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Artistic Use of Compositional Variations of Waste Wood

Year 2025, Volume: 4 Issue: 1, 109 - 127, 01.02.2025
https://doi.org/10.58850/bodrum.1467266

Abstract

This study aims to explore the untapped potential of waste wood materials and investigate how their unique textures, patterns, and forms could be harnessed to create compelling outdoor art installations. As part of a qualitative research methodology, the study employs a case study and iterative design approach to explore the artistic potential and aesthetic value of waste wood in outdoor environments. An extensive collection process was undertaken, gathering various waste wood pieces from furniture shops. These samples were carefully cataloged based on their origin, wood type, dimensions, and distinguishing features. Through an iterative design approach, different arrangement techniques were explored to compose the waste wood fragments into larger sculptural forms that harmonized their irregular shapes and textures. Field studies were conducted to identify suitable outdoor locations where these ephemeral installations could be sensitively integrated while provoking dialogue on themes of temporality, renewal, and mankind's relationship with nature. The research reveals a profound duality within waste wood pieces – their discarded status juxtaposed against the intricate beauty of their details, grains, and organic imperfections. In conclusion, this research shows that waste wood art installation offers new perspectives on material reuse, encouraging a deeper appreciation for the overlooked beauty in discarded objects.

References

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  • Akhator, P., Obanor, A., & Ugege, A. (2017). Nigerian wood waste: A potential resource for economic development. Journal of Applied Sciences and Environmental Management, 21 (2), 246. https://doi.org/10.4314/jasem.v21i2.4
  • Al-Yahyai, F. (2014). Practice-based research as an approach for seeing, re-seeing and creating artworks. International Journal of Education Through Art, 10(3), 287-302. https://doi.org/10.1386/eta.10.3.287_1
  • Alapieti, T., Mikkola, R., Pasanen, P., & Salonen, H. (2020). The influence of wooden interior materials on indoor environment: A review. European Journal of Wood and Wood Products, 78(4), 617-634. https://doi.org/10.1007/s00107-020-01532-x
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  • Asamoah, O., Kuittinen, S., Danquah, J. A., Quartey, E. T., Bamwesigye, D., Boateng, C. M., … & Pappinen, A. (2020). Assessing wood waste by timber industry as a contributing factor to deforestation in Ghana. Forests, 11(9), 939. https://doi.org/10.3390/f11090939
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  • Bassey, B. A. & William, A. R. (2020). The arts of converting waste to wealth: Towards environmental sustainability in Nigeria. Central Asian Journal of Environmental Science and Technology Innovation, 1(3), 159-167. https://www.cas-press.com/article_111258_4e47523e1539faadaef2f4f9aaaa32bf.pdf
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  • Boakye-Yiadom, F., Micah, V. K. B. & Donkor, E. K. (2022). Pseudo traditional wood sculptures in TTU, Ghana: A study of four works by an artist-lecturer. Journal of Arts and Humanities, 11(02), 24-35.
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  • Browne, X., Larsen, O. P., Friis, N. C., & Kühn, M. S. (2022). Material value(s): motivating the architectural application of waste wood. Architecture, Structures and Construction, 2(4), 575-584. https://doi.org/10.1007/s44150-022-00065-6
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Artistic Use of Compositional Variations of Waste Wood

Year 2025, Volume: 4 Issue: 1, 109 - 127, 01.02.2025
https://doi.org/10.58850/bodrum.1467266

Abstract

This study aims to explore the untapped potential of waste wood materials and investigate how their unique textures, patterns, and forms could be harnessed to create compelling outdoor art installations. As part of a qualitative research methodology, the study employs a case study and iterative design approach to explore the artistic potential and aesthetic value of waste wood in outdoor environments. An extensive collection process was undertaken, gathering various waste wood pieces from furniture shops. These samples were carefully cataloged based on their origin, wood type, dimensions, and distinguishing features. Through an iterative design approach, different arrangement techniques were explored to compose the waste wood fragments into larger sculptural forms that harmonized their irregular shapes and textures. Field studies were conducted to identify suitable outdoor locations where these ephemeral installations could be sensitively integrated while provoking dialogue on themes of temporality, renewal, and mankind's relationship with nature. The research reveals a profound duality within waste wood pieces – their discarded status juxtaposed against the intricate beauty of their details, grains, and organic imperfections. In conclusion, this research shows that waste wood art installation offers new perspectives on material reuse, encouraging a deeper appreciation for the overlooked beauty in discarded objects.

