ALGISAL BOYUT BAĞLAMINDA MÜZİK DİNLEME BİÇİMLERİ VE MODELLEMELERİ
Abstract
Keywords
Thanks
References
- Chion, Michel (1994). Audio-Vision: Sound on Screen. New York: Columbia University Press.
- Dibben, Nicola (2001). “What do we hear, when we hear music?: Music perception and musical material”, Musicae Scientiae, Vol 5 (2), ss 161-194.
- Draper, P. (2013). “On critical listening, musicianship and the art of record production”, Journal on the Art of Record Production, Sayı 8(1), ss 1-12.
- Gaver, William W. (1988). Everyday Listening and Auditory Icons. (Doktora Tezi). University of California, Cognitive Science and Psychology, San Diego.
- Hawking, S. ve Mlodinow, L. (2010). The Grand Design. New York: Bantam Books.
- Kane, Brian (2014). Sound Unseen: Acousmatic Sound in Theory and Practice. Amerika: Oxford University Press.
- Madsen C. K. ve Geringer J. M. (1990). “Differential Patterns of Music Listening: Focus of Attention of Musicians versus Nonmusicians”, Bulletin of the Council for Research in Music Education, Sayı 105, ss 45-57.
- Madsen C. K. ve Geringer J. M. (2000). “A Focus of Attention Model for Meaningful Listening”, Bulletin of the Council for Research in Music Education, Sayı 147, The 18th International Society for Music Education ISME Research Seminar, ss 103-108.
Details
Primary Language
Turkish
Subjects
-
Journal Section
Review
Authors
Alper Mat
*
0000-0003-4843-5874
Türkiye
Publication Date
September 20, 2022
Submission Date
April 12, 2022
Acceptance Date
May 13, 2022
Published in Issue
Year 2022 Volume: VIII Number: 16