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Güzel Atlar Diyarından Güzel Aşklar Diyarına: Efsanelerden TV Dizilerine Destinasyon İmajının Dönüşümü ve Kapadokya

Year 2025, Volume: 9 Issue: 2, 158 - 178, 23.10.2025
https://doi.org/10.59293/anadoluiid.1698143

Abstract

Bu çalışma, turistik destinasyonları çekim platformu olarak belirleyen TV dizilerinde işlenen turistik çekicilikleri belirlemeyi ve bu çekiciliklerin destinasyon imajını oluşturmadaki rollerini tartışmayı amaçlamaktadır. Çünkü görsel içerik açısından zengin TV dizileri, YouTube gibi sosyal medya platformlarına da entegre edilebilmekte ve çok kısa sürede ulusal veya uluslararası düzeyde destinasyonlar için bir tanıtım aracı haline gelebilmektedir. Çalışmada göstergebilimsel yöntem kullanılmış ve Türkiye'de Kapadokya bölgesine odaklanan Güzel Aşklar Diyarı adlı TV dizisi incelenmiştir. İncelenen içeriğin TV dizisi olması nedeniyle gösergebilim türlerinden görüntüsel gösterge tercih edilmiştir. Çalışmanın sonuçları, bu dizilerin doğal ve kültürel kaynaklar, altyapı ve üstyapı açısından destinasyonun imajına katkıda bulunacak görsel içeriklere sahip olduğunu göstermektedir.

