Abstract
Bu çalışma tarih boyunca sanat üzerine konuşmuş önemli düşünürlerin sanat kavramına yaklaşımlarını incelemektedir. Sanatın taklit(mimesis) olduğuna dair ilk yaklaşım Plato’nun Devlet kitabında yer almıştır. Plato, sanatın aslında gerçeğin üçüncü kez taklit edildiğini iddia eder ve bunu örneklendirirken de sofa örneğini verir. Plato bir ressamın çizmiş olduğu bir sofanın idea’lar dünyasında bir imajı olduğunu marangozun bunu taklit ettiğini, sanatçının da marangozu taklit ettiğini dolayısıyla üçüncü kez orijinalinden uzaklaşmış bir imitasyon olduğunu söyler. Dolayısıyla da gerçek olmadığı için de yasaklanmasını savunur
References
- Aristotle, Poetics, London: Penguin Classics, 1988
- Cooper, Lane. The Poetics of Aristotle: Its Meaning and Influence, London: Harrap 1993
- Lodge, David. Modern Criticism and Theory, London: Longman, 1988
- Plato, Republic, London: Wordsworth Classics, 1995
- Selden, Raman. The Theory of Criticism, London and New York: Longman, 59, 1988 Cooper, L. (1993)
- This is the reason why the TV programs about mysterious events have attracted the attention of majority recently very much. Although Plotinos claims that art reflects the ideas of world of Beings rather than the forms of world of Becomings, which makes an artist more reliable than a carpenter, Plato’s cosmos is taken for granted here.
Abstract
This study focuses on the notion of art and the approaches of the important thinkers against the notion of art. The idea that art is imitation has been mentioned in Plato’s Republic for the first time. Plato says that art is the third distortion of reality and in order to support his idea he gives the example of a couch. According to him a carpenter builds many couches that participate in the one idea (form) of couch, which was first conceived by the Great Craftsman, the creator of all ideas. Thus carpenters are twice removed from the reality of couch. Then the artist who paints pictures of couches is three times removed from reality since they produce no more than a representation of the appearance of the idea. Since it is not real it is detrimental and it should be prohibited
References
- Aristotle, Poetics, London: Penguin Classics, 1988
- Cooper, Lane. The Poetics of Aristotle: Its Meaning and Influence, London: Harrap 1993
- Lodge, David. Modern Criticism and Theory, London: Longman, 1988
- Plato, Republic, London: Wordsworth Classics, 1995
- Selden, Raman. The Theory of Criticism, London and New York: Longman, 59, 1988 Cooper, L. (1993)
- This is the reason why the TV programs about mysterious events have attracted the attention of majority recently very much. Although Plotinos claims that art reflects the ideas of world of Beings rather than the forms of world of Becomings, which makes an artist more reliable than a carpenter, Plato’s cosmos is taken for granted here.
Details
| Primary Language | Turkish |
|---|---|
| Journal Section | Articles |
| Authors | |
| Publication Date | April 1, 2011 |
| Published in Issue | Year 2011 Issue: 22 |