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Nature-Inspired Creativity and Its Usage in Ceramic Art Objects

Year 2022, Volume: 28 Issue: 49, 198 - 206, 31.10.2022

Olcay Boratav

https://doi.org/10.5152/ArtVis.2022.222791

Abstract

The interaction between human and nature has differed from the paleolithic period to the present day in accordance in line with the desire of humans to dominate nature. During and after the industrial revolution, the interaction dimension has changed and the interaction balance has been negative. Nowadays, the power of human over nature is directed at exhausting it. The change and transformation of nature has developed depending on the time. The power of nature represents more than just a visual inspiration. Taking the interaction in nature as a model and transferring it to ceramic art objects is provided by using artistic and technological searches and gained experiences in the body and surfaces of ceramic works. Nature shows the artist that just as nature renews itself, art can be redesigned. This situation is observed in the works revealed in the dimension of creativity. The ceramic artist uses the nature model, physical or tactile texture samples in her works as a tool both in terms of function and style. Some ceramic artists, on the other hand, describe the return to nature in their works. This study focuses on the utilization of nature in the transformation of mud, which is an element of nature, into an art object, the function of the permeability of nature with technological applications in the art object, and the work of selected artists in this field. After baking, the mud is ground and reused in the clay body, on the surface, and on the glaze were observed in the artist’s works examined within the scope of the study. Examples include visual images and abstraction. The design fiction within nature itself results in the search for texture and form in the art objects that are focused on function and style, supported by technology. Bringing this result together with the receiver is an experience that is given to the receiver. The connection that human has established with nature has been transferred to art objects. On the works of selected artists, the influence of nature was traced, which was achieved through the skillful use of artistic tools and materials. Examples that require technical knowledge and experience in research will offer new horizons to researchers in this field. It has been studied in order to be a source for new generation designers.

