MODERN MENİPPOS HİCVİ ÖRNEĞİ OLARAK THE RULING CLASS OYUNU

Abstract

Bu makalenin amacı Peter Barnes’ın The Ruling Class (1968) adlı oyununu modern Menippos hicvi örneği olarak incelemektir. Menippos hicvinin tanımı değişken yapısından dolayı zordur. En basit tanımıyla, Menippos hicvi düz yazı ve nazmın karışımıdır. Ayrıca, bu tür hiciv karnivalesk bir atmosfer yaratarak normlarla, kültürel, dini ya da felsefik doktrinlerle ilgili kesin yargıları reddeder. Bu kesin yargıları reddederken Menippos hicvi parodi, ironi, metinlararasılık, normalde bir arada olamayacak şeylerin yan yana getirilmesi, fantastic öğeler ve, delilik ve düş kurma gibi her türlü psikolojik anormallikleri içeren teknikler kullanır ve tüm bu teknikler aynı zamanda oyunların karnivalesk niteliklerini artırır. Menippos hicvi eserlerin sonunda herhangi bir çözüm önermez çünkü herhangi bir ideolojiyi diğerine üstün göstermek yerine tüm ideolojilerin yanlış ve uygulamalarının bozuk olduğunu gösterir. Menippos hicvinin tüm özellikleri Barnes’ın adı geçen oyununda bulunmaktadır. Böylece makale the Ruling class adlı oyunun Menippos hicvinin bir örneği olarak sınıflandırılabileceğini göstermektedir.

Keywords

• Menippos hicvi
• Peter Barnes
• karnevalesk
• The Ruling Class

THE RULING CLASS AS AN EXAMPLE OF MODERN MENIPPEAN SATIRE

Abstract

The aim of this paper is to study Peter Barnes’ play, The Ruling Class (1968) as an example of modern Menippean satire. Menippean satire is difficult to define because of its protean structure. Menippean satire is a mingling of prose and poetry in its simplest sense. In addition, it always desires to reject any sort of absolutes regarding norms, cultural, religious or philosophical dogmas by creating a carnivalesque atmosphere. In order to oppose absolutes, Menippean satire makes use of parody, irony, intertextuality, juxtapositions of normally incompatible things, any sort of psychological abnormalities such as madness and daydreaming, all of which enhance the carnivalesque quality of the plays. Menippean satire does not offer a resolution at the end of the workss because the genre does not favor any ideology over another but shows all of them as faulty and corrupted. The paper will conclude that all the features of Menippean satire are found in Barnes’ above-mentioned play; thus, the play may be considered as an example of modern Menippean satire.

Keywords

• Menippean satire
• Peter Barnes
• carnivalesque
• the Ruling Class

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