Project Number

None

References

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  • Aktulum, K. (2004), “Göstergebilim”, Süleyman Demirel Üniversitesi Burdur Eğitim Fakültesi Dergisi, 5(7): 1-12.
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  • Beeton, S. (2001), “Smiling for the Camera: The Influence of Film Audiences on a Budget Tourism Destination”, Tourism Culture & Communication, 3(1): 15-25.
  • Boateng, H., Kosiba, J. P., Adam, D. R., Ofori, K. S., Okoe, A. F. (2020), “Examining Brand Loyalty from an Attachment Theory Perspective”, Marketing Intelligence & Planning, 38(4): 479-494.
  • Buchmann, A., Moore, K., Fisher, D. (2010), “Experiencing Film Tourism: Authenticity & Fellowship”, Annals of Tourism Research, 37(1): 229-248.
  • Busby, G., Ergul, M., Eng, J. (2013), “Film Tourism and the Lead Actor: An Exploratory Study of The Influence on Destination Image and Branding”, Anatolia, 24(3): 395-404.
  • Çakır, F. (2014), “TV Dizilerinin Destinasyon İmajı Üzerine Etkisi”, Adnan Menderes Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 1(2): 80-89.
  • Chekalina, T., Lexhagen, M., Hoffman, C., Grönskog, G. (2024), “Gloomy or Exciting: Image, Engagement and Violent TV Drama in a Heritage Destination Setting”, V. Ziakas, C. Lundberg and M. Lexhagen (Eds.), In volume 64 in the series Tourism and Cultural Change, Channel View Publications, Bristol.
  • Chen, B., Sun, Z. (2024), “Artificial Intelligence's Role in Utilizing TV Dramas and Movies as Catalysts for the Development of Cultural Tourism in Rural Ethnic Areas”, Computer-Aided Design & Applications, 21(20): 232-251
  • Chen, C. F., Tsai, D. (2007), “How Destination Image and Evaluative Factors Affect Behavioral Intentions?”, Tourism Management, 28(4): 1115-1122.
  • Civelek, M. (2018), “Tanıtım Filmlerinin Turizm Açısından Göstergebilimsel Bir Çözümlemesi: Türkiye Örneği”, Unpublished PhD. Thesis, Sakarya University, Institute of Social Sciences.
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  • Connell, J., Meyer, D. (2009), “Balamory Revisited: An Evaluation of the Screen Tourism Destination-Tourist Nexus”, Tourism Management, 30(2): 194-207.
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  • Genç, K., S. Şengül. (2016), “Güzel Atlar Diyarına Yolculuk: Kapadokya Bölgesi’ne Yüksek Gelirli Turist Çekimine Yönelik Bir Değerlendirme”, 2. Uluslararası Nevşehir Tarih ve Kültür Sempozyumu, 878-891.
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  • Harrill, R., Cárdenas, D. A., Dioko, L. D. A. (2022), “Travel, Transformation, and Enlightenment in Film: A Critical Review”, Current Issues in Tourism, 25(16): 2557-2570.
  • Hooker, A. M., Cooper, K. E. (2022), “Insta-Spiration Sweeping the Nation: The Influence of Instagram on Intention to Travel to Yellowstone National Park. The Review of Socionetwork Strategies, 16: 1-24.
  • Hosany, S., Ekinci, Y., Uysal, M. (2007), “Destination Image and Destination Personality”, International Journal of Culture, Tourism and Hospitality Research, 1(1): 62-81.
  • Hunter, W. C. (2016), “The Social Construction of Tourism Online Destination Image: A Comparative Semiotic Analysis of the Visual Representation of Seoul”, Tourism Management, 54: 221-229.
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  • Keillor, B. D., D'Amico, M., Horton, V. (2001), “Global Consumer Tendencies”, Psychology & Marketing, 18(1): 1-19.
  • Keller, K. L. (1993), “Conceptualizing, Measuring, and Managing Customer-Based Brand Equity”, Journal of Marketing, 57(1): 1-22.
  • Kim, H. L., Hyun, S. S. (2024), “Paradoxical Effects of Tourism Ethnocentrism on Domestic Tourism: The Moderating Effect of Pandemic Anxiety Travel”, International Journal of Tourism Research, 26(1): e2628.
