Erratum: BİR SOSYAL PRATİĞİN EVRİMİ: KAZ ANA ANLATISINDAN YOUTUBE VE SPOTIFY ANLATILARINA

Year 2024, Volume: 6 Issue: 1, 76 - 109

Stavroula Sotiropoulou

The original article was published on December 29, 2023. https://dergipark.org.tr/en/pub/balkanistik/issue/82166/1398964

Erratum Note

Makalenin ilk yayımında "Kaynakça"ya bazı kaynakların sehven eklenmiş olmasından dolayı "Kaynakça" yeniden düzenlenmiştir.

Abstract

Medya teknolojileri sektöründe 20. yüzyıl boyunca gerçekleşen yenilikçi/devrimci değişimlere rağmen masal anlatımı sabit, uzun ömürlü, sosyokültürel bir pratik olarak görülür. Modern öncesi dönemden modern ve postmodern döneme uzanan süreçte tanık olunan gelişmeler, bu sosyokültürel pratiğin de araçlarını etkileyip hızlı değişimlere uyum sağlamasına yol açmıştır. Daha açık ifade etmek gerekirse, bu çalışmada öncelikle kırsal bölgelerde şömine başında dede-nine gibi aile fertlerinin masal anlatımlarının, savaş sonrası Yunanistan Ulusal Radyosu’nda yayınlanan efsanevi Lena Teyze (Antigoni Metaksa) ile Lilipoupoli’nin anlatımlarına yerini bırakmasına odaklanılacaktır. Sonrasında ise ilk önce 1970’lerin başında Lena Teyze ile başlayan ve çok geçmeden “Paramythas (Masalcı)” olarak tanınan Nikos Pilavios ile devam eden televizyondaki masal anlatımları ve son olarak Youtube ve Spotify gibi platformlar aracılığıyla “İnternet Çağı”nı örnekleyen masal anlatımlarıyla inceleme sürdürülecektir. Bu çalışmanın amacı, masal anlatımının, arketipik biçiminden güncel biçimlerine katettiği yolculukta sergilediği kimi farklılaşmaları ve handikaplarını vurgulamaktır.

Keywords

Halk Edebiyatı (Masallar), Radyo, Televizyon, YouTube, Spotify

Erratum: Η ΕΞΕΛΙΞΗ ΜΙΑΣ ΚΟΙΝΩΝΙΚΗΣ ΠΡΑΚΤΙΚΗΣ: ΑΦΗΓΗΣΗ ΠΑΡΑΜΥΘΙΩΝ ΑΠΟ ΤΗ ΓΙΑΓΙΑ ΣΤΟ YOUTUBE ΚΑΙ ΤΟ SPOTIFY

The original article was published on December 29, 2023. https://dergipark.org.tr/en/pub/balkanistik/issue/82166/1398964

Erratum Note

Makalenin ilk yayımında "Kaynakça"ya bazı kaynakların sehven eklenmiş olmasından dolayı "Kaynakça" yeniden düzenlenmiştir.

Abstract

Η αφήγηση παραμυθιών στην Ελλάδα θεωρείται ως μια σταθερή και μακραίωνη κοινωνικο – πολιτισμική πρακτική, παρόλες τις καινοτόμες αλλαγές που συνέβησαν κατά τον 20ό αιώνα στον τομέα των Μέσων Τεχνολογίας. Η εξέλιξη από την Προνεωτερική, στη Νεωτερική και στη Μετανεωτερική Εποχή έχει επηρεάσει τις πρακτικές αυτής της κοινωνικό – πολιτισμικής πρακτικής και έχει προκαλέσει την προσαρμοστικότητά της στις ριζικές αλλαγές. Πιο συγκεκριμένα, θα εστιάσουμε στην μετάβαση από την αφήγηση παραμυθιών από τους παππούδες δίπλα στο τζάκι, ειδικά στις αγροτικές κοινωνίες, στην αφήγηση μέσω του μεταπολεμικού Ελληνικού Εθνικού Ραδιοφώνου από τη θρυλική Θεία Λένα (Αντιγόνη Μεταξά) και τη Λιλιπούπολη. Έπειτα, θα συνεχίσουμε με την τηλεοπτική αφήγηση παραμυθιών, πρώτα με τη Θεία Λένα στις αρχές της δεκαετίας του 1970 και, λίγο αργότερα, με τον «Παραμυθά» Νίκο Πιλάβιο και, τελικά, θα οδηγηθούμε στην «Εποχή του Διαδικτύου», με την αφήγηση παραμυθιών στο YouTube και το Spotify. Ο στόχος μας είναι να προβάλουμε τις διαφορές και τα αδύναμα σημεία από την αρχετυπική μορφή αυτής της πρακτικής έως τις πρόσφατες μορφές της.

Keywords

Λαϊκή Λογοτεχνία (Παραμύθια), Ραδιόφωνο, Τηλεόραση, YouTube, Spotify

Erratum: THE EVOLUTION OF A SOCIAL PRACTICE: FROM "MOTHER - GOOSE" NARRATION TO YOUTUBE AND SPOTIFY NARRATIONS

The original article was published on December 29, 2023. https://dergipark.org.tr/en/pub/balkanistik/issue/82166/1398964

Erratum Note

Abstract

Fairytale narration in Greece is widely considered as a stable, long-lasting social – cultural practice, despite the revolutionary changes that happened during the 20th century in the field of Media Technology. The evolution from Premodern to Modern and Postmodern Era has only affected the means of this social-cultural practice and caused its adaptability to rapid changes. More specifically, we will focus on the transition from grandparents’ fairytale narration next to the fireplace, especially in agricultural regions, to the narration through the post-war Greek National Radio with the legendary Aunt Lena (Antigoni Metaxa) and Lilipoupoli. Then we will continue with television fairytale narration, firstly with Aunt Lena in the beginning of the 1970’s and a little later with the “Paramythas” Nikos Pilavios and finally to the “Internet Era”, with the narration of fairytales on YouTube and Spotify. Our goal is to feature the differences and weak spots from the archetypical form of this practice to its recent forms.

Keywords

Folk Literature (Fairytales), Radio, Television, YouTube, Spotify

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