Keywords

Art object clay body inspiration nature texture

References

  • Akiyama, Y. (2010). Tensi on-an d-tra nsiti on. [Seramik]. https ://www.mirviss. com/exhibitions /tension-a nd-transition?v iew=s lider #13.
  • Akiyama, Y. (2011). Tensi on-an d-tra nsiti on. [Seramik]. https ://www.mir viss.com/exhibitions /tension-a nd-transition.
  • Akiyama, Y. (2015). A-moment-in-time. [Seramik]. https ://www.mir viss.com/e xhibitions /a-moment- in-time.
  • Barcio, P. (2017). The importance of texture in abstract art. https ://www.ideelart .com/ magazine/texture-in-art/
  • Benyus, J. M. (1997). Biomimicry: Innovation inspired by nature. William Morrow and Company.
  • Bonito (2016). Colla pse / r ebirt h. Gal lerie Mirviss / New York exposition. https ://yo shimi futam ura.c om/in dex.p hp/20 16/04 /26/c ollap se-rebirth -gall erie- joan- b-mir vissn ew-yo rk/
  • Boratav, O. (1999). [Seramik]. Olcay Boratav Kişisel Arşivi
  • Boratav, O. (2019). [Seramik]. Olcay Boratav Kişisel Arşivi
  • Boratav, O. (2019). Gelenekselden çağdaşa seramik. S. Mutlu (Ed.), Doğa alıntılı seramik uygulamalarda astar tekniği ile sanatsal arayışlar (s. 113-127) içinde. İksad Yayınevi.
  • Bourlard, J. F. (2012). [Seramik]. https ://ww w.pin teres t.ch/ pin/3 3397012859 88243 58/.
  • Bourlard, J. F. (2016). [Seramik]. https ://in .pint erest .com/ pin/4 2164958386 19633 30/.
  • Butcher, A. R., & Corfe, I. J. (2021). Geo-inspired science, engineering, construction, art and design. Geology Today, 37(5), 184–193.
  • Casanovas, C. (1993). [Seramik]. https ://tr .pint erest .com/ pin/4 2516802105 53454 68/.
  • Casanovas, C. (t.y.). [Seramik]. https ://tr .pint erest .com/ pin/4 25168 0210669634 69/.
  • Christian, J. (2007). Exhibition | Aneta Regel. Gneiss at carpenters workshop gallery. Paris. https ://cf​ileon line. org/e xhibi tion- aneta -rege l-gneiss-a t-car pente rs-wo rksho p-gal lery- paris conte mpora ry-ce ramic-art- cfile /
  • Del Vecchio, M. (2001). Postmodern ceramic. Thames and Hudson.
  • Dodo, A. (2019). Contemplations in the natural landscape: Unearthing thesurface in the ceramic vessels of Anda Dodo [Dissertation submitted in partial fulfilment of the requirements for the degree of Master of Art in Fine Art. Centre for Visual Art, University of KwaZulu-Natal].
  • Henderson, E. (1990). [Seramik]. https ://tr .pint erest .com/ pin/1 6923689848 39144 61/.
  • Henderson, E. (1990). [Seramik]. https ://tr .pint erest .com/ pin/3 3537750351 05076 93/.
  • Henderson, E. (1997). [Seramik]. https ://tr .pint erest .com/ pin/7 2064637787 09400 82/.
  • Henderson, E. (1986). [Seramik]. https ://tr .pint erest .com/ pin/7 5576099986 31801 3/.
  • Henderson, E. (2014). [Seramik]. https ://tr .pint erest .com/ pin/A eBzkzp3WIY Dsq5n m-oeX j2Yx3 8nCpm oQs6H 5dR21 -RyhT a3Jmc o-9A/ .
  • Infoceramica (2016). Jean-François Bourlard. https://www.infoceramica.com/2016/01/jean-francois-bourlard/
  • Itabashi, H. (2010). [Seramik]. https ://tr .pint erest .com/ pin/5 02995 8521413698 62/.
  • Itabashi,H. (2010). [Seramik]. https ://tr .pint erest .com/ pin/3 56347 3892778791 54/.
  • Itabashi,H. (2010). [Seramik]. http: //www .ando -toky o.jp/ exhib ition /ex2010/it abash i-201 0/268 3.htm /.
  • Kagan, S. M. (2008). Estetik ve sanat notları. A. Çalışlar (Çev.). Karakalem.
  • Kany, D. (2011). Everyone should see this show. Art Review. https ://www.pre ssher ald.c om/20 11/02 /27/e veryo ne-sh ould- see-t his-s how_2011-0 2-27/
  • Karp, J. (2021). Bioinspired, A conversation with Jeff Karp, biotechnologist and entrepreneur. https ://ww w.amn h.org /expl ore/s cienc e-top ics/nature -as-i nnova tor/b ioins pired -with -jeff -karp
  • Katiyar, N. K., Goel, G., Hawi, S., & Goel, S. (2021). Nature-inspired materials: Emerging trends and prospects. NPG Asia Materials, 13(1), 56.