  • Kim, S. (2012), “Audience Involvement and Film Tourism Experiences: Emotional Places, Emotional Experiences”, Tourism Management, 33(2): 387-396.
  • Kim, S., Kim, S., Han, H. (2019), “Effects of TV Drama Celebrities on National Image and Behavioral Intention”, Asia Pacific Journal of Tourism Research, 24(3): 233–249.
  • Koçoğlu, C. M. (2019), “Destinasyona Yönelik Marka Imajı Ve Marka Sadakati Ilişkisinde Algılanan Destinasyon Kalitesinin Aracılık Rolü”, Seyahat ve Otel İşletmeciliği Dergisi, 16(1): 34-47.
  • Lee, S., Scott, D., Kim, H. (2008), “Celebrity Fan Involvement and Destination Perceptions”, Annals of Tourism Research, 35(3): 809-832.
  • Lopes, S. D. F. (2011), “Destination Image: Origins, Developments and Implications”, PASOS. Revista de Turismo y Patrimonio Cultural, 9(2): 305-315.
  • Luo, Y., Hunter, W. C. (2024), “A Semiology of Representations in Tourism Destination Image: Social Construction of a Korean Hallyu Narrative”, Journal of Tourism and Cultural Change, 22(4): 421-437.
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  • Manhas, P. S., Manrai, L. A., Manrai, A. K. (2016), “Role of Tourist Destination Development in Building Its Brand Image: A Conceptual Model”, Journal of Economics, Finance and Administrative Science, 21(40): 25-29.
  • Martinez, E., Pina, J. M. (2003), “The Negative Impact of Brand Extensions on Parent Brand Image”, Journal of Product & Brand Management, 12(7): 432-448.
  • Molinillo, S., Liébana-Cabanillas, F., Anaya-Sánchez, R., Buhalis, D. (2018), “DMO Online Platforms: Image and Intention to Visit”, Tourism Management, 65: 116-130.
  • Murphy, L. (2000). “Australia's Image as a Holiday Destination-Perceptions of Backpacker Visitors”, Journal of Travel & Tourism Marketing, 8(3): 21-45.
  • O'Connor, N., Flanagan, S., Gilbert, D. (2008), “The Integration of Film‐Induced Tourism and Destination Branding in Yorkshire, UK”, International Journal of Tourism Research, 10(5): 423-437.
  • Özbek, M., Güllü, K. (2021), “Destinasyon Tercihinde Film ve Dizi İzlemenin Önemi: Kapadokya'da Film Turizmi Örneği”, Erciyes Akademi, 35(Özel Sayı): 855-873.
  • Peirce, C. S. (1934), Collected Papers of Charles Sanders Peirce, Harvard University Press, Cambridge.
  • Pham, D. D., Hwang, Y.-H. (2022), “Halo Effects of a Country in Film-Induced Tourism: A Case Study of the Ha Long Bay, Vietnam in ‘Kong: Skull Island”, Journal of Destination Marketing & Management, 25: 100722.
  • Riley, R. W., Van Doren, C. S. (1992), “Movies as Tourism Promotion: A ‘Pull’factor in a ‘Push’location”, Tourism Management, 13(3): 267-274.
  • Rosenzweig, E. D., Roth, A. V., Dean Jr, J. W. (2003), “The Influence of an Integration Strategyo Competitive Capabilities and Business Performance: An Exploratory Study of Consumer Products Manufacturers”, Journal of Operations Management, 21(4): 437-456.
  • Saltık, I. A., Coşar, Y., Kozak, M. (2010), “Televizyon Dizilerinin Destinasyon Pazarlaması Açısından Olası Sonuçları”, Anatolia: Turizm Araştırmaları Dergisi, 21(1): 41-50.
  • San Martín, H., Del Bosque, I. A. R. (2008), “Exploring the Cognitive–Affective Nature of Destination Image and the Role of Psychological Factors in its Formation”, Tourism Management, 29(2): 263-277.
  • Şengel, Ü. (2020), Unlimited Fraternity: Route/Tour Recommendations in the Context of Integrated Destination for Muş Province. Journal of Gastronomy Hospitality and Travel, 3(2): 200-212.
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From the Land of Beautiful Horses to the Land of Beautiful Loves: The Transformation of Destination Image from Legends to TV Series and Cappadocia

