Abstract
Digital games which consist of software and animation, reveal with the cultural accumulation a new
and hybrid type known as “machinima”. This study aims to investigate machinima which is considered as
cinematography to being an animated cinema created with digital gaming technology. The principals
of “digital game based animation productions” is studied in the constituents of art in game theory with
the purpose of analyzing animation and cinema in digital games.
Keywords
References
- Araujo, M.S. Carvallo, F.G, Vasconcellos, M.S. (2016). Interprocedurality: Procedural Intertextuality in Digital Games, Contemporary Research on Intertextuality in Video Games, ed. Duret, C. ve Pons, M.P. ABD: IGI Global, s: 235-252.
- Çatak G. (2005). Game Noir, Seyir Sinema Dergisi, Sayı: 1-2. İstanbul: Yaz.
- Dillon, R. (2011). The Golden Age of Video Games, The Birth of a Multi-Billion Dollar Industry. USA: A K Peters/CRC Press.
- Huizinga, J. (2015). Homo Ludens, Oyunun Toplumsal İşlevi Üzerine Bir Deneme. İstanbul: Ayrıntı Yayınları.
- Lowood, H. (2007a). High-PerformancePlay: The Making of Machinima. Videogames and Art, ed. Clarke, A. ve Mitchell, G, İngiltere: Intellect Books, s: 59-79.
- Lowood, H. (2007b). Found Technology: Players as Innovators in the Making of Machinima. Digital Youth, Innovation, and the Unexpected, ed. Tara McPherson, USA: M.I.T Press, 166-195.
- Veugen, C. (2012). ‘And What Do You Play?; Computer Games as a Comparative Medium: A Few Cautionary Remarks’. ed. Fromme, J. ve Unger, A. Computer Games and New Media Cultures A Handbook of Digital Games Studies. ABD: Springer, s: 47-60.
Abstract
Yazılım ve animasyonun bileşiminden oluşan dijital oyunlar, oluşturduğu kültürel birikimle yeni
ve melez bir tür olarak machinima’yı ortaya çıkarmıştır. Bu çalışma; sinema yapma biçimi olarak
düşünülen machinima’nın, dijital oyun teknolojisiyle oluşturulan bir canlandırma sineması formu
olmasını soruşturmaktadır. Dijital oyun tabanlı animasyon yapımının dayanakları, dijital oyunları
oluşturan sanatsal bileşenlerde aranarak, dijital oyunlarda sinema ve canlandırma sinemasının
çözümlemesi amaçlanmıştır.
Keywords
References
- Araujo, M.S. Carvallo, F.G, Vasconcellos, M.S. (2016). Interprocedurality: Procedural Intertextuality in Digital Games, Contemporary Research on Intertextuality in Video Games, ed. Duret, C. ve Pons, M.P. ABD: IGI Global, s: 235-252.
- Çatak G. (2005). Game Noir, Seyir Sinema Dergisi, Sayı: 1-2. İstanbul: Yaz.
- Dillon, R. (2011). The Golden Age of Video Games, The Birth of a Multi-Billion Dollar Industry. USA: A K Peters/CRC Press.
- Huizinga, J. (2015). Homo Ludens, Oyunun Toplumsal İşlevi Üzerine Bir Deneme. İstanbul: Ayrıntı Yayınları.
- Lowood, H. (2007a). High-PerformancePlay: The Making of Machinima. Videogames and Art, ed. Clarke, A. ve Mitchell, G, İngiltere: Intellect Books, s: 59-79.
- Lowood, H. (2007b). Found Technology: Players as Innovators in the Making of Machinima. Digital Youth, Innovation, and the Unexpected, ed. Tara McPherson, USA: M.I.T Press, 166-195.
- Veugen, C. (2012). ‘And What Do You Play?; Computer Games as a Comparative Medium: A Few Cautionary Remarks’. ed. Fromme, J. ve Unger, A. Computer Games and New Media Cultures A Handbook of Digital Games Studies. ABD: Springer, s: 47-60.
Details
| Primary Language | Turkish |
|---|---|
| Journal Section | Research Articles (Double blind peer reviewed and open to be indexed) |
| Authors | |
| Publication Date | June 21, 2018 |
| Submission Date | May 2, 2018 |
| Published in Issue | Year 2018 Volume: 4 Issue: 7 |
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