  • Korkmaz, F. D., & Salman, C. (2019). Doğa, deneyim ve Dewey Felsefesinin seramik üretime yansıması. Erzincan Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 12(1), 87-101. https://dergipark.org.tr/tr/pub/erz is osbil/issue/46366/558972
  • Lehmann, P. (t.y.). Biographical summary. https ://ww w.aic -iac. org/w p-content/ uploa ds/IA CCurr iculu m-Vit ae-Pa scale -Lehm ann-. pdf/
  • Lehmann, P. (t.y.). t.cat alogo -fına l-ver sıo. https ://ww w.aic -iac. org/w p-content/ uploa ds/CA TALOG O-FIN AL-VE RSIO% CC%81 N-WEB low- .pdf
  • Lehmann, P. (2009). [Seramik]. https ://tr .pint erest .com/ pin/4 25942 0772587325 10/.
  • Lehmann, P. (2011). [Seramik]. https ://tr .pint erest .com/ pin/4 18553 3591219803 64/.
  • Lehmann, P. (2014). [Seramik]. https ://tr .pint erest .com/ pin/4 25942 0772585674 13/.
  • Little, E. (2015). Maıne artıst jonathan mess. Little studıo tour. http: //erinlitt lepor tfoli o.com /blog /2015 /10/8 /stud io-to ur-ma ine-a rtist -jonathan- mess/
  • Mess, J. (2015). [Seramik]. https ://tr .pint erest .com/ pin/3 00052 39392 1 0 028 95/.
  • Mess, J. (2015). [Seramik]. https ://tr .pint erest .com/ pin/4 31430 83928 92 448 53/.
  • Mess, J. (2015). [Seramik]. https ://tr .pint erest .com/ pin/4 13275 70331 08 055 57/.
  • Mess, J. (2015). [Seramik]. https ://tr .pint erest .com/ pin/7 20013 05918 03 611 85/.
  • Mirviss, J. B. LTD. (t.y.). Akiyama-yo-. Artists. https ://ww w.mir viss. com/artist s/aki yama- yo/
  • Mirviss, J. B. LTD. (t.y.). futamura-yoshimi. Artists. https ://ww w.mir viss.com/a rtist s/fut amura -yosh imi/
  • Mirviss, J. B. LTD. (t.y.). itabasi-hiromi. Artists. https ://ww w.mir viss. com/artist s/ita bashi -hiro mi/
  • Mutlu, H. S. (1998). Özgün seramik yüzeylerde teknik ve estetik gerilim. (Tez No. 73947) [Sanatta Yeterlilik, H. Ü. Sosyal Bilimler Enstitüsü].
  • Mutlu, H. S. (2020). Seramik sırlarında pirofillit kullanımı. İnönü Üniversitesi Uluslararası Sosyal Bilimler Dergisi, (INIJOSS), 9(2), 555–563. https://dergipark.org.tr/tr/pub/inijoss/issue/58833/799647
  • Mutlu, H. S. (2022). [Seramik]. Sanatçı izni ile.
  • Pérez, R. (2011). [Seramik]. https ://tr .pint erest .com/ pin/2 36368 68042 86096 71/.
  • Pérez, R. (2012). [Seramik]. https ://ww w.lac ostek eane. com/e xhibi tions /rafa -pere z-mom entos -de-t ierra /.
  • Pérez, R. (2017). [Seramik]. https ://tr .pint erest .com/ pin/5 40432 64253 78115 3/.
  • Pérez, R. (2020). Rafa Pérez. Mansfield ceramics. https ://ww w.man sfiel dcera mics. com/p rojec ts/ra fa-pe rez-s pain/
  • Pérez, R. (2022). Contemporary ceramics magazine. https://ww w.ceramics now.o rg/ra faper ez/
  • Pulsceramics. (2012). Rafa Pérez. https ://ww w.pul scera mics. com/e xhibitions /rafa -pere z-201 2/
  • Puls Contemporary Ceramics. (2014). Yoshimi futamura. Puls Ceramic. https ://ww w.pul scera mics. com/
  • Regel, A. (2017). [Seramik]. https ://tr .pint erest .com/ pin/2 03366 3580934150 5/.
  • Regel, A. (2017). [Seramik]. https ://ar .pint erest .com/ pin/7 90029 95964 6999736/.
  • Regel, A. (2018). [Seramik]. https ://tr .pint erest .com/ pin/8 15644 18250 45629 39/.
  • Ripley, R. L., & Bhushan, B. (2016). Bioarchitecture: Bioinspired art and architecture—A perspective. Philosophical Transactions of the Royal Society A, 374(2073), 20160192.
  • The Biomimicry Institute. (2021). Asknature. https ://as knatu re.or g/innovati ons/
  • White, C. D. (2014). Hyperrealistic ‘wood’ sculptures that are actually made of ceramic. https ://tw isted sifte r.com /2014 /03/w ood-like-c erami c-sculptur es-by chris tophe r-dav id-wh ite, https ://ww w.christop herda vidwhite.c om/in dex.p hp/en /.
  • Whiting, D. (2018). Ewen henderson. https ://ww w.oxf ordce ramic s.com /artists/4 4-ewe nhend erson /over view/
  • Yoshimi, F. (2014). [Seramik]. https ://tr .pint erest .com/ pin/5 65342 55947 24738 67/.
  • Yoshimi, F. (2015). [Seramik]. https ://ww w.mir viss. com/artists/fut amura -yosh imi?v iew=s lider #5/.
  • Yoshimi, F. (2018). [Seramik]. https ://ww w.pin teres t.co. uk/pi n/575 6867648520 90105 /.

