon-Thogli in Badagry, Lagos State, Nigeria. Issues relating to the origin, relevance, structure, form, and development of Mase music in both communities were investigated for documentation and archival purposes. Data is drawn from oral interviews, participant observation and available literature. Respondents were selected among leaders and members of the visited Mase groups. Selected samples of Mase songs were transcribed into staff notation and analysed for documentation. The study revealed that Mase music and its variants were created by Yedenou Adjahoui from the Republic of Benin. The instrumental ensemble of Mase music includes Apotin, Aze, Alekle-daho, Alekle-pevi, Apesin-daho, Apesin-pevi, Ogan, Aya and hand clapping.

Anahtar Kelimeler

Badagry, Mase, Ogu social music, Alekle, Ogu indigene

Kaynakça

• Agordoh, Alexander Akorlie (1994). Studies in African Music. Ghana: HO New Age Publication.
• Agu, Dan Chikpezie Christian (1999). Form and Analysis of African Music. Enugu: New Generation Books.
• Caroline Sorensen-Gilmore. (1995). “Badagry 1784-1863: The Political and Commercial History of a Pre-Colonial Lagoon side Community in South West Nigeria” Ph.D, Dissertation, University of Stirling, Stirling court: Scotland.
• Ekwueme, Lucy. (2008). A Basic Guide to Music Appreciation. Lagos: Apex Books Limited
• Kunnuji, Joseph Olanrewaju (2016). “Renewal of Ogu Musical Culture Through Jazz Intervention” M.A Thesis, University of Cape Town. Cape Town: South Africa
• Mesewaku Babatunde; Mesewaku Peter and Adeyemi Shola (2000). Badagry: The Cultural Heritage. Badagry: AREFO.
• Nketia, Joseph Hanson Kwabena (1990). “Contextual Strategies of Inquiry and Systematization”. Sharing Knowledge and Experience: A Profile of Kwabena. Ed. Akrofi Nketia: Ghana: Afram Ltd.
• Olusoji, Stephen (2009). “Comparative analysis of the Islam-influenced Apala, Waka and Sakara Popular Music of the Yoruba” Ph.D. Thesis. University of Ibadan, Ibadan: Nigeria.
• Omibiyi-Obidike, Mosunmola Ayinke (1999). “Theory and practice of Field Investigation in ethno-musicology”. A handbook of Methodology in African Studies. Ed. Dele Layiwola: pp. 141-152. Ibadan: John Archers Publishers Limited.
• Omojola, Bode (2014). Popular Music in Western Nigeria, Ibadan: IFRA
• Seeger, Charles (1977). “Musicological Task”. Sharing Knowledge and Experience: A Profile of Kwabena. Ed. Akrofi Nketia. Ghana: Afram Ltd.
• Udoh, Isaac (2016). “Utilization of Nigerian Indigenous Music in Contemporary Art Music Composition”. Paper presented at the Association of Nigerian Musicologist (ANIM) Conference. Lagos, Nigeria, 2016.
• John, Funmi. (2021) Avale Mase (image file). Retrieved from https://nona.net/features/map/placedetail.2238098/Badagry/
• Loko, Olugbenga. (2021) Mipa Mawu (video file). Retrieved from https://www.youtube.com/watch?v=xKqsAligGIo
• John, Funmi. (2021) Avale Mase (video file). Retrieved from https://www.youtube.com/watch?v=ACHIEABAGDs&t=21s