References

  • Abbadia, J. (2022, November 01). The impact of geographical bias on research and studies. Mind the graph. https://mindthegraph.com/blog/geographical-bias/ (30.05.2024).
  • Adhikari, S., Ozarska, B. (2018). Minimizing environmental impacts of timber products through the production process “from sawmill to final products”. Environmental Systems Research, 7(1). https://doi.org/10.1186/s40068-018-0109-x
  • Ahen, F. & Amankwah‐Amoah, J. (2021). Sustainable waste management innovations in Africa: New perspectives and research agenda for improving global health. Sustainability, 13(12), 6646. https://doi.org/10.3390/su13126646
  • Ahmad, F., Saeed, Q., Shah, S. S. H., Gondal, M. A., & Mumtaz, S. (2022). Environmental sustainability: Challenges and approaches. Natural Resources Conservation and Advances for Sustainability, 243-270. https://doi.org/10.1016/b978-0-12-822976-7.00019-3
  • Akhator, P., Obanor, A., & Ugege, A. (2017). Nigerian wood waste: A potential resource for economic development. Journal of Applied Sciences and Environmental Management, 21 (2), 246. https://doi.org/10.4314/jasem.v21i2.4
  • Al-Yahyai, F. (2014). Practice-based research as an approach for seeing, re-seeing and creating artworks. International Journal of Education Through Art, 10(3), 287-302. https://doi.org/10.1386/eta.10.3.287_1
  • Alapieti, T., Mikkola, R., Pasanen, P., & Salonen, H. (2020). The influence of wooden interior materials on indoor environment: A review. European Journal of Wood and Wood Products, 78(4), 617-634. https://doi.org/10.1007/s00107-020-01532-x
  • Alpak, E. M., Duzenli, T. & Çiğdem, A. (2019). The impact of public art on urban open spaces. International Congress on Landscape Architecture Research, 3(1), 15-19.
  • Art story. (2024, February 15). Environmental art. The Art Story. https://www.theartstory.org/movement/environmental-art/
  • Asamoah, O., Kuittinen, S., Danquah, J. A., Quartey, E. T., Bamwesigye, D., Boateng, C. M., … & Pappinen, A. (2020). Assessing wood waste by timber industry as a contributing factor to deforestation in Ghana. Forests, 11(9), 939. https://doi.org/10.3390/f11090939
  • Asenso, K., Issah, S. & Som, E. K. (2020). The use of visual arts in environmental conservation in Ghana: The case of Adams Saeed. Journal of African Art Education, 1(1), 66-83.
  • Awuni, S., Tabi-Agyei, E., Baah, O. P. K. & Adom, D. (2023). Repurposing wood waste for the production of wooden carved doors for environmental sustainability. Journal of Innovations in Art & Culture for Nature Conservation and Environmental Sustainability, 1(2), 80-97.
  • Bassey, B. A. & William, A. R. (2020). The arts of converting waste to wealth: Towards environmental sustainability in Nigeria. Central Asian Journal of Environmental Science and Technology Innovation, 1(3), 159-167. https://www.cas-press.com/article_111258_4e47523e1539faadaef2f4f9aaaa32bf.pdf
  • Berleant, A. (1992). The aesthetics of environment. Temple University Press. http://www.jstor.org/stable/j.ctt14bs997
  • Berleant, A. (2005). Aesthetics and environment. Ashgate Publishing Limited. https://doi.org/10.4324/9781351163361
  • Besserer, A., Troilo, S., Girods, P., Rogaume, Y., & Brosse, N. (2021). Cascading recycling of wood waste: A review. Polymers, 13(11), 1752. https://doi.org/10.3390/polym13111752
  • Boakye-Yiadom, F., Micah, V. K. B. & Donkor, E. K. (2022). Pseudo traditional wood sculptures in TTU, Ghana: A study of four works by an artist-lecturer. Journal of Arts and Humanities, 11(02), 24-35.
  • Bolderston, A. (2012). Conducting a research interview. Journal of Medical Imaging and Radiation Sciences, 43(1), 66-76. https://doi.org/10.1016/j.jmir.2011.12.002
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There are 90 citations in total.

Details

Primary Language English
Subjects Fine Arts
Journal Section Research Articles
Authors

Evans Kwadwo Donkor 0000-0001-5855-8718

Kwadwo Asare Apori This is me 0009-0005-2325-5211

Fredrick Boakye-yiadom This is me 0009-0004-3596-0914

Publication Date February 1, 2025
Submission Date April 9, 2024
Acceptance Date January 22, 2025
Published in Issue Year 2025 Volume: 4 Issue: 1

Cite

APA Donkor, E. K., Apori, K. A., & Boakye-yiadom, F. (2025). Artistic Use of Compositional Variations of Waste Wood. Bodrum Journal of Art and Design, 4(1), 109-127. https://doi.org/10.58850/bodrum.1467266