This study aims to explore the untapped potential of waste wood materials and investigate how their unique textures, patterns, and forms could be harnessed to create compelling outdoor art installations. As part of a qualitative research methodology, the study employs a case study and iterative design approach to explore the artistic potential and aesthetic value of waste wood in outdoor environments. An extensive collection process was undertaken, gathering various waste wood pieces from furniture shops. These samples were carefully cataloged based on their origin, wood type, dimensions, and distinguishing features. Through an iterative design approach, different arrangement techniques were explored to compose the waste wood fragments into larger sculptural forms that harmonized their irregular shapes and textures. Field studies were conducted to identify suitable outdoor locations where these ephemeral installations could be sensitively integrated while provoking dialogue on themes of temporality, renewal, and mankind's relationship with nature. The research reveals a profound duality within waste wood pieces – their discarded status juxtaposed against the intricate beauty of their details, grains, and organic imperfections. In conclusion, this research shows that waste wood art installation offers new perspectives on material reuse, encouraging a deeper appreciation for the overlooked beauty in discarded objects.
This study aims to explore the untapped potential of waste wood materials and investigate how their unique textures, patterns, and forms could be harnessed to create compelling outdoor art installations. As part of a qualitative research methodology, the study employs a case study and iterative design approach to explore the artistic potential and aesthetic value of waste wood in outdoor environments. An extensive collection process was undertaken, gathering various waste wood pieces from furniture shops. These samples were carefully cataloged based on their origin, wood type, dimensions, and distinguishing features. Through an iterative design approach, different arrangement techniques were explored to compose the waste wood fragments into larger sculptural forms that harmonized their irregular shapes and textures. Field studies were conducted to identify suitable outdoor locations where these ephemeral installations could be sensitively integrated while provoking dialogue on themes of temporality, renewal, and mankind's relationship with nature. The research reveals a profound duality within waste wood pieces – their discarded status juxtaposed against the intricate beauty of their details, grains, and organic imperfections. In conclusion, this research shows that waste wood art installation offers new perspectives on material reuse, encouraging a deeper appreciation for the overlooked beauty in discarded objects.
Primary Language | English |
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Subjects | Fine Arts |
Journal Section | Research Articles |
Authors | |
Publication Date | February 1, 2025 |
Submission Date | April 9, 2024 |
Acceptance Date | January 22, 2025 |
Published in Issue | Year 2025 Volume: 4 Issue: 1 |