Year 2025, Volume: 9 Issue: 2, 158 - 178, 23.10.2025
https://doi.org/10.59293/anadoluiid.1698143

Abstract

This study aims to identify the touristic attractions covered in TV series that determine touristic destinations as shooting platforms and to discuss the roles of these attractions in constructing the image of the destination. Because TV series rich in visual content can also be integrated into social media platforms such as YouTube and become a promotional tool for destinations at national or international levels in a very short time. The study utilizes the semiotic method and examines the TV series called Land of Beautiful Loves, which focuses on the Cappadocia region in Türkiye. Since the analyzed content is a TV series, the type of semiotic sign preferred is the iconic sign. The results of the study indicate that this series covered visual content that would contribute to the image of destination in terms of natural and cultural resources, infrastructure and superstructure.

Ethical Statement

All ethical principles were complied with in this study.

Supporting Institution

None

Project Number

None

Thanks

None

References

  • Afshardoost, M., Eshaghi, M. S. (2020), “Destination Image and Tourist Behavioural Intentions: A Meta-Analysis”, Tourism Management, 81: 1-10.
  • Akarsu, T. N., Foroudi, P., Melewar, T. C. (2019), “Rethinking the Nexus of TV Series/Movies and Destination Image: Changing Perceptions through Sensorial Cues and Authentic Identity of a City”, In Place Branding (207-224) Routledge, London.
  • Aktulum, K. (2004), “Göstergebilim”, Süleyman Demirel Üniversitesi Burdur Eğitim Fakültesi Dergisi, 5(7): 1-12.
  • Askanova, K., Askarkyzy, A., Balgimbayeva, A., Temirshotova, G. (2021), “The Impact of TV Series on The Image of a Tourist Destination”, Thesis of bachelor’s degree, M. S. Narikbayev Kazguu University School of Liberal Arts.
  • Azevedo, A., Alves, J. A., Fernandes, R. R. (2023), “The (Negative) Impact of Violent and Gore TV Crime Series on Destination Image and Travel Motivation”, Journal of Destination Marketing & Management, 28: 100782.
  • Beeton, S. (2001), “Smiling for the Camera: The Influence of Film Audiences on a Budget Tourism Destination”, Tourism Culture & Communication, 3(1): 15-25.
  • Boateng, H., Kosiba, J. P., Adam, D. R., Ofori, K. S., Okoe, A. F. (2020), “Examining Brand Loyalty from an Attachment Theory Perspective”, Marketing Intelligence & Planning, 38(4): 479-494.
  • Buchmann, A., Moore, K., Fisher, D. (2010), “Experiencing Film Tourism: Authenticity & Fellowship”, Annals of Tourism Research, 37(1): 229-248.
  • Busby, G., Ergul, M., Eng, J. (2013), “Film Tourism and the Lead Actor: An Exploratory Study of The Influence on Destination Image and Branding”, Anatolia, 24(3): 395-404.
  • Çakır, F. (2014), “TV Dizilerinin Destinasyon İmajı Üzerine Etkisi”, Adnan Menderes Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 1(2): 80-89.
  • Chekalina, T., Lexhagen, M., Hoffman, C., Grönskog, G. (2024), “Gloomy or Exciting: Image, Engagement and Violent TV Drama in a Heritage Destination Setting”, V. Ziakas, C. Lundberg and M. Lexhagen (Eds.), In volume 64 in the series Tourism and Cultural Change, Channel View Publications, Bristol.
  • Chen, B., Sun, Z. (2024), “Artificial Intelligence's Role in Utilizing TV Dramas and Movies as Catalysts for the Development of Cultural Tourism in Rural Ethnic Areas”, Computer-Aided Design & Applications, 21(20): 232-251
  • Chen, C. F., Tsai, D. (2007), “How Destination Image and Evaluative Factors Affect Behavioral Intentions?”, Tourism Management, 28(4): 1115-1122.
  • Civelek, M. (2018), “Tanıtım Filmlerinin Turizm Açısından Göstergebilimsel Bir Çözümlemesi: Türkiye Örneği”, Unpublished PhD. Thesis, Sakarya University, Institute of Social Sciences.
  • Connell, J. (2005), “Toddlers, Tourism and Tobermory: Destination Marketing Issues and Television-Induced Tourism”, Tourism Management, 26(5): 763-776.
  • Connell, J., Meyer, D. (2009), “Balamory Revisited: An Evaluation of the Screen Tourism Destination-Tourist Nexus”, Tourism Management, 30(2): 194-207.
  • El Sheikh, S. A. H. (2020). “Factors Affecting Pre-Visit Destination Image: Application on the Grand Egyptian Museum (GEM)”, Journal of Humanities and Applied Social Sciences, 2(3): 215-234.
  • Fu, H., Ye, B. H., Xiang, J. (2016), “Reality TV, Audience Travel Intentions, and Destination Image”, Tourism Management, 55: 37-48.
  • Genç, K., S. Şengül. (2016), “Güzel Atlar Diyarına Yolculuk: Kapadokya Bölgesi’ne Yüksek Gelirli Turist Çekimine Yönelik Bir Değerlendirme”, 2. Uluslararası Nevşehir Tarih ve Kültür Sempozyumu, 878-891.
  • Gretzel, U., Collier de Mendonça, M. (2019), “Smart Destination Brands: Semiotic Analysis of Visual and Verbal Signs”, International Journal of Tourism Cities, 5(4): 560-580.
  • Gunes, A. (2012), “Çağdaş Bir Çözümleme Yöntemi: Göstergebilim”, Humanities Sciences, 7(2): 31-43.
  • Güngör, Ş. (2016), Alternatif Turizm Etkinliği ve Ürün Çeşitliliği Oluşturmada Atin Kullanimi: Nevşehir Örneği”, Uluslararası Avrasya Sosyal Bilimler Dergisi, 7(22): 81-99.
  • Harrill, R., Cárdenas, D. A., Dioko, L. D. A. (2022), “Travel, Transformation, and Enlightenment in Film: A Critical Review”, Current Issues in Tourism, 25(16): 2557-2570.
  • Hooker, A. M., Cooper, K. E. (2022), “Insta-Spiration Sweeping the Nation: The Influence of Instagram on Intention to Travel to Yellowstone National Park. The Review of Socionetwork Strategies, 16: 1-24.
