Research Article

Becoming-Speed: Futurism’s Conflicts with Subjectivity and Motion

Volume: 30 Number: 53 October 31, 2024
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Becoming-Speed: Futurism’s Conflicts with Subjectivity and Motion

Abstract

The futurist myth of speed was constructed around the possibility of a new subjectivity emanating from the altered sensations of a subject in motion. This myth of speed along with that of machinery emanated from an obsession with technological progress and its effects on the human subject. Like the majority of futurist myths, however, this subject on-the-move and his/her most typical experiences were constituted through a set of conflicting and ambiguous notions. This new subject, supposedly devoid of a hermetic identity, comprised multiple “beings,” each blurring into the new assemblages through which s/he travels. Yet, the experience of speed and the intensified perception it entails empowered the very same subject by reconstituting a strong sense of self. This paper analyzes some of Umberto Boccioni’s artworks, focusing particularly on the theme of the deconstruction and reconstruction of subjectivity via speed, movement and the type of represented mobility.

Keywords

References

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  6. Bergson, H. (1944). Creative evolution (A. Mitchell, Trans.). Modern Library. https://books.google.com.tr/books/about/Creative_ Evolution.html?id=m8M8AAAAYAAJ&redir_esc=y (Original work published 1911)
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Details

Primary Language

English

Subjects

Sculpture, Painting

Journal Section

Research Article

Publication Date

October 31, 2024

Submission Date

April 17, 2024

Acceptance Date

September 11, 2024

Published in Issue

Year 2024 Volume: 30 Number: 53

APA
Pınar, E. (2024). Becoming-Speed: Futurism’s Conflicts with Subjectivity and Motion. Art Vision, 30(53), 113-121. https://doi.org/10.32547/artvision.1470116
AMA
1.Pınar E. Becoming-Speed: Futurism’s Conflicts with Subjectivity and Motion. Art Vision. 2024;30(53):113-121. doi:10.32547/artvision.1470116
Chicago
Pınar, Ekin. 2024. “Becoming-Speed: Futurism’s Conflicts With Subjectivity and Motion”. Art Vision 30 (53): 113-21. https://doi.org/10.32547/artvision.1470116.
EndNote
Pınar E (October 1, 2024) Becoming-Speed: Futurism’s Conflicts with Subjectivity and Motion. Art Vision 30 53 113–121.
IEEE
[1]E. Pınar, “Becoming-Speed: Futurism’s Conflicts with Subjectivity and Motion”, Art Vision, vol. 30, no. 53, pp. 113–121, Oct. 2024, doi: 10.32547/artvision.1470116.
ISNAD
Pınar, Ekin. “Becoming-Speed: Futurism’s Conflicts With Subjectivity and Motion”. Art Vision 30/53 (October 1, 2024): 113-121. https://doi.org/10.32547/artvision.1470116.
JAMA
1.Pınar E. Becoming-Speed: Futurism’s Conflicts with Subjectivity and Motion. Art Vision. 2024;30:113–121.
MLA
Pınar, Ekin. “Becoming-Speed: Futurism’s Conflicts With Subjectivity and Motion”. Art Vision, vol. 30, no. 53, Oct. 2024, pp. 113-21, doi:10.32547/artvision.1470116.
Vancouver
1.Ekin Pınar. Becoming-Speed: Futurism’s Conflicts with Subjectivity and Motion. Art Vision. 2024 Oct. 1;30(53):113-21. doi:10.32547/artvision.1470116