Doğa İlhamlı Yaratıcılık ve Seramik Sanat Nesnesinde Kullanımı

Year 2022, Volume: 28 Issue: 49, 198 - 206, 31.10.2022

Olcay Boratav

https://doi.org/10.5152/ArtVis.2022.222791

Abstract

İnsan ve doğa arasındaki etkileşim, Paleolotik dönemden bugüne insanın doğaya egemen olma isteği doğrultusunda farklılık göstermiştir. Sanayi devrimi ve sonrasında etkileşim boyutu değişmiş, etkileşim dengeleri olumsuz olmuştur. Günümüzde insanın doğa üzerindeki gücü, onu tüketmeye yöneliktir. Doğanın değişimi ve dönüşümü, zamana bağlı olarak gelişim göstermiştir. Doğanın gücü, görsel bir ilham kaynağından daha fazlasını temsil eder. Doğadaki etkileşimin model alınarak seramik sanat nesnelerine aktarımı, seramik eser bünye ve yüzeylerinde sanatsal, teknolojik arayışlar ve kazanılan deneyimlerin kullanılması ile sağlanmıştır. Doğa sanatçıya, doğanın kendisini yenilemesi gibi sanatın da yeniden tasarlanabileceğini göstermektedir. Bu durum yaratıcılık boyutunda ortaya konan eserlerde izlenmektedir. Seramik sanatçısı çalışmalarında doğa modelini, fiziksel ya da dokunsal doku örneklerini, hem işlev hem de üslup bakımından bir araç olarak kullanmaktadır. Bazı seramik sanatçıları ise ortaya koydukları eserlerde doğaya geri dönüşü anlatmaktadır. Bu çalışma; doğanın bir unsuru olan çamurun, sanat nesnesine dönüşümünde doğadan yararlanma, doğanın geçirgenliğinin sanat nesnesinde teknolojik uygulamalar ile işlev kazanması ve bu alanda seçilmiş sanatçıların çalışmaları odaklı ele alınmıştır. Çamurun pişirim sonrası öğütülerek yeniden kil bünyede, yüzeyde ve sırda kullanımı çalışma kapsamında incelenen sanatçı eserlerinde izlenmiştir. Örnekler, görsel imgeler ve soyutlama içermektedir. Doğanın kendi içindeki tasarım kurgusu, ortaya konan sanat nesnelerinde işlev ve üslup odaklı, teknoloji destekli doku ve biçim arayışları ile sonuçlanmaktadır. Bu sonucun alımlayıcı ile buluşturulması, alımlayıcıya yaşatılan bir deneyimdir. İnsanın doğa ile kurduğu bağ, sanat nesnelerine aktarılmıştır. Seçilmiş sanatçıların eserleri üzerinde, sanatsal araçların ve malzemelerin ustaca kullanılmasıyla elde edilen doğanın etkisi izlenmiştir. Araştırmada teknik bilgi ve deneyim gerektiren örnekler, bu alandaki araştırmacılara yeni ufuklar sunacaktır. Yeni nesil tasarımcılara kaynak olabilmesi için çalışılmıştır.