  • Hosany, S., Ekinci, Y., Uysal, M. (2007), “Destination Image and Destination Personality”, International Journal of Culture, Tourism and Hospitality Research, 1(1): 62-81.
  • Hunter, W. C. (2016), “The Social Construction of Tourism Online Destination Image: A Comparative Semiotic Analysis of the Visual Representation of Seoul”, Tourism Management, 54: 221-229.
  • Işkın, M., Demirci, F., Şengel, Ü., Genç, G. (2023), “Motivations of Domestic Tourists for Choosing the Sapanca Destination”, Journal of New Tourism Trends, 4(2): 16-27.
  • Kapadokyahaber. (2024), “Nevşehir'de Çekilen Televizyon Dizileri!”, https://www.kapadokyahaber.com.tr/haber/21304847/nevsehirde-cekilen-televizyon-dizileri, (18.10.2024)
  • Kazancıoğlu, E. R., Bilbil, E. K. (2023), “Destinasyon Seçiminde Destinasyon Imajı Ve Kent Markalama: Kapadokya Üzerine Bir Araştırma”, Haliç Üniversitesi Sosyal Bilimler Dergisi, 6(2): 179-195.
  • Keillor, B. D., D'Amico, M., Horton, V. (2001), “Global Consumer Tendencies”, Psychology & Marketing, 18(1): 1-19.
  • Keller, K. L. (1993), “Conceptualizing, Measuring, and Managing Customer-Based Brand Equity”, Journal of Marketing, 57(1): 1-22.
  • Kim, H. L., Hyun, S. S. (2024), “Paradoxical Effects of Tourism Ethnocentrism on Domestic Tourism: The Moderating Effect of Pandemic Anxiety Travel”, International Journal of Tourism Research, 26(1): e2628.
  • Kim, S. (2012), “Audience Involvement and Film Tourism Experiences: Emotional Places, Emotional Experiences”, Tourism Management, 33(2): 387-396.
  • Kim, S., Kim, S., Han, H. (2019), “Effects of TV Drama Celebrities on National Image and Behavioral Intention”, Asia Pacific Journal of Tourism Research, 24(3): 233–249.
  • Koçoğlu, C. M. (2019), “Destinasyona Yönelik Marka Imajı Ve Marka Sadakati Ilişkisinde Algılanan Destinasyon Kalitesinin Aracılık Rolü”, Seyahat ve Otel İşletmeciliği Dergisi, 16(1): 34-47.
  • Lee, S., Scott, D., Kim, H. (2008), “Celebrity Fan Involvement and Destination Perceptions”, Annals of Tourism Research, 35(3): 809-832.
  • Lopes, S. D. F. (2011), “Destination Image: Origins, Developments and Implications”, PASOS. Revista de Turismo y Patrimonio Cultural, 9(2): 305-315.
  • Luo, Y., Hunter, W. C. (2024), “A Semiology of Representations in Tourism Destination Image: Social Construction of a Korean Hallyu Narrative”, Journal of Tourism and Cultural Change, 22(4): 421-437.
  • Luong, T. B. (2024), “The Moderating Role of E‐Word of Mouth in the Relationships Between Destination Source Credibility, Awareness, Attachment, Travel Motivation, and Travel Intention: A Case Study of Vietnamese Film Tourism”, International Journal of Tourism Research, 26(4): e2729.
  • Manhas, P. S., Manrai, L. A., Manrai, A. K. (2016), “Role of Tourist Destination Development in Building Its Brand Image: A Conceptual Model”, Journal of Economics, Finance and Administrative Science, 21(40): 25-29.
  • Martinez, E., Pina, J. M. (2003), “The Negative Impact of Brand Extensions on Parent Brand Image”, Journal of Product & Brand Management, 12(7): 432-448.
  • Molinillo, S., Liébana-Cabanillas, F., Anaya-Sánchez, R., Buhalis, D. (2018), “DMO Online Platforms: Image and Intention to Visit”, Tourism Management, 65: 116-130.
  • Murphy, L. (2000). “Australia's Image as a Holiday Destination-Perceptions of Backpacker Visitors”, Journal of Travel & Tourism Marketing, 8(3): 21-45.
  • O'Connor, N., Flanagan, S., Gilbert, D. (2008), “The Integration of Film‐Induced Tourism and Destination Branding in Yorkshire, UK”, International Journal of Tourism Research, 10(5): 423-437.
  • Özbek, M., Güllü, K. (2021), “Destinasyon Tercihinde Film ve Dizi İzlemenin Önemi: Kapadokya'da Film Turizmi Örneği”, Erciyes Akademi, 35(Özel Sayı): 855-873.
  • Peirce, C. S. (1934), Collected Papers of Charles Sanders Peirce, Harvard University Press, Cambridge.
  • Pham, D. D., Hwang, Y.-H. (2022), “Halo Effects of a Country in Film-Induced Tourism: A Case Study of the Ha Long Bay, Vietnam in ‘Kong: Skull Island”, Journal of Destination Marketing & Management, 25: 100722.
  • Riley, R. W., Van Doren, C. S. (1992), “Movies as Tourism Promotion: A ‘Pull’factor in a ‘Push’location”, Tourism Management, 13(3): 267-274.
  • Rosenzweig, E. D., Roth, A. V., Dean Jr, J. W. (2003), “The Influence of an Integration Strategyo Competitive Capabilities and Business Performance: An Exploratory Study of Consumer Products Manufacturers”, Journal of Operations Management, 21(4): 437-456.
  • Saltık, I. A., Coşar, Y., Kozak, M. (2010), “Televizyon Dizilerinin Destinasyon Pazarlaması Açısından Olası Sonuçları”, Anatolia: Turizm Araştırmaları Dergisi, 21(1): 41-50.
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There are 65 citations in total.

Details

Primary Language English
Subjects Marketing (Other)
Journal Section Articles
Authors

Ümit Şengel 0000-0003-1284-836X

Project Number None
Early Pub Date October 23, 2025
Publication Date October 23, 2025
Submission Date May 14, 2025
Acceptance Date July 18, 2025
Published in Issue Year 2025 Volume: 9 Issue: 2

Cite

APA Şengel, Ü. (2025). From the Land of Beautiful Horses to the Land of Beautiful Loves: The Transformation of Destination Image from Legends to TV Series and Cappadocia. Anadolu İktisat Ve İşletme Dergisi, 9(2), 158-178. https://doi.org/10.59293/anadoluiid.1698143