Abstract
Prof. Asım İşler, passed away on June 4, 2007, was an artist who had meticulously develop d his process in engraving. He had the opportunity to experiment in S. W. Hayter's workshop during the 1970s in Paris. Hayter is a pioneer in establishing prmtmakmg as a separate process other than painting in the 20th century. İşler, while experi men ting the printmaking process in Hayter's workshop, built up a strong relationship between his engravings and paintings by developing an abstract linear style; he realized the value of using different technical opportunities together and developed a painterly manner besides harmonious color schemes. He to returned Turkey in 1974 was appointed as academic staff, and taught engraving in the Academy. He presented his mastership in pnntmakmg in his expressionist compositions realized by a palette of simple colors with transparent spatial relations. The technical possibilities of restnicturing in the pn ntmakmg process mirrors the gestures, attitudes, expressions, colors and influences of the society İşler belongs to.
Keywords
References
- Barthex, Roland. Camera Lııcida. New York: The Noonday Pre.s.s, 1989.
- Castleman, Riva. The Prints of the Twentieth Century. London: Thames and Hudson, 1988.
- Field, Richard S. And Fine, Ruth, E. A Graphic Muse: Prints by the Contemporary American Women. New York: Hudson Hills Pre.s.s, 1987.
- İşler, Asım. Asım İşler. ed. Şegan İşler, Mas Matbaacılık A.Ş. İstanbul, 2003.
- Martin, Katrina. Jasper Johns: Printed Symbols. Minneapolis: Walker Art Center, 1980.
- McLuhan, Marshall. The Medium is the Message, Understanding Media the Extensions of Man. London: Abacus, 1974 (Routledge and Kegan, 1964): 201-216.
- Winkel man, Joseph. What Makes a Print Original, Printmaking Today, Winter 1990-91: 6.
Abstract
4 Haziran 2007'de aramızdan ayrılan Prof. Asım İşler, gravür (metal baskı) alanında da çalışmalarını titizlikle geliştiren bir sanatçıydı. 1970'li yıllarda Paris'te S. W. Hayter'in baskı atölyesinde çalışma fırsatı bulmuştur. Hayter, 20. yüzyılda baskıresmin ayrı bir alan olarak sanata dahil edilmesine öncülük eden bir isimdir. İşler, Hayter'in atölyesinde deneysel çalışmalar yaparken gravür ve boya resim arasında güçlü bir bağ kurarak, çalışmalarında soyut ve çizgisel bir tavrı benimsemiştir; farklı teknik olanakları bir arada değerlendirerek resimsel bir form ve renk armonisi elde etmiştir. 1974'te Türkiye'ye dönmüş, Akademi'de gravür atölyesinde uzun yıllar ders vermiştir. Baskı tekniğinde ulaştığı yetkinliği ifadeci bir eğilimle birleştirerek, yalın bir renk anlayışıyla elde ettiği ve saydam bir derinlik üzerine kurguladığı kompozisyonlarında sergilemiştir. Baskı resmin sunduğu yeniden yapılandırma olanakları, İşler'in içinde yaşadığı toplumun jestlerini, tavırlarını, ifadelerini, renklerini ve etkilerini yansıtmaktadır.
Keywords
References
- Barthex, Roland. Camera Lııcida. New York: The Noonday Pre.s.s, 1989.
- Castleman, Riva. The Prints of the Twentieth Century. London: Thames and Hudson, 1988.
- Field, Richard S. And Fine, Ruth, E. A Graphic Muse: Prints by the Contemporary American Women. New York: Hudson Hills Pre.s.s, 1987.
- İşler, Asım. Asım İşler. ed. Şegan İşler, Mas Matbaacılık A.Ş. İstanbul, 2003.
- Martin, Katrina. Jasper Johns: Printed Symbols. Minneapolis: Walker Art Center, 1980.
- McLuhan, Marshall. The Medium is the Message, Understanding Media the Extensions of Man. London: Abacus, 1974 (Routledge and Kegan, 1964): 201-216.
- Winkel man, Joseph. What Makes a Print Original, Printmaking Today, Winter 1990-91: 6.
Details
| Primary Language | Turkish |
|---|---|
| Journal Section | Review Article |
| Authors | |
| Publication Date | June 1, 2007 |
| Published in Issue | Year 2007 Volume: 1 Issue: 2 |
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