Keywords

Sanat nesne kil bünye ilham doğa doku

References

  • Akiyama, Y. (2010). Tensi on-an d-tra nsiti on. [Seramik]. https ://www.mirviss. com/exhibitions /tension-a nd-transition?v iew=s lider #13.
  • Akiyama, Y. (2011). Tensi on-an d-tra nsiti on. [Seramik]. https ://www.mir viss.com/exhibitions /tension-a nd-transition.
  • Akiyama, Y. (2015). A-moment-in-time. [Seramik]. https ://www.mir viss.com/e xhibitions /a-moment- in-time.
  • Barcio, P. (2017). The importance of texture in abstract art. https ://www.ideelart .com/ magazine/texture-in-art/
  • Benyus, J. M. (1997). Biomimicry: Innovation inspired by nature. William Morrow and Company.
  • Bonito (2016). Colla pse / r ebirt h. Gal lerie Mirviss / New York exposition. https ://yo shimi futam ura.c om/in dex.p hp/20 16/04 /26/c ollap se-rebirth -gall erie- joan- b-mir vissn ew-yo rk/
  • Boratav, O. (1999). [Seramik]. Olcay Boratav Kişisel Arşivi
  • Boratav, O. (2019). [Seramik]. Olcay Boratav Kişisel Arşivi
  • Boratav, O. (2019). Gelenekselden çağdaşa seramik. S. Mutlu (Ed.), Doğa alıntılı seramik uygulamalarda astar tekniği ile sanatsal arayışlar (s. 113-127) içinde. İksad Yayınevi.
  • Bourlard, J. F. (2012). [Seramik]. https ://ww w.pin teres t.ch/ pin/3 3397012859 88243 58/.
  • Bourlard, J. F. (2016). [Seramik]. https ://in .pint erest .com/ pin/4 2164958386 19633 30/.
  • Butcher, A. R., & Corfe, I. J. (2021). Geo-inspired science, engineering, construction, art and design. Geology Today, 37(5), 184–193.
  • Casanovas, C. (1993). [Seramik]. https ://tr .pint erest .com/ pin/4 2516802105 53454 68/.
  • Casanovas, C. (t.y.). [Seramik]. https ://tr .pint erest .com/ pin/4 25168 0210669634 69/.
  • Christian, J. (2007). Exhibition | Aneta Regel. Gneiss at carpenters workshop gallery. Paris. https ://cf​ileon line. org/e xhibi tion- aneta -rege l-gneiss-a t-car pente rs-wo rksho p-gal lery- paris conte mpora ry-ce ramic-art- cfile /
  • Del Vecchio, M. (2001). Postmodern ceramic. Thames and Hudson.
  • Dodo, A. (2019). Contemplations in the natural landscape: Unearthing thesurface in the ceramic vessels of Anda Dodo [Dissertation submitted in partial fulfilment of the requirements for the degree of Master of Art in Fine Art. Centre for Visual Art, University of KwaZulu-Natal].
  • Henderson, E. (1990). [Seramik]. https ://tr .pint erest .com/ pin/1 6923689848 39144 61/.
  • Henderson, E. (1990). [Seramik]. https ://tr .pint erest .com/ pin/3 3537750351 05076 93/.
  • Henderson, E. (1997). [Seramik]. https ://tr .pint erest .com/ pin/7 2064637787 09400 82/.
  • Henderson, E. (1986). [Seramik]. https ://tr .pint erest .com/ pin/7 5576099986 31801 3/.
  • Henderson, E. (2014). [Seramik]. https ://tr .pint erest .com/ pin/A eBzkzp3WIY Dsq5n m-oeX j2Yx3 8nCpm oQs6H 5dR21 -RyhT a3Jmc o-9A/ .
  • Infoceramica (2016). Jean-François Bourlard. https://www.infoceramica.com/2016/01/jean-francois-bourlard/
  • Itabashi, H. (2010). [Seramik]. https ://tr .pint erest .com/ pin/5 02995 8521413698 62/.
  • Itabashi,H. (2010). [Seramik]. https ://tr .pint erest .com/ pin/3 56347 3892778791 54/.
  • Itabashi,H. (2010). [Seramik]. http: //www .ando -toky o.jp/ exhib ition /ex2010/it abash i-201 0/268 3.htm /.
  • Kagan, S. M. (2008). Estetik ve sanat notları. A. Çalışlar (Çev.). Karakalem.
  • Kany, D. (2011). Everyone should see this show. Art Review. https ://www.pre ssher ald.c om/20 11/02 /27/e veryo ne-sh ould- see-t his-s how_2011-0 2-27/
  • Karp, J. (2021). Bioinspired, A conversation with Jeff Karp, biotechnologist and entrepreneur. https ://ww w.amn h.org /expl ore/s cienc e-top ics/nature -as-i nnova tor/b ioins pired -with -jeff -karp
  • Katiyar, N. K., Goel, G., Hawi, S., & Goel, S. (2021). Nature-inspired materials: Emerging trends and prospects. NPG Asia Materials, 13(1), 56.
  • Korkmaz, F. D., & Salman, C. (2019). Doğa, deneyim ve Dewey Felsefesinin seramik üretime yansıması. Erzincan Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 12(1), 87-101. https://dergipark.org.tr/tr/pub/erz is osbil/issue/46366/558972
  • Lehmann, P. (t.y.). Biographical summary. https ://ww w.aic -iac. org/w p-content/ uploa ds/IA CCurr iculu m-Vit ae-Pa scale -Lehm ann-. pdf/
  • Lehmann, P. (t.y.). t.cat alogo -fına l-ver sıo. https ://ww w.aic -iac. org/w p-content/ uploa ds/CA TALOG O-FIN AL-VE RSIO% CC%81 N-WEB low- .pdf
  • Lehmann, P. (2009). [Seramik]. https ://tr .pint erest .com/ pin/4 25942 0772587325 10/.
  • Lehmann, P. (2011). [Seramik]. https ://tr .pint erest .com/ pin/4 18553 3591219803 64/.
  • Lehmann, P. (2014). [Seramik]. https ://tr .pint erest .com/ pin/4 25942 0772585674 13/.
  • Little, E. (2015). Maıne artıst jonathan mess. Little studıo tour. http: //erinlitt lepor tfoli o.com /blog /2015 /10/8 /stud io-to ur-ma ine-a rtist -jonathan- mess/
  • Mess, J. (2015). [Seramik]. https ://tr .pint erest .com/ pin/3 00052 39392 1 0 028 95/.
  • Mess, J. (2015). [Seramik]. https ://tr .pint erest .com/ pin/4 31430 83928 92 448 53/.
  • Mess, J. (2015). [Seramik]. https ://tr .pint erest .com/ pin/4 13275 70331 08 055 57/.
  • Mess, J. (2015). [Seramik]. https ://tr .pint erest .com/ pin/7 20013 05918 03 611 85/.
  • Mirviss, J. B. LTD. (t.y.). Akiyama-yo-. Artists. https ://ww w.mir viss. com/artist s/aki yama- yo/
  • Mirviss, J. B. LTD. (t.y.). futamura-yoshimi. Artists. https ://ww w.mir viss.com/a rtist s/fut amura -yosh imi/
  • Mirviss, J. B. LTD. (t.y.). itabasi-hiromi. Artists. https ://ww w.mir viss. com/artist s/ita bashi -hiro mi/
  • Mutlu, H. S. (1998). Özgün seramik yüzeylerde teknik ve estetik gerilim. (Tez No. 73947) [Sanatta Yeterlilik, H. Ü. Sosyal Bilimler Enstitüsü].
  • Mutlu, H. S. (2020). Seramik sırlarında pirofillit kullanımı. İnönü Üniversitesi Uluslararası Sosyal Bilimler Dergisi, (INIJOSS), 9(2), 555–563. https://dergipark.org.tr/tr/pub/inijoss/issue/58833/799647
  • Mutlu, H. S. (2022). [Seramik]. Sanatçı izni ile.
  • Pérez, R. (2011). [Seramik]. https ://tr .pint erest .com/ pin/2 36368 68042 86096 71/.
  • Pérez, R. (2012). [Seramik]. https ://ww w.lac ostek eane. com/e xhibi tions /rafa -pere z-mom entos -de-t ierra /.
  • Pérez, R. (2017). [Seramik]. https ://tr .pint erest .com/ pin/5 40432 64253 78115 3/.
  • Pérez, R. (2020). Rafa Pérez. Mansfield ceramics. https ://ww w.man sfiel dcera mics. com/p rojec ts/ra fa-pe rez-s pain/
  • Pérez, R. (2022). Contemporary ceramics magazine. https://ww w.ceramics now.o rg/ra faper ez/
  • Pulsceramics. (2012). Rafa Pérez. https ://ww w.pul scera mics. com/e xhibitions /rafa -pere z-201 2/
  • Puls Contemporary Ceramics. (2014). Yoshimi futamura. Puls Ceramic. https ://ww w.pul scera mics. com/
  • Regel, A. (2017). [Seramik]. https ://tr .pint erest .com/ pin/2 03366 3580934150 5/.
  • Regel, A. (2017). [Seramik]. https ://ar .pint erest .com/ pin/7 90029 95964 6999736/.
  • Regel, A. (2018). [Seramik]. https ://tr .pint erest .com/ pin/8 15644 18250 45629 39/.
  • Ripley, R. L., & Bhushan, B. (2016). Bioarchitecture: Bioinspired art and architecture—A perspective. Philosophical Transactions of the Royal Society A, 374(2073), 20160192.
  • The Biomimicry Institute. (2021). Asknature. https ://as knatu re.or g/innovati ons/
  • White, C. D. (2014). Hyperrealistic ‘wood’ sculptures that are actually made of ceramic. https ://tw isted sifte r.com /2014 /03/w ood-like-c erami c-sculptur es-by chris tophe r-dav id-wh ite, https ://ww w.christop herda vidwhite.c om/in dex.p hp/en /.
  • Whiting, D. (2018). Ewen henderson. https ://ww w.oxf ordce ramic s.com /artists/4 4-ewe nhend erson /over view/
  • Yoshimi, F. (2014). [Seramik]. https ://tr .pint erest .com/ pin/5 65342 55947 24738 67/.
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There are 64 citations in total.

Details

Primary Language Turkish
Subjects Fine Arts Education
Journal Section Research Articles
Authors

Olcay Boratav

Publication Date October 31, 2022
Published in Issue Year 2022 Volume: 28 Issue: 49

Cite

APA Boratav, O. (2022). Doğa İlhamlı Yaratıcılık ve Seramik Sanat Nesnesinde Kullanımı. Art Vision, 28(49), 198-206. https://doi.org/10.5152/ArtVis.2022.222791
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